Posts Tagged ‘ brooklyn ’

Sky Picnic: March 28, 2013 Union Pool – FLAC/MP3/Streaming

April 4, 2013
By


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[Photos by acidjack]

Sky Picnic is the psych-driven rock band fronted by guitarist/vocalist Chris Sherman and bassist Leah Cinnamon, who on this night were joined by drummer Russell Wahlquist, who did an admirable job filling in for band regular Pete Meriwether.  This Union Pool show was made extra memorable by the liquid light show of Planetary Projections, who coated what is usually a drably lit shade with intense swirls of color.  Sky Picnic play a more vocal-driven brand of psychedelic rock, as well as using tighter arrangements on certain songs in addition to the typical sprawling songs typical of the style. The result is a slightly more pop-driven sound with songs that have more individual character than those of some of their contemporaries. This set consisted mostly of songs from their Paint Me A Dream LP, plus a longer, older number called “Universal Mind Decoder”.  Paint Me A Dream is still available in limited quantities on vinyl from the band’s bandcamp page, plus download options.  Sky Picnic plan to have some more local gigs in the coming months, so check back at their facebook page for updates.

I recorded this set in our usual manner in the venue, with Schoeps MK5 microphones and a soundboard feed from the house engineer, Patrick. The sound is excellent. Enjoy!

Stream “Rippled”

Direct download of the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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Sky Picnic
2013-03-28
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, DINa, DFC)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Patrick)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, reverb on vox)>Izotope Ozone 5 (EQ, exciter)>Audacity 3.0 (set fades, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Translucent Lucy
02 Paint Me A Dream
03 Freak Out Ethel
04 [banter]
05 Dream Yourself Away
06 Rippled
07 Universal Mind Decoder

If you enjoyed this recording, PLEASE SUPPORT Sky Picnic, like them on Facebook, and purchase Paint Me A Dream from them [HERE]

Stars: March 09, 2013 Music Hall of Williamsburg – FLAC/MP3/Streaming

April 2, 2013
By

stars second night-1[photos courtesy of Jill Harrison and For the Love of Brooklyn]

The Music Hall of Williamsburg recently hosted the two-night sold-out “Evenings of Sex and Death” tour featuring Canadian indie group Stars. A cheeky theme, yet one the band has continually explored throughout their long-running career. While the first night’s performance focused on the carnal, the second show paid tribute to their darker material.

Though the theme of the night was DEATH, the band was rested and in great spirits after such a warm reception the previous night. Highlights of this show included “Dead Hearts,” which was preceded by a onstage seance to summon the ghosts of Williamsburg, and the over-the-top melodramatics of “Do You Want to Die Together?” – a raucous duet about suicide from their latest album. Ever paying it forward for their longtime fans, Stars also played many of the hits from their classic LP “Set Yourself on Fire”, including the title track and “Your Ex-Lover Is Dead”, featured below.

I recorded the Stars with an excellent soundboard feed again provided by the band’s engineer and good friend, Marty, and for the second I decided to use a pair of MBHO cardioid microphones which are among my favorite indoor microphones. Their slightly brighter tone and ability to cut through the natural reverb of the room produces an incredibly clean sound which I think is even better than the previous night.

Our thanks goes to the Stars and their management for allowing us to record both nights from their recent run and we hope you enjoy!

Stream “Your Ex-Lover Is Dead”
[audio:https://www.nyctaper.com/S1110Stars1102/stars2013-03-09.yourexloverisdead.mp3]

Stream “Fixed”
[audio:https://www.nyctaper.com/S1110Stars1102/stars2013-03-09.fixed.mp3]

Direct download of the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

stars second night-2

Stars
Music Hall of Williamsburg
Brooklyn, NY
2013-03-09

Exclusive download hosted at nyctaper.com
Recorded and Produced by hi and lo

Recordist : hi and lo
Source: MBHO KA200/603 (PAS) > PSP-2 + Soundboard >> Tascam DR-680 @ 24 bit / 48 kHz

01. Intro
02. The Theory of Relativity
03. Elevator Love Letter
04. A Song is a Weapon
05. Death to Death
06. Ageless Beauty
07. The North
08. Backlines
09. The Light
10. Do You Want To Die Together?
11. Your Ex-Lover Is Dead
12. Set Yourself on Fire
13. Going, Going, Gone
14. Lights Changing Colour
15. Dead Hearts
16. Tru
17. Fixed
18. Hold On When You Get Love and Let Go When You Give It
19. Take Me to the Riot
20. Walls
21. (Encore Call)
22. My Favourite Book
23. What the Snowman Learned About Love
24. Reunion
25. Barricade

If you enjoyed this recording, PLEASE SUPPORT Stars, visit their website, and purchase any of their CDs or Vinyls from their online store [HERE].

