Posts Tagged ‘ brooklyn ’

PUP: October 15, 2013 Oh My Rockness CMJ Show, Cameo Gallery – FLAC/MP3/Streaming

November 18, 2013

[Photos by acidjack]

The Toronto band PUP are one of the latest bands to cement that city’s status as one of the global epicenters of modern punk. From breaking bands like METZ to well established acts like Fucked Up, the scene continues to be fertile ground for vital music of the harder-edged variety. Straight from the kickoff track “Lionheart”, from their self-titled debut, PUP’s set at the Oh My Rockness CMJ show at Cameo Gallery put them on a lot of fans’ radar screens. Making the most of their time, the band barely took a breather between songs as they delivered rapid-fire doses of their hook-laden, head-bobbing tunes like “Back Against the Wall” and “Lionheart”. But it was the set closer, “Reservoir” that really sealed the deal. It’s one of those songs that spins standard young-punk fare and takes it to a darker, more reflective place, and it was a mature, powerful way to end the night.

I read in an interview that the album’s producer, veteran Dave Schiffman (responsible for, among others, records by Cass McCombs, Weezer, Red Hot Chili Peppers, and The Mars Volta) wanted the record to sound “like the best show the band had ever played.” I haven’t seen the band before, so I can’t vouch as to whether this is their “best show”. But I think, after hearing this, it’ll be hard to hear this and not give the record a spin.

I recorded this set in the same manner as the other recordings from this night, with Schoeps MK4V cardiod mics and a soundboard feed of the house mix by engineer Gary Atturio. The sound quality is outstanding. Enjoy!

Stream “Back Against the Wall”

Stream “Reservoir”

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

PUP
2013-10-17
Oh My Rockness CMJ Showcase
Cameo Gallery
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Gary Atturio) + Schoeps MK4V>KC5>CMC6>Sound Devices USBPre2>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.3 (fades, tracking, amplify, balance)>FLAC ( level 8 )

Tracks:
01 [intro]
02 Lionheart
03 Back Against The Wall
04 Mabu
05 [banter]
06 Dark Days
07 Don Valley Parkway
08 [instrumental]
09 Yukon
10 Mule
11 Guilt Trip
12 [banter2]
13 Reservoir

If you enjoyed this recording, like PUP on Facebook, follow them on twitter and visit their bandcamp page. If you are in Canada, you can buy their debut album on iTunes Canada. Worldwide coming soon…

Field Mouse: October 26, 2013 Backyard Brunch Sessions – FLAC/MP3/Streaming

November 6, 2013

By acidjack

Follow @acidjacknyc

[Photo by Jordan Frazes]

Those familiar with the Brooklyn dream pop band Field Mouse and their intense, guitar-driven wall of sound might wonder how exactly they could play an un-amplified acoustic session in somebody’s backyard. Fortunately for those of us attending this Backyard Brunch Session, the only thing consistent about this installment in the series was the food.

A fully-amped combo of lead guitarist Andrew Futral and vocalist/guitarist Rachel Browne arrived at an apartment on Grand Street in Williamsburg with a guest drummer in tow and their full complement of amps. Other than the absence of bassist Saysha Heinzman, this was going to be an almost full-strength Field Mouse show. And thanks to a scheduling conflict, that wall of sound was going to be ricocheting off the walls of a medium-sized living room. Thankfully our hosts have cool neighbors, because this was not a quiet Saturday afternoon.

Since I first caught the band at Northside Festival last year, their confidence and songwriting have only gotten stronger. After releasing a series of singles, the group is laying down tracks for an album that we expect to see hit the streets next year. Several of the songs played at this session should make their first appearances on it, including the outstanding new track “Asteroid” which is streaming below. While this less-than-full complement of players doesn’t quite give you the full Field Mouse experience, it gives as close of an idea as is possible in a small room in a residential area. Besides their ability to write addictive, hook-laden songs, their trademark sense of humor was on display as well. This is one recording where I don’t advise skipping the “banter” tracks.

