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NYCTaper Top 25 Concert Moments of 2011: MP3 Downloads and Streaming Songs

December 23, 2011
By

SONY DSC

Live music in 2011 saw several newer bands consolidate their hold on greatness, while well-established acts from the 90s brought out crowds for reunion shows and, sadly, farewells. For those of us at the site, we were inspired by crowds of people who were, in a lot of cases, younger than we were checking out bands like Archers of Loaf live for the first time, or finally gaining appreciation for the work of artists like Cass McCombs and Bill Callahan. At the same time, favorite new or new-er bands like Widowspeak, The War on Drugs, White Fence and Mr. Dream, each of whom we saw multiple times, saw their fanbases grow quickly. If you heard their music for the first time on this site, and liked it enough to give them a look for yourself, well, we are all the more honored and grateful.

With four tapers contributing recordings to the site on a regular basis, picking the “best” 25 moments of an entire year is practically impossible. Looking back on another great year for the site, though, each of these particular moments from a show we recorded stands out in some particular way (though they are in particular order). A complete seamless mix is available for download below, plus streaming selections of each. We hope you enjoy our picks, and look forward to sharing more great artist-approved recordings in 2012.

Want the first word about recordings in 2012 (including in-show updates)? Follow nyctaper and acidjack on Twitter, and like NYCTaper on Facebook.

DOWNLOAD A FULL SET OF ALL 31 SONGS IN MP3 FORMAT [HERE]

1. Sonic Youth – “Inhuman” (Williamsburg Waterfront, August 12)

[audio:https://www.nyctaper.com/2011Best25/24 Inhuman.mp3]

Well-publicized changes in the personal lives of Thurston Moore and Kim Gordon, the reigning king and queen of indie rock for the past two decades, may mean that Sonic Youth‘s performance at the Williamsburg Waterfront in August was their last NYC show. We hope that’s not the case. But if it is, wow, this band went out in as massive a style as possible, delivering a set full of rarities with the energy of 18-year-old punks instead of “elder” statesmen. The night closed with the apocalyptic noise squall of “Inhuman”, an at-times brutal piece of music that highlighted Sonic Youth’s roots as an art-punk noise band. While it is probably the worst quality recording of anything in this top 25, this blowout show closer, with its blasts of feedback, was easily one of the most memorable. Maybe there was something even more personal in those screams and feedback than we realized at the time.

Full post of this show [HERE]

2. The War on Drugs – “Arms Like Boulders” ( Bowery Ballroom, January 8 )

[audio:https://www.nyctaper.com/2011Best25/02 Arms like Boulders.mp3]

The War on Drugs were a band we unabashedly fell in love with this year. An act that we first saw as an opening band, and who we saw in a huge range of venues this year (from Cameo Gallery to Webster Hall), these guys have earned their acclaim the old-fashioned way. First, their 2011 album Slave Ambient was an instant classic, a Dylanesque masterpiece. Second, they played a flat-out great live show, and they just kept getting better as the year went on. We chose this recording from the Bowery Ballroom because, well, it’s Bowery, and that place always sounds amazing.

Full post of this show [HERE]

2011_01_08_WarOnDrugs002

3. Deerhunter – “Flourescent Grey” (Webster Hall, August 23).

[audio:https://www.nyctaper.com/2011Best25/01 Fluorescent Grey.mp3]

Although Deerhunter and Atlas Sound had appeared on this site several times, I (not speaking for the others from the site) counted myself as a Bradford Cox skeptic. That is, until Bradford and the band led off this show at Webster Hall with this song. The band’s sound became a living alien beast, breathing and hissing as the stage was bathed in an eerie green glow. The effect was aurally and visually arresting, and the show didn’t slow down a bit from there. I count myself a believer now.

Full post of this show [HERE]

4. Cass McCombs – “County Line” (Bowery Ballroom, May 12)
[audio:https://www.nyctaper.com/2011Best25/03 County Line.mp3]

The American songwriter Cass McCombs is a critical darling, and has been since his first releases early last decade. Humor Risk, his new release on Domino Records, seems like the record that will make Cass a favorite with fans as well as critics. We know for sure that he sold out this show at Bowery quite handily, and Wit’s End has made an appearance on many a year-end list. This song, in particular, is a highlight, and this beautiful recording is a nearly flawless capture of Cass at his best.

Full post of this show [HERE]

5. The Psychic Paramount – “Ddb” (Union Pool, July 26)

[audio:https://www.nyctaper.com/2011Best25/02 Ddb.mp3]

The Psychic Paramount provided me with one of those classic moments where an opening band completely overshadows the headliner, and wins a ton of new fans in the process. I caught the band this summer at Union Pool after reading some positive notice for their latest record, II. The album is an excellent work of psychedelic instrumental rock, but the live show – with the band shrouded in a stream of thick smoke, shredding on their guitars – took the experience to the next level.

Full post of this show [HERE]

6. The Smashing Pumpkins – “Muzzle” (Terminal 5, October 18)

[audio:https://www.nyctaper.com/S1810SmashingPumpkins1102/tsp2011-10-07.mk41.Muzzle.mp3]

The latest addition to our team, hi and lo, is a longtime Smashing Pumpkins taper who has crisscrossed the country covering the band. This was another act that I admittedly had somewhat given up on after their late-90s release Machina failed to ignite. Once again I was more than happy to be proven wrong, and reminded of the original greatness of this band. hi and lo invited the entire crew to this show, and it was one of the best we saw this year – a powerfully delivered, rocking performance that rivaled this band at their stadium rock peak in the mid-90s. The Mellon Collie and the Infinite Sadness track “Muzzle” – slightly lesser known but one of that album’s best – was a highlight in a show that was filled with them.