Stars: March 08, 2013 Music Hall of Williamsburg – FLAC/MP3/Streaming

March 29, 2013
By

stars-1[photos courtesy of Jill and For the Love of Brooklyn]

The Canadian indie pop group Stars recorded their first album in NYC in 1999 and although they’ve since moved away, they always manage to make each return feel like a homecoming party. Band frontman and founder Torquil Campbell recently gave an interview in which he elaborates on his love-hate relationship with this city:

To this day, my wife still says that, even though I was born in England and I grew up in Canada, I act like a New Yorker. That was where my personality came into full fruition, where I found 11 million assholes just like me. [Laughs] I feel very at home there. On the other hand, I hate New York. Like everybody does. New York is a reflection of you. It’s whatever you imagine yourself to be.

The whole interview is highly entertaining, just like their recent sold-out two-night stop at the Music Hall of Williamsburg. The crowd had a blast as Stars dusted off a few fan favorites and mixed them up with a selection of new tracks from “The North”, their newest album released last September. Streaming below are two of my favorite songs from the night, but other surprises in the setlist included 2001’s “Krush” and a new unreleased song called “Wishful.”

I recorded this night’s performance using a pair of Schoeps MK41 microphones and an excellent soundboard feed graciously provided to us by the band and expertly mixed by their long-time engineer, Marty. The mix is an even balance of the two sources and the results are nothing short of outstanding!

We also recorded Stars the following night at Music Hall of Williamsburg and will be posting that performance very soon.

Stream “Midnight Coward”
[audio:https://www.nyctaper.com/S1110Stars1102/stars2013-03-08.midnightcoward.mp3]

Stream “Hold On When You Get Love and Let Go When You Give It”
[audio:https://www.nyctaper.com/S1110Stars1102/stars2013-03-08.holdon.mp3]

Direct download of the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

stars 2-1

Stars
Music Hall of Williamsburg
Brooklyn, NY
2013-03-08

Exclusive download hosted at nyctaper.com
Recorded and Produced by hi and lo

Recordist : hi and lo
Source 1 : Schoeps MK41 (DINa) > PSP-2 > AD2k + Soundboard >> Tascam DR-680 @ 24 bit / 48 kHz

01. Intro
02. The Theory of Relativity
03. Fixed
04. A Song is a Weapon
05. The North
06. We Don’t Want Your Body
07. Backlines
08. Personal
09. Do You Want To Die Together?
10. Wishful
11. Soft Revolution
12. (Banter)
13. Krush
14. The Loose Ends Will Make Knots
15. Life Effect
16. Midnight Coward
17. What I’m Trying to Say
18. One More Night (Your Ex-Lover Remains Dead)
19. Hold On When You Get Love and Let Go When You Give It
20. Take Me to the Riot
21. Walls
22. (Encore Call)
23. My Favourite Book
24. Your Ex-Lover Is Dead
25. The 400

If you enjoyed this recording, PLEASE SUPPORT Stars, visit their website, and purchase any of their CDs or Vinyls from their online store [HERE].

The Habit: March 26, 2013 Knitting Factory – FLAC/MP3/Streaming

March 27, 2013
By

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[Photos by acidjack]

The Habit are members of the new cohort of bands seeking to re-examine the possibilities of traditional American rock music.  With one record under their belt (Lincoln Has Won) and another coming very soon, this show at the Knitting Factory gave them a chance to debut their new stuff in front of an appreciative crowd. While Brooklyn may not seem like the obvious hometown for an act whose sound leans heavily on traditional country as well as American rock, The Habit tacitly acknowledge their Northeastern present with some punked-up arrangements that give a nod to Yankee bands like the Dropkick Murphys. The result is a live show that serves up both high energy and high variety, with dual vocalists Brian Mendes and Siobhan Glennon giving them range for both heartfelt country ballads and honky-tonked-up punk. The band, founded by Mendes and guitarist Willie Croxton, arose out of their mutual respect for the original folk recordings of famous archivist Alan Lomax, followed by later influences like Alan Parsons and Jimmie Rogers.  They have done an excellent job of respecting those influences while creating their own personality — and most importantly, a fun live show — at the same time.

hi and lo recorded this set with my Schoeps MK5 microphones and a soundboard feed from Rubes, the Knitting Factory FOH.  The sound is excellent.  Enjoy!