I recorded this set with a mid-side combination of Schoeps microphones in the center of the room, with my MBHO cardiods serving as both the vocal mic and miking the vocal PA. I have attempted to give a realistic representation of how the band sounded in the room, while trying to capture the power the band has in a larger setting. I hope you enjoy it!

Field Mouse is playing Cameo Gallery on November 23 and Piano’s on December 18. Check out their live shows.

Stream “Asteroid”

Download the complete show: [MP3] | [FLAC]

[Photo by acidjack. That’s not actually the right running order]

Field Mouse
2013-10-26
Backyard Brunch Sessions
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod)+Schoeps MK8 (M-S) + MBHO KA200N>MBP603>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Voxengo MSED (decode M-S)>Adobe Audition CS 5.5 (various effects and mixdown)>Izotope Ozone 5 (EQ, effects)>Audacity 2.03 (fades, tracking, compression, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 You Guys Are Gonna Wake Up My Mom
03 [banter]
04 Tomorrow Is Yesterday
05 [banter2]
06 Asteroid
07 Plate Tectonics
08 [banter3]
09 Everyone But You
10 [banter4]
11 Water In the Valley

If you enjoyed this recording, PLEASE SUPPORT Field Mouse, visit their website, and purchase their official releases from the links on their bandcamp page or on iTunes.

Ovlov: October 15, 2013 Oh My Rockness CMJ Show, Cameo Gallery – FLAC/MP3/Streaming

October 30, 2013

By acidjack

Follow @acidjacknyc

[Photos by acidjack]

It’s always gratifying when you run into a friend at a show that you didn’t plan to see, and their first reaction to the band you came to see is “holy shit, these guys are good”. The Connecticut band Ovlov, comprised of three brothers, were one of my most anticipated acts of this year’s CMJ Music Marathon, and they brought everything they had for this Oh My Rockness-sponsored set at Cameo Gallery. For those who didn’t already know how good they were, they surprised them.

Ovlov synthesizes influences from a number of big-time ’90s touchstones, the most obvious being Dinosaur Jr., abetted by vocalist Steve Hartlett’s incredible resemblance to J Mascis’ vocal delivery. If you closed your eyes, their song “The Well” could almost be Dinosaur Jr. circa 1991. The band’s latest record, Am, doesn’t shy from these influences, nor should it. It’s no accident that Ovlov might well share a record collection with well-loved contemporaries like Speedy Ortiz; Sadie Dupuis does guest vocals on Am. As with any correct CMJ show, this one offered a glimpse into what this band had to offer, and they maximized the punch of their eight-song set, with many Am wonders combined with some slightly deeper cuts. CMJ did exactly what it should for this band — give them a shot at a wider audience. I have no doubt that Ovlov have earned it.

I recorded this set with a soundboard feed from the Cameo engineer and friend of the site Gary Atturio, plus Schoeps MK4V cardiod microphones ideal for this kind of room. The sound quality is outstanding. Enjoy!

Stream “The Well” and “There’s My Dini!”

Download the complete show: [MP3] | [FLAC]

Ovlov
2013-10-17
Oh My Rockness CMJ Showcase
Cameo Gallery
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Tracks [Total Time 32:26]
01 The City
02 The Well
03 Nü Pünk
04 Really Bees
05 There’s My Dini!
06 I Got Well
07 Blue Baby
08 Moth Rock

If you enjoyed this recording, PLEASE SUPPORT Ovlov, visit their bandcamp page, and purchase Am from Exploding In Sound records [HERE]

Modern Merchant: September 22, 2013 Backyard Brunch Sessions – FLAC/MP3/Streaming

October 23, 2013

By acidjack

Follow @acidjacknyc

[Photography by Dominick Mastrangelo]

The Brooklyn band Modern Merchant have an easy charm to them. Their laid-back sound will suck you in at an instant. But what will keep you coming back are the subtle shifts of tempo and texture that give their arrangements heft. Lead singer John Parson has a steady, soothing voice that heads into euphoric territory when it’s called for, but he knows when to use it. This Backyard Brunch Sessions performance carved back some of the more dream-pop-driven elements of the band’s sound, which are out in force on their current EP, For the Fields. For my money, this live set gave the band’s songs a more natural, lived-in feel that goes well with their natural tendencies. It’s always a nice calling cards to have when the band you’re playing with (in this case, Elizabeth and the Catapult) asks when they can see your next show. It was a compliment well deserved, as Modern Merchant put on a live show worth seeing more than once.