Full post of this show [HERE]

SP_2011-10-21_c

7. Low – “Witches” (Bowery Ballroom, April 27)
[audio:https://www.nyctaper.com/2011Best25/07 Witches.mp3]

Low are a longstanding band who recently proved that they may yet hit their critical peak. Their 2011 release, C’mon, was outstanding – an artistic triumph, and one of their best since their inception in 1993. This show, as I put it then, demonstrated the value of speaking softly, as the band delivered a set of understated grace and majesty. The song “Witches”, with its somber guitar riff, is one of my favorite on the new record, and was one of the highlights of the night.

Full post of this show [HERE]

8. DELETED

9. Lucero – “Across the River” (Mercury Lounge, July 23)

[audio:https://www.nyctaper.com/2011Best25/07 Across the River.mp3]

Johnny Fried Chicken Boy went to see “Nobody’s Darlings” booked as the late show at Mercury Lounge knowing full well that who this mystery band would be. Taking a pause from their stint on the Warped Tour, Lucero rocked an appreciative and typically rowdy weekend Mercury crowd with a 100-minute, free-ranging set. This is the kind of band that defines live rock n’ roll – great players who sound natural, relaxed and like they’re having as good a time as you are. Since first seeing this band as an opener for The Black Keys back in 2009, we have watched their star continue to rise. With a headlining show coming up the day before New Year’s Eve at Brooklyn Bowl, you can be sure Lucero has plenty left in the tank for this year.

Full post of this show [HERE]

10. Godspeed You Black Emperor! – “World Police and Friendly Fire” (Brooklyn Masonic Temple, March 16)

[audio:https://www.nyctaper.com/2011Best25/04 World Police and Friendly Fire.mp3]

I wrote what I thought was my best review that year on my iPhone during the first run-through of this song I heard the night before – so inspired by what I was seeing and hearing I had to capture my thoughts that instant. Of the show, I said in part: “GYBE are an unabashedly political band, and their music, as well as the intense visuals that their live performances soundtrack, are political in a mostly-abstract way. The visuals are mash-ups that evoke the world’s extremes; majesty and beauty in the midst of nascent dread. Here you see the fires of smoldering factories soundtracked by a plaintive surge of sound, where the sound of even the lowly triangle can take on menace. But there is beauty there, as there is in an unmolested glen; in a snippet of a nostalgic ramble that is both endearing and creepy. During the two and a half hour opus that was this phenomenal return to Brooklyn at the Brooklyn Masonic Temple … we were reminded that out of each paroxysm of suffering and bout of anxiety, there remains the zeal and fervor of hope.”

Full post of this show [HERE]

GYSBE

11. Yo La Tengo feat. David Byrne – “Thank You For Sending Me An Angel [Talking Heads]” (Maxwell’s, March 23)

[audio:https://www.nyctaper.com/2011Best25/18 Thank You For Sending Me An Angel.mp3]

Our original goal for this post was not to repeat any bands that made the list last year, but Yo La Tengo deliver something so special at every show, it was impossible to ignore this once-in-a-lifetime happening. Musicians across New York and the United States were moved to help their brethren in Japan after the terrible damage wrought by the tsunami and subsequent nuclear reactor meltdowns. Yo La Tengo did their part by throwing this very special benefit show at their homebase venue of Maxwell’s, with all proceeds going to Peace Winds Japan. David Byrne appeared with the band and performed a special rendition of this Talking Heads classic. A direct donation to Peace Winds Japan was required to be able to download this set, and through those donations, we have raised over $5,000 for the organization to date.

Full post of this show [HERE]  donation to Peace Winds Japan is required to download the show.

yolatengobyrnejapan

12. Destroyer “Kaputt” (Webster Hall, April 3)

[audio:https://www.nyctaper.com/2011Best25/08 Kaputt.mp3]

Pitchfork may have ultimately handed the #1 spot on their year-end best-of to Bon Iver, but I called it back in April that Destroyer’s Kaputt would be close. A weird, wonderful album that resurrected the saxophone for new generation of rock fans, as I put it back then, “…Bejar’s music is almost radically foreign to what else is going on in American music today. Which is to say, Kaputtisn’t really dance music, nor can it be considered “rock” of most common varieties, and neither is it some fist-pumping, amped-up hybrid of the two. Bejar’s edges are soft, his choruses delivered on a silky train of trumpet and sax trills in a moderate, almost diffident tone. If the common mode for today’s bands is a marriage of post-punk and hard dance music, 2011’s Destroyer could be, well, “indie rock and smooth jazz…” This live show at Webster Hall was a hotly anticipated one this year, and Bejar nailed it.

Full post of this show [HERE]

13. The Antlers – “Putting the Dog To Sleep” ( Knitting Factory, May 8 )

[audio:https://www.nyctaper.com/2011Best25/11 Putting the Dog to Sleep.mp3]

The Antlers continued their rise in the ranks of local bands this year with the release of their new album, Burst Apart. We were fortunate enough to catch a very special secret show at The Knitting Factory sponsored by BrooklynVegan, at which the band played the entire new album for a group of hardcore fans. This was the first time we had heard a number of these songs live, and it was evident from the start that Burst Apart was a huge creative leap forward for the band.