Stream “Break Down the Walls”

Direct download of the full show: [MP3] | [FLAC]

If there are any issues with the links, please email NYCTaper.

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

The Habit
2013-03-26
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by hi and lo
Produced by acidjack

Schoeps MK5 (cardiod, slightly ROC, DIN)>KC5>CMC6 + Soundboard (engineer: Rubes)>>Tascam DR-680>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, adjust levels, mix down, fades)>Izotope Ozone 5 (exciter, EQ)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 39:03]
01 Tell Me How From Love To Fly
02 Demons
03 Evol
04 Leave Her, Johnny
05 Boat On A River
06 For You
07 You Will Miss Me When I’m Gone
08 From Seat 9
09 Break Down the Walls
10 [banter]
11 War Is Done

If you enjoyed this recording, PLEASE SUPPORT The Habit, visit their website, and buy Lincoln Has Won and their first EP in their online store [HERE].

Alexandra Stewart: March 15, 2013 Glasslands – FLAC/MP3/Streaming

March 20, 2013
By



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[Photos courtesy of Oresti Tsonopoulos]

While thousands of young artists chose to ply their wares in the marketing-drenched trenches of Austin last Friday, Alexandra Stewart played her first full-band show at Glasslands.  There were no junk food ads or cell-phone chattering PR flacks on hand, no distractions or status-obsessed bullshit. People were there to celebrate music, rather than exploit it. Stewart has a brand-new, well-produced record (Wàbà) to preview.  She chose to do it here, in a place that feels like home, in front of people who actually cared.  In some ways, an artist’s choices can matter as much as their art.

As for her performance, Stewart and the band (Chris Pattishall on keys, Austin Vaughn on drums, Jack Hill on bass and Russ Flynn on guitar) evinced none of the first-show jitters that derail early shows, starting this eight-song set as strongly as they finished it.  The focused, effortless groove Stewart lays down with her vocals reminded me at points of artists like Feist and Laetitia Sadier, and her full-band arrangements gave those vocals a lush, engaging backdrop.  Wàbà is named for the little village in Ontario, Canada where Stewart grew up, and her hometown and country figure prominently in her style. If you look at the Pinterest page where she assembled inspirational images for the record, several are the kind of wintry, grey-washed photos one might associate with our colder, less populated neighbor land to the north. But the images aren’t bleak; they can inspire hope, or pensive reflection. Stewart’s music is much the same, drawing on darkness and light.  Her songs can range from the playful-sounding pop of “Pow Wow” (whose subject matter is shade darker than the song’s sound) to the somber “Graveyard”, which starts with a spare vocals and keys arrangement until it crests on waves of guitar.  On this night, these and other songs arrived fully formed, delivered with an understated grace and poise that is hard to come by for a first show. Stewart will continue playing more live shows through the year as she looks for a home for the record, and I suspect that if she and the band continue to perform at this level, she will find some takers.

I recorded this set with MBHO microphones placed directly in front of the band to capture the sense of being up front, combined with an excellent soundboard feed of the house mix by engineer Josh Thiel.  The sound is excellent.  Enjoy!

Direct download of the full show: [MP3] | [FLAC]

Stream “Pow Wow”:

Stream “Graveyard”:

Watch “Soul Like A Ghost” (shot by Oresti Tsonopoulos):

If there are any issues with the links, please email NYCTaper.

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Alexandra Stewart
2013-03-15
Glasslands
Brooklyn NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

MBHO KA200N (onstage, NOS)>Z-PFA>Aerco MP-2 + Soundboard (engineer: Josh Thiel)>>Edirol R-44 [OCM]>2x24bit/48kHZ WAV>Adobe Audition CS 5.5 (effects on soundboard, align, mix down)>Izotope Ozone 5 (light EQ, exciter)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Lone Wolf
02 Pow Wow
03 You Don’t Know How
04 Indian Summer [Victor Herbert]
05 Soul Like A Ghost
06 Lullabye
07 Lovesick
08 [band intros]
09 Graveyard

Band:
Alexandra Stewart – Vocals
Chris Pattishall – Keys
Austin Vaughn – Drums
Jack Hill – Bass
Russ Flynn – Guitar

If you enjoyed this recording, PLEASE SUPPORT Alexandra Stewart, like her on Facebook and visit her bandcamp page where you can preview the first five tracks of Wàbà for free.