I recorded this set in the same manner as the Elizabeth and the Catapult recording, and the sound is excellent. Enjoy!

You can catch Modern Merchant live in Brooklyn on October 29 at the Paper Box.

Stream “Be That As It May”:

Stream “Necessary Evil”:

Download the complete show: [MP3] | [FLAC]

Modern Merchant
2013-09-22
Backyard Brunch Sessions
Brooklyn, NY USA

Recorded and produced by acidjack
Hosted at nyctaper.com and backyardbrunchsessions.com

Schoeps MK5 (omni)+Schoeps MK8 (M-S) + Audio Technica 3031>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (various effects and mixdown)>Izotope Ozone 5 (EQ, effects)>Audacity 2.03 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro – David Chaitt]
02 Be That As It May
03 [tuning]
04 For the Fields
05 Necessary Evil
06 [tuning2]
07 Marry Me Annie
08 [tuning3]
09 Untitled (Patito)

If you enjoyed this recording, please support Modern Merchant, visit their website, and buy For the Fields from their bandcamp page.

Elizabeth and the Catapult: September 22, 2013 Backyard Brunch Sessions – FLAC/MP3/Streaming

October 9, 2013

By acidjack

Follow @acidjacknyc

[Photography by Dominick Mastrangelo]

As they often do, this year’s edition of Backyard Brunch Sessions gave us a different take on the band Elizabeth and the Catapult than you might get from listening to their official releases. Band founder Elizabeth Ziman, a New York native, has a proud and diverse musical pedigree, from classical education at the Berklee College of Music to work in film scoring to spending some time busking in the subway. Joined by new members (as of the last album, at least) Lauren Balthrop and Jonno Linden, Ziman has been putting together material for a new release, and what we heard on this afternoon were soul-searching, mature evolutions beyond the band’s previous albums Taller Children and The Other Side of Zero.

The new songs also offer some of Ziman’s most compelling hooks yet. Of particular note was “I Wish I Didn’t,” whose tone of resignation was lightened by some humorous moments with the DIY instrument selection. Ziman, Balthrop and Linden joined together for gorgeous vocal harmonies, particularly on “Please Don’t Tell Me A Lie” and “Go Away My Lover”, the lone offering played off of The Other Side of Zero. We also got to hear one of Ziman’s favorite Dawes songs, a lovely rendition of “When My Time Comes” with Ziman and Balthrop doing a soaring vocal turn. The band led off with a Balthrop original, “Please Don’t Tell Me A Lie”, which she has performed with her own project Dear Georgiana. Although this lovely back yard on Grand Street in Williamsburg didn’t feel quite the same as a subway station, the show offered some of that same loose, unadorned feel. And it proved, without doubt, that this band has the skills to keep a crowd excited.

I recorded this set with a Schoeps MK5 and MK8 microphone in the mid-side configuration in the middle of the band, plus spot mics on the performers. The sound quality is excellent. Enjoy!

Stream “I Wish I Didn’t”

Download the complete show: [MP3] | [FLAC]

Elizabeth and the Catapult
2013-09-22
Backyard Brunch Sessions
Brooklyn, NY USA

Recorded and produced by acidjack
Hosted at nyctaper.com and backyardbrunchsessions.com

Tracks
01 [intro- David Chaitt]
02 Please Don’t Tell Me A Lie [Dear Georgiana]
03 Shoelaces
04 I Wish I Didn’t
05 [banter]
06 Someday Soon
07 [banter2]
08 When My Time Comes [Dawes]
09 [banter3]
10 Go Away My Lover

If you enjoyed this recording, PLEASE SUPPORT Elizabeth and the Catapult, visit their website, and buy Other Side of Zero from Amazon or your favorite retailer.