Full post of this show [HERE]

theantlers04

14. Wye Oak – “The Alter” (Rock Shop, January 27)

[audio:https://www.nyctaper.com/2011Best25/01 The Alter.mp3]

It was absolutely freezing out when I went to see Wye Oak, performing a special invite-only show after opening for The Decemberists the night before. The band was on the cusp of releasing Civilian, an album destined for many best-of lists, and they were surrounded by friends and family to debut many of its songs live. The intimate jewel box of Rock Shop was the perfect place to do it, feeling like our personal living room as we watched the duo play. After going through the experience of being an opening act at the Beacon Theatre the night before, I’m sure it felt like a sort of homecoming for the Baltimore natives.

Full post of this show [HERE]

15. White Fence – “Baxter Corner” (Bowery Ballroom, August 13)

[audio:https://www.nyctaper.com/2011Best25/04 Baxter Corner.mp3]

Our first exposure to White Fence came as they opened for Woods at Bowery Ballroom, on a night when the NYCTaper crew decided to team up and use a combination of our finest equipment. Not only is our capture one of our best recordings of the year, but this new “band” (basically the solo artist Tim Presley, with members of Woods and drummer Nick Murray as his backing band) blew us away with its catchy garage-psych tunes.

Full post of this show [HERE]

16. Family Band – “Again” (Backyard Brunch Sessions, July 23)

[audio:https://www.nyctaper.com/2011Best25/09 Again.mp3]

Our friends at the Backyard Brunch Sessions held another successful summer season of intimate outdoor shows. Not only did they give the NYCTaper team the chance to show off what we can do recording-wise, but they introduced us to some fantastic new talent. Of all the acts hosted at the BBS this summer, Family Band was probably my single favorite. Lead by the husband and wife team of Jonny Olsin and Kim Krans, the band played a mesmerizing set on this sweltering midsummer afternoon. They call their music “death prom,” and indeed, it is downbeat, but its pastoral quality is one of its greatest strengths, well earned in the band’s upstate Catskills recording location.

Full post of this show [HERE]

bbs-family-band-6

17. Blitzen Trapper – “Good Times Bad Times [Led Zeppein]” (Maxwell’s, December 9)

[audio:https://www.nyctaper.com/2011Best25/29 Good Times Bad Times.mp3]

Blitzen Trapper were out east from Portland for a live appearance on Letterman, and decided to grace their big fans with a Maxwell’s show while they were at it. The tight, energetic and totally fired-up crowd lapped up the 25-song set, which culminated with a ripping cover of “Good Times Bad Times” by the mighty Led Zeppelin.

Full post of this show [HERE]

18. Bill Callahan – “Say Valley Maker” (Bowery Ballroom, July 12)

[audio:https://www.nyctaper.com/2011Best25/11 Say Valley Maker.mp3]

Bill Callahan is an uncanny musician – with songwriting chops, unique phrasing and a distinctly American style that is both timeless and timely. His new record Apocalypse is but one of a long run of critical and fan favorites from the songwriter, who recorded during most of the 90s under the moniker Smog.  This show found Callahan combining a set heavy on new material with some of his earlier favorites.  Callahan and his band performed a rich set that found some numbers stretching into lengthy instrumental meditations, and none so much as this nearly 10-minute rendition of “Say Valley Maker” from his 2010 effort, Rough Travel for a Rare Thing.

Full post of this show [HERE]

bill-callahan_dana

19. The Hold Steady – “How A Resurrection Really Feels” (Beekman Beer Garden, September 17)

[audio:https://www.nyctaper.com/2011Best25/24 How a Resurrection Really Feels.mp3]

Four years to the day that the site first covered The Hold Steady, we caught them again at an outdoor show that took full advantage of Craig Finn’s barroom-friendly tunes. We saw the Hold Steady twice this year, and both times the band continued to capture the magic they’ve had since their inception. Finn slows no sign of slowing down – or selling out.

Full post of this show [HERE]

holdsteady1

20. Fucked Up – “Running On Nothing” (Warsaw, November 15)

[audio:https://www.nyctaper.com/2011Best25/07 Running on Nothing.mp3]

In some ways, it’s appropriate that Fucked Up would follow The Hold Steady on this list – both are known for raucous, exceptionally fun live shows. Fucked Up is my one repeat choice from last year, and the reason I chose them again is simple: Once again, they have transcended the confines of their ostensibly “punk” roots to deliver an album of exceptional complexity and bravado. This show at Warsaw was a complete run-through of that album, David Comes to Life, and this song, with its dueling guitars, was one of the highlights.

Full post of this show [HERE]

21. Tristen – “Doomsday” (NYCTaper CMJ Day Party at Cake Shop, October 21)

[audio:https://www.nyctaper.com/2011Best25/09 Doomsday.mp3]

For the last several years, NYCTaper has thrown an unofficial “day party” during the CMJ Music Festival – an opportunity for us to get drunk throw a concert for artists we appreciate and make some damn fine recordings, too. Tristen released a new record this year, earned lots of good reviews, but hadn’t really hit the NYC scene very hard, despite the immediate accessibility of her country-tinged indie-folk. Several people thanked us for urging them not to miss her set at our show at Cake Shop. But if you did, here’s a second chance – don’t miss Tristen.