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Ultimate Vag (feat. Gibby Haynes and Don Fleming): November 27, 2012 Union Pool – FLAC/MP3/Streaming

March 19, 2013
By


ultimatevag2012-11-27-1

Ultimate Vag is a group of avant-garde rockers whose core consists of Scott Verrastro of psych-improv outfit Kohoutek and co-conspirator Chris Grier.  For this Union Pool show last November, they were joined by Gibby Haynes of the Butthole Surfers, and the Don Fleming of the Velvet Monkeys, Gumball and several other bands. The foursome closed out an incredible night that also featured Suzuki Junzo (recording), Eidetic Seeing (recording) and Rhyton (recording) with a sprawling improvisational take on The Walker Brothers’ “The Electrician” from their final (and bizarrely proggy) record, Nite Flights.  The band took that six-minute song and transformed it into a miasma of abstract noise that alludes to the oddly influential role of this song from a mostly-forgotten album. Launching into the number almost totally unrehearsed gave the players broad latitude to take things where the moment suggested they go, and the resulting output is a once-in-a-lifetime musical moment that we are thrilled to have captured for you.

I recorded this set with Schoeps MK5 microphones from our usual  spot in the venue, plus an excellent soundboard by house engineer Doug.  The sound is excellent.  Enjoy!

Stream the full performance:

Direct download of the complete performance: [MP3] | [FLAC]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Ultimate Vag
2012-11-27
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5c>KCY>Z-PFA + Soundboard>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, adjust levels)>Izotope Ozone 5 (EQ, exciter)>Audacity (set fades, tracking, amplify, smooth peaks, balance, downsample)>FLAC ( level 8 )

Tracks
01 The Electrician [The Walker Brothers]

If you enjoyed this recording, PLEASE SUPPORT these musicians, visit the websites of their respective bands linked above, and check out the Ultimate Vag website for more information.

Soulive: March 12, 2013 Brooklyn Bowl (Bowlive IV, Night 4) – FLAC/MP3/Streaming

March 13, 2013
By

 
bowlive-3
[Photos by Jill Harrison at For the Love of Brooklyn]

The look of pure joy on the face of Booker T. Jones on this night said everything that needs to be said about why a person becomes a musician.  As he sat at the organ, settling into the upbeat groove of “Hip Hug-Her” from the Booker T & the M.G.’s album of the same name, Jones beamed. And the Brooklyn Bowl crowd — most if not all of us much younger than his 68 years — smiled back.  Jones’ music has, in a sense, already outlived him, winning the hearts of generations who never saw his original band play, who only know the original Stax Records from the Internet and (if they’re lucky), the used LP bin.  That smile on Booker T’s face, as he played that organ in the exact way that only he can, was the smile of a man who knows he is immortal.

With their Bowlive series, now in its fourth year, Soulive have easily established themselves as the premier soul-jazz act in America right now, commanding large crowds over these seven nights in Brooklyn as well as top-shelf special guests. On this Tuesday night it was the inestimable Booker T, David Hidalgo of Los Lobos, and band semi-regulars the Shady Horns; appearances at some of the other shows included Warren Haynes, Derek Trucks, Lee Fields, Luther & Cody Dickinson (of North Mississippi Allstars), Nigel Hall, and more.  This set, just shy of two hours, was a bit shorter than some of the multi-set extravaganzas of the previous nights, but it made for a tight, nicely-sequenced run of tunes that never flagged and offered up one big number after another.  In addition to Booker T classics like “Hang ‘Em High” and “Born Under A Bad Sign”, the band dug into newer pop fare like Gnarls Barkley’s “Crazy” (also covered by Booker T on his 2011 solo effort The Road From Memphisand Lauryn Hill’s “Everything Is Everything”.  This show didn’t have the string of Beatles covers that the Bowlive we saw last year did, but tonight we did get “Something In the Way She Moves”.

Of course, no show featuring Booker T could be complete without his first classic, “Green Onions”, which closed out the main set.  Not content to leave things there, Soulive came back out one last time for a fitting finale of “Tuesday Night Squad”, which segued into a classic blues number (which I could use your help identifying).  With three nights to go, Soulive showed no sign of slowing down.  Bowlive may well be their own bid for immortality.

I recorded this set with a Schoeps MK5 cardiod microphone and a Schoeps MK8 figure-8 microphone in mid-side configuration onstage to capture the ideal width and upfront sound of the stage, plus a pair of Oktava MK-012 mics pointed at the left stack to give the recording a little flavor of the balance of the PA mix.  The results are outstanding, arguably better than last year’s Soulive recording.  Enjoy!