Zachary Cale: September 27, 2013 Union Pool – FLAC/MP3/Streaming

October 8, 2013

By acidjack

Follow @acidjacknyc

[Photos by acidjack]

Zachary Cale is a classic songwriter in every sense of the word, who balances his aptitude with his six-string with keenly-observed lyrics and an obvious respect for his audience. This show at Union Pool represented the release show for Cale’s fourth proper LP, Blue Rider. The album is commendable both for its brevity and consistency; across its eight songs, there is not a weak one among them. Of its standout tracks, Cale played them all at this show, particularly “Hold Fast”, whose whimsical guitars and breezy vocal will find favor with Kurt Vile fans, among others. Cale is one of those artists who doesn’t seem to really need the studio; this live performance felt completely of a piece with the album in sound and structure, with the songs gaining energy from the Friday night crowd. Along with playing the bulk of Blue Rider, Cale gave us a special treat with a gorgeous cover of Robert Johnson’s “Love In Vain”.

I recorded this set with Schoeps MK4V microphones from our usual spot in the venue, plus a limited soundboard feed consisting primarily of vocals and keyboards. At points, the keyboards are a touch loud in the mix, and there is a level of crowd noise not surprising for a Friday night crowd. Nonetheless, the overall sound quality is excellent. Enjoy!

Cale is on tour for October and November in a mix of headlining appearances and shows with Crystal Stilts. His next New York appearance will be with Crystal Stilts at Bowery Ballroom on Halloween. Tickets for that show are available here.

Stream “Hold Fast”

Download the complete show: [MP3] | [FLAC]

Zachary Cale
2013-09-27
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (DFC, at SBD, PAS)>KCY>Z-PFA + Soundboard (mono, vocals/guitar/keys feed)>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (edits to SBD, mix down)>Izotope Ozone 5 (EQ, effects, thick/warm compressor)>Audacity 2.03 (fades, tracking, amplify, balance, downsample/dither)>FLAC ( level 8 )

Tracks
01 Unfeeling
02 Hold Fast
03 Blood Rushes On
04 Wayward Son
05 Sandcastles
06 [banter]
07 Love In Vain [Robert Johnson]
08 [banter2]
09 Dear Shadow
10 Noise of Welcome

If you enjoyed this recording, please support Zachary Cale by visiting his website and buying his records from his online store or from his bandcamp page.

Oneida: October 4, 2013 Glasslands – FLAC/MP3/Streaming Full Set

October 6, 2013

By acidjack

Follow @acidjacknyc

[Photos by acidjack]

An Oneida show is a fairly rare occurrence these days, an event not to be missed. Such was the case with this Friday night set at Glasslands, which found the band joined by James McNew (of Yo La Tengo and opening act Dump) to perform an unreleased 45+ minute song called “Get Brighter” (nominally an Incredible String Band cover), followed by “Sheets of Easter” to close out the set. “Sheets” reminds me of what a Bruce Nauman installation might sound like as a song, with its harsh, repetitive vocal giving it a claustrophobic feel that teeters on the edge of madness. “Get Brighter”, on the other hand, was a classic, percussive Oneida sprawl, which comprised the bulk of the set and set a new standard, perhaps, for “interpretive” covers. As always, this show both defied and exceeded expectations, cementing Oneida as one of those bands whose shows should always be a standing appointment.

I recorded this set with MBHO microphones at the stage lip, plus a soundboard feed by the Glasslands staff. The sound quality is outstanding. Enjoy!