Full post of this show [HERE]

tristen01

22. Jessica Lea Mayfield – “Run Myself Into the Ground” (Glasslands, November 17)

[audio:https://www.nyctaper.com/2011Best25/10 Run Myself Into the Ground.mp3]

Glasslands was my most common haunt this year for a couple of obvious reasons – the semi-DIY Williamsburg venue and its partnership with PopGun Booking continue to bring in some of the best up-and-coming talent in this city in an artful, relaxed environment – and it sounds great most nights, thanks to current house engineer Josh Thiel. As to Jessica Lea Mayfield, we’ve caught her in fancier environs like Bowery, but this intimate, packed and sold-out show was the best of hers that we’ve seen. It was hard to pick a single favorite of the many revelatory shows I saw at Glasslands, but this one is certainly in my top few.

Full post of this show [HERE]

23. Archers of Loaf – “Dead Red Eyes” (Music Hall of Williamsburg, June 25)

[audio:https://www.nyctaper.com/2011Best25/15 Dead Red Eyes.mp3]

Archers of Loaf had been gone long enough at this point that some original fans had forgotten to even miss them. Well, that’s OK – there were plenty of new ones to take their place at this show at Music Hall of Williamsburg. Screaming out for songs they’d never heard live, singing along with lyrics, plenty of new fans showed up for this gig. Plenty of veterans did, too – after reliving this band’s greatness on records like Vee Vee and Icky Mettle. Frontman Eric Bachmann hasn’t stopped making music (he’s Crooked Fingers more often these days), and it showed in his instant poise once back together with his old bandmates. This slow burner was one of many memorable moments of a night that made us hope Archers of Loaf would stick around awhile.

Full post of this show [HERE]

24. Guided by Voices – “Don’t Stop Now” (McCarren Park, June 18)

[audio:https://www.nyctaper.com/2011Best25/35 Don’t Stop Now.mp3]

The NYCTaper crew contributed this recording as an official release that is for sale on the Guided by Voices website. In case you were wondering, we weren’t paid for doing it – our goal was only to make the definitive recording of this legendary band. “Definitive” or not, I think this one is very good – and a perfect representation of the highlight show of this year’s Northside Festival.

This show for sale at gbvdigital.com [HERE]

GBV-Ventrice

25. Mountain Goats – “This Year [with Craig Finn]” (Bowery Ballroom, March 28)

[audio:https://www.nyctaper.com/2011Best25/27 This Year.mp3]

Appropriately, our year-end compilation ends with John Darnielle and guest Craig Finn singing the perfect sendoff to 2011. “I am gonna make it through this year if it kills me” could mean a lot of things, but for us, we’re fortunate that we were able to continue to do what we love doing as a hobby, without financial support, and to – yeah – be able to continue to treat this thing that we do as a hobby rather than a job. Bands like the Mountain Goats, and their consistently surprising, fan-friendly performances are a big part of what makes this site worth doing. The other part is of course you, our readers. Happy New Year!

Full post of this show [HERE]

HONORABLE MENTIONS:

Lemonheads – “My Drug Buddy” (Bowery Ballroom, October 10)

[audio:https://www.nyctaper.com/2011Best25/06 My Drug Buddy.mp3]

Sebadoh – “Willing to Wait” (Maxwell’s, November 11)

[audio:https://www.nyctaper.com/2011Best25/39 Willing to Wait.mp3]

Deer Tick – “Bastards of Young [The Replacements]” (Webster Hall, November 20)

[audio:https://www.nyctaper.com/2011Best25/09 Bastards Of Young.mp3]

Hoop Dreams – “Home Alone” (Glasslands, August 2)

[audio:https://www.nyctaper.com/2011Best25/08 Home Alone.mp3]

Lemonheads15

Sharon Van Etten – “Love More [w/ Peter Silberman]” ( Bowery Ballroom, January 8 )

[audio:https://www.nyctaper.com/2011Best25/16 Love More (with Peter Silberman).mp3]

Melvins – “Second Coming>The Ballad of Dwight Frye” (Music Hall of Williamsburg, June 6)

[audio:https://www.nyctaper.com/2011Best25/09 Second Coming_The Ballad of Dwight Frye.mp3]

Special thanks to all of the artists, management, labels, photographers and other music sites that have supported NYCTaper this year. And of course, a huge thank you to our readers, who we hope to continue to provide with high-quality, artist-sanctioned recordings, reviews and photos throughout 2012. Happy New Year!

Stars: October 11, 2011 Music Hall of Williamsburg – FLAC/MP3 Downloads + Streaming Songs

December 22, 2011
By

Photo courtesy of Jill and For the Love of Brooklyn
[photos courtesy of Jill and For the Love of Brooklyn]

Montreal band Stars has long been one of my favorites. I first saw them at the now defunct Siren Festival of 2006, against the beautiful scenic backdrop that is Coney Island, and was blown away by their unique blend of pop and rock. Even though they now claim Montreal as their hometown, the band has deep NYC roots, having written their first song and several albums while living in a small West Side Apartment in the late ’90s, so it’s no surprise that they consistently return to their home away from home in the Big Apple.