This NYCTaper recording is being hosted on the Live Music Archive.  You can stream the entire show by clicking the song titles below.

Download: MP3s are [HERE], 16-bit FLACs are [HERE] and 24-bit FLACs are [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from the original source, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

bowlive-2

Soulive
2013-03-12
Bowlive IV, Night 4
Brooklyn Bowl
Brooklyn, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Thanks to Eric McRoberts for the loaner of the Oktava mics

Schoeps MK5c+MK8 (M-S, onstage, slightly ROC)>KC5>PFA>Aerco MP-2 + Oktava MK-012 (left stack, A-B)>>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Izotope Ozone 5 (EQ Oktava source)>Voxengo MSED (decode M-S)>Adobe Audition CS 5.5 (align, smooth peaks, mix down)>Izotope Ozone 5 (light EQ and tube exciter)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time: 1:53:01]
01 [intro]
02 Outrage
03 Dig
04 [banter1-intro Shady Horns]
05 Hat Trick *
06 [banter2-intro Binky Griptite]
07 For Granted * &
08 [banter3]
09 Flurries *
10 [banter4-intro Booker T]
11 Hip Hug Her * %
12 Hang ‘Em High * %
13 Born Under A Bad Sign * % #
14 [banter5]
15 Crazy [Gnarls Barkley] * %
16 Time Is Tight * % #
17 Something In the Way She Moves [Beatles] * %
18 Everything Is Everything [Lauryn Hill] * %
19 [banter6]
20 Green Onions * % #
21 [encore break]
22 Tuesday Night Squad
23 [unknown blues standard] # * %

* w/ the Shady Horns (Eric Bloom, Ryan Zoidis, James Casey)
& w/ Binky Griptite, Freddie, Mike Buckley
# w/ David Hidalgo
% w/ Booker T Jones

If you enjoyed this recording, PLEASE SUPPORT these fine artists by visit Soulive’s website and Booker T’s website and buying their records. Soulive’s albums can be found at Royal Family Records [HERE] and Booker T’s latest music (plus greatest hits) is available [HERE]

Hans Chew: February 15, 2013 Cameo Gallery – FLAC/MP3/Streaming

March 12, 2013
By

TweetFollow @acidjacknyc
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[Photos by P Squared Photography]

Hans Chew was kind enough to play a show for us for the second time in five months, taking the stage at Cameo Gallery as a bit of a sequel to his performance at Cake Shop during CMJ back in October.  As with that show, Hans delivered a barn burner of a set, this time in a venue with a loud, upgraded sound system that put extra oomph behind his boogie woogie blues-rock.  Along with new numbers like “Strange Love” and Junker’s Blues,” Chew delivered the finest version I’ve heard of one of his 2010 numbers, “Old Monteagle & Muscadine (Tennessee Part One)”, which leads off his Three Lobed Recordings debut Tennessee & Other Stories.  It is almost silly that an artist of Hans’ talent level was available to open a gig of this size — he has the style of sound, the chops and the showmanship to dominate far-larger stages.  We hope to see the Tennessee native’s next record in print some time this year, but until then, we hope this live set will tide you over. Enjoy!

I recorded this set with Schoeps MK5 microphones and an excellent soundboard feed by Cameo engineer Josh.  The sound is outstanding, easily surpassing the Cake Shop recording from last year.  Enjoy!

Stream “Old Monteagle & Muscadine (Tennessee Part One)”:

Download the Complete show [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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Hans Chew
2013-02-15
Cameo Gallery
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, DFC, DINa)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Josh)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (set fades, compress SBD, mix down)>Izotope Ozone 5 (light EQ, “retro” exciter)>Audacity 3.0 (tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 41:35]
01 Chango>
02 Tom Hughes Town
03 Old Monteagle & Muscadine (Tennessee Part One)
04 Strange Love
05 The Heart Is Deceitful
06 Magnet Moon
07 [banter]
08 Junker’s Blues

If you enjoyed this recording, PLEASE SUPPORT Hans Chew, visit his website, and buy Tennessee and Other Stories from Three Lobed/Divide By Zero Records [HERE]

The Night Marchers: March 2, 2013 Glasslands – FLAC/MP3/Streaming

March 8, 2013
By

nightmarchers2013-03-02-2
[Photos by hi and lo]