Stream and download the full set

Download the complete show: [MP3] | [FLAC]

Oneida
2013-10-04
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

MBHO KA200N (onstage)>MBP603 + Soundboard>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression on KA200N source, mix down, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.03 (tracking, amplify, downsample)>FLAC ( level 8 )

Tracks
01 Get Brighter
02 [banter]
03 Sheets of Easter

If you enjoyed this recording, please support Oneida, visit their website, and purchase A List of the Burning Mountains and their other releases from Jagjaguwar [HERE]

Torres: September 25, 2013 Glasslands – Streaming Full Set

October 1, 2013

By acidjack

Follow @acidjacknyc

[Photos by acidjack]

Consider any of the singing competitions that rule TV-land and it’s obvious that there’s no shortage of perfectly good singer-songwriters. Many a loser of The Voice is capable of killing on a few cover songs in a coffee shop. There are dozens and dozens who can hit the right notes and make the right faces and get somebody to vote for them on their phone. What almost all of them don’t have, not really, is what Torres, aka Mackenzie Scott, has. She sings with grit, with feeling, and sometimes it’s not as pretty as it should be or as tied with a neat bow as a fifteen year old on an iPhone might like. When she sings “Honey” you hear the pleading and the hurt, and when her hushed voice grows into a harsh, wailing peak, you feel like you’re right there with her. This one of many good reasons that her self-released album grabbed the attention it did. Torres isn’t just putting a bunch of so-so tracks out there, hoping somebody cares. Her work demands to be heard.

Finding Glasslands pretty busy on a Wednesday night these days is hardly news, but Torres owned the audience in a way many artists can’t. From the leadoff track to her record, “Mother Earth, Father God” to the solemn, solo closer “November Baby,” she held the crowd rapt, the noise of the bar kept at bay through sheer force of will. She doesn’t take her audience for granted, but her set isn’t accommodationist, either. A lesser artist sitting on a single self-released album wouldn’t play multiple songs stretching past the five-minute mark, including her encore, but such is Scott’s confidence and skill that I didn’t even notice the track lengths until I mixed this recording down. Considering this was Scott’s first Brooklyn show as a borough resident (she comes from Nashville), I think she’s more than made the case that she’ll be around a while.

I recorded this set with the installed house sound system including a board feed from Glasslands engineer Matt. The sound quality is excellent. Enjoy!

At the request of Torres’ management, this recording is offered in streaming format only.

Stream the full set

Torres
2013-09-25
Glasslands
Brooklyn, NY USA

Exclusive live stream hosted at nyctaper.com

Recorded and produced by acidjack

Soundboard (engineer: Matt) + Naiant X-R>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, edits to SBD)>Izotope Ozone 5 (EQ, effects)>Audacity 2.03 (fades, tracking, light parallel compression, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Mother Earth, Father God
02 Moon & Back
03 [banter]
04 Jealousy and I
05 [banter2]
06 When Winter’s Over
07 [banter3]
08 “Proper Polish Welcome” [new]
09 Honey
10 [banter4]
11 Come To Terms
12 Waterfall
13 [encore break]
14 November Baby

If you enjoyed this recording, PLEASE SUPPORT Torres, visit her website, and buy her record (including pre-orders for physical copies) there.

Deervana: September 13, 2013 Brooklyn Bowl – Flac/MP3/Streaming

September 15, 2013

By nyctaper

[screen cap from this video]

Nirvana’s final album In Utero was released on September 13, 1993. In many ways, 1993 was a watershed year. It was the year that Clinton became President, and the year that the Web evolved from a connection to a handful of servers to a truly “world-wide” phenomenon. It was also the last full year of Kurt Cobain’s life. In Utero reflects many of the troubles and contradictions in Cobain’s life at that time — illness, drug addiction, the complications of fame and fatherhood. As an album of representing the life of a troubled artist and tortured soul its a brilliant work. Twenty years removed, the historical significance of the album is established and the painful events that followed its release are old wounds. Deervana is Deer Tick‘s alter ego and its attempt to both pay tribute to the band and enjoy playing music that the band loves. On Friday night, the band played its first Deervana show in NYC in two years, this time to play In Utero from start to finish on its 20th anniversary. John McCauley noted several times during the show that Deervana is “just for fun”. And at Brooklyn Bowl the band and the crowd had just that. There were no deep philosophical statements, recriminations or any sign of mourning. Enough time has passed for that. The performance was a faithful and at times eerily soundalike play through the album from start to finish. We are streaming “All Apologies”, the album’s final track and Nirvana’s swan song. As the crowd chanted along with Deervana, “all in all is all we are” indeed.