We had the good fortune of seeing Stars at Music Hall of Williamsburg for a performance that was nothing short of outstanding. Their performance featured two never before played songs, To the Better Ones and Holes, offering up a moment of vulnerability, but also demonstrating their trust and connection with the audience.

Lead singer Torquil Campbell was also able to connect with the audience in a slightly different way, showing his jovial mood by kindly requesting that an audience member “pass the spliff” before playing the aforementioned To the Better Ones. Between moments like this and personal commentary about the heroes of Occupy Wall Street, it was clear that spirits were high and a genuine love for New York existed on this beautiful Brooklyn night.

I recorded this set using a pair of Schoeps MK41 hypercardioid microphones clamped to the center balcony railing. The samples I have chosen include Set Yourself on Fire, the self-titled track from their 2004 album, and my personal favorite Elevator Love Letter, a fitting tribute to our metropolis.

Stream “Set Yourself on Fire”
[audio:https://www.nyctaper.com/S1110Stars1102/stars2011-10-11.setyourselfonfire.mp3]

Stream “Elevator Love Letter”
[audio:https://www.nyctaper.com/S1110Stars1102/stars2011-10-11.elevatorloveletter.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Photo courtesy of Jill and For the Love of Brooklyn

Stars
Music Hall of Williamsburg
New York, NY, US
2011-10-11

Recordist : hi and lo
Location : DFC, clamped to balcony
Source : Schoeps MK41/CMR > Naint Tinybox > Sony PCM-M10 @ 24 bit / 48 kHz
Mastering : Wavelab 6 (Mixdown/EQ/Fades/resamping/dither) > Flac Level 8 with TLH v2.6.0 (Build 168)

Tracklist:

01. Intro
02. Fixed
03. The Passenger
04. Take Me to the Riot
05. Wasted Daylight
06. Set Yourself on Fire
07. To the Better Ones
08. Dead Hearts
09. Ageless Beauty
10. Soft Revolution
11. Holes
12. Your Ex-Lover is Dead
13. Window Bird
14. We Don’t Want Your Body
15. How Much More
16. Reunion
17. Calendar Girl
18. (Encore Call)
19. One More Night
20. Bitches in Tokyo
21. The Ghost of Genove Heights
22. Changes
23. Elevator Love Letter

Running Time: 1:41:32

Please support Stars by visiting their Website. If you’ve enjoyed this recording, you may also purchase any of their wonderful albums directly from the band’s Store

Wooden Shjips – November 10, 2011 Music Hall of Williamsburg – Flac and MP3 Downloads + Streaming Song

November 15, 2011
By


[photo courtesy of Robert Loerzel]

Last week in the underground Pink Floyd live music collector community, a recording surfaced for the first time in over 40 years. A 1967 performance of the original band with Syd Barrett in Stockholm was recorded by a local archivist and at long last reached collectors around the world. The proto-psychedelic music was groundbreaking in the mid-60s, but across four decades even this technologically-challenged recording is still fresh and exciting. The palpable energy of the songs and the ferocious nature of the improvisation is breathtaking. Its no wonder that generations removed the original brand of psychedelic rock, there are still any number of excellent purveyors of the craft today. On Thursday night at Music Hall of Williamsburg, we witnessed a performance of perhaps the most pure neo-psych band around, San Francisco’s Wooden Shjips. On tour to support their latest album West — the band’s first release on the excellent label Thrill Jockey Records — Wooden Shjips made one of their infrequent visits to NYC. We have been fortunate to have captured the previous two, 2009 at 171 Lombardy and 2010 at Music Hall. The set on Thursday continued on the same vein as the previous shows, with the band visiting much of their full catalog and stretching the numbers out with rich improvisation. While Ripley Johnson’s crunchy guitar is forefront of the mix, each member of the quartet shined on this particular evening. As an example, we’re streaming “Fallin'” below , which features the swirling psych organ of Nash Whalen for most of the song structure before Johnson shreds the last four minutes. The show concluded with a number from the band’s 2007 self-titled debut, “We Ask You To Ride” which was so loud that I could literally feel my knees vibrate when each bass note was stuck. I closed my eyes and for a second imagined that the 1967 Swedish crowd probably felt a similar physical rush from The Pink Floyd.

I recorded this set with the four microphone rig from the front center of the balcony. We’re still struggling to find the proper recording technique for this particular venue, but after some post-production and tasteful EQ, I feel that this recording can now be classified as an excellent listen. Enjoy!

Stream “Fallin'”:
[audio:https://www.nyctaper.com/W3110WoodenShjips2292/05.%20Fallin.mp3]

Direct download of complete show in MP3 files (HERE)

Direct download of the FLAC files [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Wooden Shjips
2011-11-10
Music Hall of Williamsburg
Brooklyn, NY USA

Four-Track Digital Master Recording
Recorded from Center Balcony Rail

Neumann KM-150s + DPA 4021’s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, EQ, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2011-11-13

Setlist:
[Total Time 1:10:42]
01 Black Smoke Rise
02 Lazy Bones
03 [guitar tech]
04 Motorbike
05 Fallin
06 For So Long
07 Aquarian Time
08 Flight
09 Death’s Not Your Friend
10 Buddy [Snapper cover]
11 [encore break]
12 We Ask You to Ride

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Wooden Shjips, visit their website, and purchase their new album West from the Thrill Jockey Records website [HERE].