The Night Marchers slam-packed Glasslands last Saturday for a set of straight-ahead raw punk from veterans of the scene.  The band, anchored by guitarist John Reis, who previously led several bands including Rocket From the Crypt, Drive Like Jehu, and Hot Snakes, finds Reis reunited with fellow Hot Snakes personnel Gar Wood and Jason Kourkonis along with bassist Tommy Kitsos. The result is closer to RFTC’s fun-loving rockabilly-tinged raveups than Hot Snakes’ darker fare — Reis is a consummate showman who shows a knack for big rock gestures and isn’t afraid to have fun with his audience, and The Night Marcher’s songs, even on heavier subject matter, come across more as party-ready than angry.  The San Diego band doesn’t get out to the East Coast all that often, having waited five years to follow up 2008’s See You In Magic with this year’s Allez Allez.  As a result, this crowd came ready for a special occasion, and they got one, with a blistering full hour set that spanned both of their records.  Glasslands has a special energy on nights like these, when there isn’t an inch of the place to move and — even in the middle of winter — you begin to think the walls will start sweating.  For their part, The Night Marchers gave us something worth waiting for, with several of the Allez Allez numbers standing out, including “2 Guitars Sing”, “Fisting the Fan Base”, and “(Wasting Away In) Javalinaville”.  Reis even paused the show to sing happy birthday to a fan. Whoever that guy was, this was a birthday he won’t forget.

hi and lo recorded this set with an excellent soundboard feed by the band’s FOH Nikhil “Mckeel” Ranade as well as our house-installed Naiant X-R mics.  The sound is excellent. Enjoy!

Direct download of the complete show: [MP3] | [FLAC]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

nightmarchers2013-03-02-1

Night Marchers
2013-03-02
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by hi and lo
Produced by hi and lo and acidjack

Soundboard (engineer: Nikhil “Mckeel” Ranade) + Naiant X-R (cardiod, DFC)>Tascam DR-680>2x24bit/48kHz WAV>Wavelab>Audacity 3.0 (tracking, fades, amplify, balance, upward compression, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Closed For Inventory
03 All Hits
04 Jump In the Fire
05 [banter1]
06 Scene Report
07 Loud Dumb and Mean
08 Thar She Blows
09 [banter2]
10 Happy Birthday
11 Pain
12 2 Guitars Sing
13 [banter3]
14 Tropical Depression
15 I Wanna Deadbeat You>
16 (Wasting Away In) Javalinaville
17 Fisting the Fan Base
18 [encore break]
19 Branded
20 In Dead Sleep (I Snore ZZZZ)

If you enjoyed this recording, PLEASE SUPPORT Night Marchers, like them on Facebook, and purchase their official releases from Amazon [HERE] or at your favorite retailer. 

Hilly Eye: February 8, 2013 Music Hall of Williamsburg – FLAC/MP3/Streaming

March 7, 2013
By


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[Photos by acidjack]

Hilly Eye is the duo of singer/guitarist Amy Klein (formerly of Titus Andronicus) and drummer Catherine Tung. The pair formed back in 2009, but just released their debut record, Reasons to Live, on Don Giovanni Records this year, and they joined their labelmates in the middle of a February blizzard to play their new material at the label showcase at Music Hall of Williamsburg. Hilly Eye is the type of act that almost translates better live than on record; the raw immediacy of their raw, slightly shambolic songwriting is naturally appealing on the stage.  Like fellow Don Giovanni labelmates Shellshag (that recording here), Tung and Klein don’t lack for firepower to make their point, even without additional players. The duo deliver songs like “Double Dutch” that tend to be noisy, but not merely for the sake of being so, and are sweetened with a dash of pop sensibility. We’ll call Hilly Eye another win for the Don Giovanni family.

nyctaper and I recorded this set from an optimal spot in the venue using my MBHO cardiod microphones and a perfectly balanced soundboard feed from the house engineer, Jim. The sound quality is excellent. Enjoy!

Thanks to Don Giovanni Records for their support and having us at the show.

Direct download of the complete show: [MP3] | [FLAC]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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Hilly Eye
2013-02-08
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

MBHO KA200N>MBP603 + Soundboard (Engineer: Jim)>>Roland R-26 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, adjust levels)>Izotope Ozone 5 (EQ, retro effect)>Audacity (set fades, tracking, amplify, upward compression, balance, downsample)>FLAC ( level 8 )

Tracks
01 Jacob’s Ladder
02 Jersey City
03 Amnesia
04 January
05 Almanac
06 Double Dutch
07 Benediction

If you enjoyed this set, PLEASE SUPPORT Hilly Eye, like them on Facebook, and purchase Reasons to Live from Don Giovanni Records [HERE]

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