I recorded this set with the Sennheiser cardioids mounted high about midway on the floor and mixed with an excellent stereo board feed mixed expertly by Deer Tick’s FOH Matt. The sound quality is superb. Enjoy!

Stream “All Apologies”:

Download the Complete show [MP3] / [FLAC]

Deervana
2013-09-13
Brooklyn Bowl
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser 8040 Cardioids > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-09-14

Setlist:
[Total Time 45:57]
01 [introduction]
02 Serve the Servants
03 Scentless Apprentice
04 Heart-Shaped Box
05 Rape Me
06 Frances Farmer Will Have Her Revenge on Seattle
07 Dumb
08 Very Ape
09 Milk It
10 Pennyroyal Tea
11 Radio Friendly Unit Shifter
12 Tourette’s
13 All Apologies

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Deer Tick, visit their website, and purchase their official releases from the Partisan Records Store [HERE].

Blouse: August 31, 2013 Captured Tracks CT5 – Flac/MP3/Streaming

September 10, 2013

By nyctaper

[photo by Joe McCabe – courtesy of Hey Reverb]

We saw what I believe was Blouse’s first NYC show almost two years ago at 285 Kent. The band had recently signed with Captured Tracks and released their self-titled debut album. That album and show were impressive and we expected that Blouse would continue to produce solid music. This month the band returns with their follow-up album and the early returns are all positive. While the debut was very faithful to a mid-80s synth-Brit-pop sound, the new album Imperium stretched out and displays more of the band’s guitar talents. At the center is Charlie Hilton whose vocals and guitar set the tone for the band’s sound. At the Captured Tracks fest last week, Blouse played a 40-minute set with songs mixed between the two albums. Two years since we last saw them, the band has matured and seems tighter and more confident than their debut show. The Imperium material was solid and consistent and we expect that when the album is released next week it will further propel this excellent band forward.

I recorded this show in the same manner as the Mac Demarco set and the sound quality is superb. Enjoy!

Stream “In A Glass”:

Download the Complete show [MP3] / [FLAC]

Blouse
2013-08-31
Captured Tracks CT5 Festival
The Well
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann TLM-102s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, downsample set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2013-09-08

Setlist:
[Total Time 36:15]
01 Arrested
02 Time Travel
03 Eyesite
04 White
05 Videotapes
06 In A Glass
07 1000 Years
08 No Shelter
09 Imperium
10 Into Black

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Blouse, visit their website, visit their artist page at the Captured Tracks website, and purchase the new album Imperium from the Captured Tracks website [HERE].

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Posts Tagged ‘ brooklyn ’

PUP: October 15, 2013 Oh My Rockness CMJ Show, Cameo Gallery – FLAC/MP3/Streaming

Field Mouse: October 26, 2013 Backyard Brunch Sessions – FLAC/MP3/Streaming

Ovlov: October 15, 2013 Oh My Rockness CMJ Show, Cameo Gallery – FLAC/MP3/Streaming

Modern Merchant: September 22, 2013 Backyard Brunch Sessions – FLAC/MP3/Streaming

Elizabeth and the Catapult: September 22, 2013 Backyard Brunch Sessions – FLAC/MP3/Streaming

Zachary Cale: September 27, 2013 Union Pool – FLAC/MP3/Streaming

Oneida: October 4, 2013 Glasslands – FLAC/MP3/Streaming Full Set

Torres: September 25, 2013 Glasslands – Streaming Full Set

Deervana: September 13, 2013 Brooklyn Bowl – Flac/MP3/Streaming

Blouse: August 31, 2013 Captured Tracks CT5 – Flac/MP3/Streaming

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