Psychic Ills: October 31, 2011 Music Hall of Williamsburg – FLAC and MP3 Downloads + Streaming Songs

November 3, 2011
By

psychicills2012-11-09-2
[Photo by acidjack]

For some, Halloween means dressing up in an ironic/slut/wacky costume, and then hitting various bars acting like a jackass – which is totally cool by me. But for those seeking a tad more structure on a Monday Halloween night (and somewhere more interesting to wear said costume), Music Hall of Williamsburg offered an ideal bill of bands with a dark, psychedelic vibe – gothmeisters Exitmusic (our Glasslands recording of them here), headliners The Black Angels (our most recent recording of them here), and in the middle of the bill, the beloved NYC psychedelic outfit Psychic Ills. The band’s hypnotic new effort Hazed Dream, on Sacred Bones Records, has been a favorite of mine since it came out, and this show promised an early opportunity to hear the new material in action on MHOW’s powerful sound system. Dressed in full costume, the band launched into the first three tracks off of Hazed Dream to set a trippy mood, particularly during the Eastern-influenced “Incense Head”. Hazed Dream is the band’s most focused, “song-driven” record to date, and the live show backed that up, with the band mostly eschewing improvisation (other than in song transitions) and letting these tight compositions speak for themselves. Some say the Ills and like-minded bands (i.e., Wooden Shjips) are best enjoyed in a mind-altered state. Drugs or not, Halloween made for the perfect night to try that theory on. And yes, they and Halloween were indeed a good fit.

I recorded this set with DPA 4061 omnidirectional microphones, which produce a full, natural sound. The results are excellent. Enjoy!

Stream “Incense Head”:
[audio:https://www.nyctaper.com/P3110PsychicIlls2011/03 Incense Head.mp3]

Stream “I’ll Follow You Through the Floor”:
[audio:https://www.nyctaper.com/P3110PsychicIlls2011/08 I’ll Follow You Through the Floor.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

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Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Psychic Ills
2011-10-31
Music Hall of Williamsburg
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

DPA 4061>CA-UBB>Sony PCM-M10 (24/44.1)>24bit/44.1kHz WAV>Audacity (set fades, tracking, amplify and balance, light EQ)>FLAC ( level 8 )

Tracks
01 Midnight Moon
02 Mind Daze
03 Incense Head
04 Sungaze
05 [unknown]
06 [unknown]
07 Meta
08 I’ll Follow You Through the Floor

If you enjoyed this recording, PLEASE SUPPORT Psychic Ills, visit their website, and purchase Hazed Dream from Sacred Bones Records [HERE]

Megafaun: April 16, 2011 Music Hall of Williamsburg – Flac and MP3 Downloads + Streaming Song

September 1, 2011
By


[photos by Amanda Hatfield]

This Spring, we were fortunate to catch Megafaun four times in a span of less than three weeks. The final performance was their opening set for Sharon Van Etten at Music Hall in April. The set featured several new numbers, and now four months down the road the band is poised to release their new album (self-titled) on Hometapes Records on September 20, 2011. The band will also launch tours in September through Europe and the US. The local dates are a pair of nights at Mercury Lounge, on Saturday September 24 and Sunday September 25. We expect to capture at least one of the Mercury dates.

I recorded this set with the Neumann microphones on a stand in the upfront of the right side of the balcony, fifteen feet from the stage. The sound quality is excellent. Enjoy!

Stream “Lazy Suicide”:
[audio:https://www.nyctaper.com/M3330Megafaun2110/12.%20Lazy%20Suicide.mp3]

This Recording is now available to Download in FLAC and MP3 at Archive.org [HERE].

Megafaun
2011-04-16
Music Hall of Williamsburg
Brooklyn, NY USA

Digital Master Audience Recording
Recorded from Balcony Rail
Far Right 15 feet from Stacks

Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper
2011-08-28

Setlist:
[Total Time 48:03]
01 Beloved Binge
02 Carolina Days
03 [banter]
04 Real Slow
05 [banter2]
06 Volunteers
07 [banter3]
08 Worried Mind
09 His Robe
10 [banter4]
11 The Longest Day
12 Lazy Suicide
13 The Process

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Megafaun, visit their website, and purchase their official releases from Hometapes Records [HERE].

Deer Tick: August 10, 2011 Wantagh NY – Flac and MP3 Downloads + Streaming Song

August 14, 2011
By

deer tick nikki
[photo courtesy of Niki Leigh Budnick]

We have always personally liked Deer Tick, all the way back to meeting John McCauley for the first time in early 2008. He seemed genuine and the rootsy nature of the band’s music reflected that sincerity. As Deer Tick has grown in stature and size, its been easy to root for them. So when we were contacted by the Tommy Brull Foundation about recording their charity concert on Long Island, it came as no surprise the Deer Tick had agreed to headline the show. The Foundation was organized in 2008 to celebrate the life of Tommy who passed away at the age of 23, and it supports a variety of causes in his memory that benefit disabled children. On Wednesday at Mulcahy’s in Wantagh, Deer Tick truly gave it their all for the cause, as they performed a non-stop set that spanned two hours and contained thirty songs. The set culled tracks from all three of their releases, and also featured five new songs that will appear on an album to be released in October. We are streaming one of the stronger new tracks “Funny Word”. The band also let it all hang out and played a bunch of eclectic covers, including the Replacements song we posted on Friday.

Please support the Tommy Brull Foundation and the important work they do, and donate to the Foundation [HERE].

I recorded this set with a very well-balanced soundboard feed mixed with the DPA cardioid microphones placed at the center of the room. The sound quality is superb. Enjoy!

Stream “Funny Word”:
[audio:https://www.nyctaper.com/D4545DeerTick3030/18.%20Funny%20Word.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Deer Tick
2011-08-10
Mulcahy’s
Wantagh, NY USA

Tommy Brull Foundation Benefit Concert

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + DPA 4021s > Edirol R-44 (Oade Concert Mod) > 2x 16bit 44.1kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper
2011-08-13

Setlist:
[Total Time 1:57:59]
01 The Bump
02 Easy
03 Baltimore Blues No 1
04 Ashamed
05 Maybelline [Chuck Berry]
06 Main Street
07 [banter]
08 Little White Lies
09 Walkin Out That Door
10 [banter – Zep tease]
11 Choir Of Angels
12 When She Comes Home
13 Something to Brag About
14 Smith Hill
15 Standing at The Threshold
16 Waitress In The Sky [Replacements]
17 Spend the Night
18 Funny Word
19 Now Its Your Turn
20 [banter – Beatles tease]
21 Houston TX
22 20 Miles
23 Christ Jesus
24 Holy Shit Its Christmas
25 Serve The Servants [Nirvana]
26 Blue Moon (instrumental) [Rogers/Hammerstein]
27 La Bamba [trad arr Valens]
28 These Old Shoes
29 Not So Dense
30 [banter – play for charity]
31 Dirty Dishes
32 Bring It On Home to Me [Sam Cooke]
33 Jam
34 Tequila [The Champs]
35 Bring Me My Shotgun [Lightning Hopkins]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT The Tommy Brull Foundation and DONATE to the Foundation [HERE].

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Deer Tick, visit their website, and purchase their official releases from the Partisan Records Store [HERE].

Anamanaguchi: July 22, 2011 Music Hall of Williamsburg – Flac and MP3 Downloads + Streaming Song

July 24, 2011
By

anamana mhow
[photo by Thomas Dougherty]

I’d like to claim to have predicted the kind of huge success that Anamanaguchi has achieved since we saw them last at the Knitting Factory in January, but really I was somewhat late to the game. The band sold out the Knit that cold night, but six months later Music Hall of Williamsburg was packed to the walls on the hottest night in memory. By the time Anamanaguchi took the stage at 11 pm after two energetic openers, the crowd was absolutely manic. The quartet entered to a throbbing programmed beat and worked the crowd for a couple of minutes before breaking into a frenzied “Mess”. Immediately, massive crowd surfing began and a stream of stage jumpers continued unabated throughout the seventy-minute set. Although they are labeled as a 8-bit chiptune band, the energy in Music Hall was clearly right out of the punk manual. The first half of the set continued without break, as each song combined the four lively musicians with the band’s layered synthesizers. By the time the band stopped to catch their wind and switch some guitars, it seemed as if everyone in the pit needed a time out. After a breather, the set continued with four “space” themed songs, including the excellent “Aurora” (streaming below). Following two encores, band and crowd were overtaken by exhaustion and exited the venue tired but satisfied with a show of immense entertainment value from both artist and fan.

I recorded this set from the center of the balcony with the four microphone rig. The sound quality is quite excellent. Enjoy!

Stream “Aurora”:
[audio:https://www.nyctaper.com/A6001Aguchi1120/15.%20Aurora.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Anamanaguchi
2011-07-22
Music Hall of Williamsburg
Brooklyn, NY USA

Four-Track Digital Master Recording
Recorded from Center Balcony Rail

Neumann KM-150s + DPA 4021’s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced
by nyctaper
2011-07-24

Setlist:
[Total Time 1:04:12]
01 Mess
02 Densmore
03 My Skateboard Will Go On
04 [banter]
05 Penpal
06 Snow
07 UNME
08 Stolen Car Babe Highway Tokyo Drift
09 Airbrushed
10 Blackout City
11 [banter2]
12 Space Wax America
13 Helix Nebula
14 [banter2]
15 Aurora
16 [encore break]
17 Don’t Save Us From The Flames [M83]
18 Mermaid

If you email nyctaper for access to this recording we expect that you will PLEASE SUPPORT Anamanaguchi, visit their website, and purchase their official releases at the Store at their website [HERE].

Bill Callahan (Smog): July 12, 2011 Bowery Ballroom and June 14, 2009 Music Hall of Williamsburg – FLAC and MP3 Downloads + Streaming Songs

July 18, 2011
By

bill-callahan_dsc_9655
[This photo from the July 11, 2011 Music Hall of Williamsburg show by Dana (distortion) Yavin for BrooklynVegan.com]

The inimitable troubadour Bill Callahan (who recorded through much of the 90s and half the last decade as Smog) graced us with two nights in New York, his first since his excellent June 14, 2009 Northside Festival show at Music Hall of Williamsburg back in 2009. We caught the second of the two nights of this year, at Bowery Ballroom, which as usual proved an ideal showcase for Callahan’s graceful, classic songs. With songs that scan more like free verse than typical verse-chorus-verse structures, Callahan’s style demands rapt attention, and that is what he got from the Tuesday night crowd. Drawing heavily from his latest record, this year’s Apocalypse, as well as his 2009 solo record Sometimes I Wish I Were An Eagle, Callahan gave us over 100 minutes of perfection, delivered by a different trio of musicians compared to the group he had at his disposal in 2009 that featured a string player. In this configuration, many songs drifted into psychedelic guitar jams that gave them a more sweeping scope (see the epic “Drover” mid-set, or the massive “Say Valley Maker” for example), giving the Bowery show a harder rock edge. Callahan also gave us some hard-to-deny Smog tunes, even taking requests from the crowd, with that “Say Valley Maker” probably being my personal favorite.

As a special treat, this post is a “double-header” of the Bowery show and the 2009 Music Hall of Williamsburg show, which has not appeared on the site before. I recorded the Bowery set from our usual spot in the venue, but using tiny DPA omnidirectional mics that captured the full sound of the room. The Music Hall set was recorded up front near the stage with a mobile rig. Both are excellent, though the edge on sound quality clearly goes to the Bowery show. The tracking and mastering on the MHOW show is also not quite as good. Enjoy!

Stream “Say Valley Maker [Smog]” from the 2011 Bowery show:
[audio:https://www.nyctaper.com/B7014BillCallahan2011/11 Say Valley Maker.mp3]

Stream “Bowery” from the 2009 Music Hall show:
[audio:https://www.nyctaper.com/B7014BillCallahan2011/20 bowery.mp3]

2011 BOWERY SHOW
Direct download of the MP3 files of the 2011 show [2011 MP3s]
Direct download of the FLAC files of the 2011 show [2011 FLACs]

2009 MUSIC HALL SHOW
Direct download of the MP3 files of the 2009 show [HERE]
Direct download of the 24-bit FLAC files of the 2009 show [HERE]

PLEASE DO NOT REPOST THE DIRECT LINKS
Email nyctaper if the FLAC links have expired

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BOWERY BALLROOM 2011 SHOW

Bill Callahan
2011-07-12
Bowery Ballroom
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4061>Church Audio CA9200>Sony PCM-M10 (24/44.1)
Position: Mics 2′ split at soundboard, slightly LOC on balcony
Mastering: 24bit/44.1kHz WAV>Audacity (EQ, set fades, tracking, amplify and balance, hard limit peaks and audience noise, parallel compression)>FLAC ( level 8 )

Tracks [Total Time 1:45:47]
01 Riding For the Feeling
02 Baby’s Breath
03 Eid Ma Clack Shaw
04 One Fine Morning
05 Too Many Birds
06 [banter]
07 Universal Applicant
08 Drover
09 Our Anniversary
10 America!
11 Say Valley Maker [Smog]>
12 Let Me See the Colts [Smog]
13 [encore break]
14 River Guard [Smog]
15 Honeymoon Child
16 [crowd]
17 Sycamore

MUSIC HALL OF WILLIAMSBURG 2009 SHOW

Bill Callahan
2009-06-14
Music Hall of Williamsburg
Brooklyn, NY

An acidjack master recording

SP-CMC-8 (AT U853 cardiod capsules w/ low sensitivity mod and adapter)>SPSB-10>R-09HR (24/48)>Audacity (tracking, amplify each channel to -0.1dB, cut down some crowd noise)>FLAC (level 8)

Tracks
01 our anniversary
02 diamond dancer
03 sycamore
04 bathysphere
05 crowd
06 too many birds
07 crowd
08 the wind and the dove
09 crowd
10 cold blooded old times
11 crowd
12 jim cain
13 crowd
14 eid ma clack shaw
15 rococo zephyr
16 all thoughts are prey to some beast
17 crowd
18 rock bottom riser
19 encore break
20 Bowery
21 crowd
22 say valley maker
23 let me see the colts

If you download these recordings from NYCTaper, we expect that you will PLEASE SUPPORT Bill Callahan, visit his website, and purchase Apocalypse and his other official releases from Drag City [HERE]

bill-callahan_dsc_9665
[Bowery 2011 show photo by Dana (distortion) Yavin]

Melvins: June 7, 2011 Music Hall of Williamsburg – FLAC / MP3 Downloads + Streaming Songs

June 15, 2011
By


[Photos courtesy of Dana (distortion) Yavin.  See more of her excellent work HERE.]

After the previous night’s epic tooth-rattling concert featuring the ‘Eggnog‘, ‘Lysol‘ and ‘Houdini‘ albums, I was wondering what the response would be to this nights playing of ‘Bullhead‘ and ‘Stoner Witch‘.  Two great records that bookend the other three, they are generally lesser known by the masses but equally crucial to the Melvins catalog.  I needn’t have worried as the crowd seemed to build on the intensity that began the night before.  The band’s no nonsense approach didn’t stray from the track listings of the two discs, but their intense live renditions will never be mistaken for the studio versions.  Anything but workman-like, the Melvins imbued new life and twists into these songs.  Among others, this included the set-enders: extended opus, “Boris”, and the night’s closer, “Shevil”, which gave Dale Crover and Coady Willis a jumping off point for a 12 minute drum workout.  Joined by skinsman Vinny Signorelli from Brooklyn-based Unsane, thunder pealed through the venue and left many attendees with their ears pleasantly ringing.

Set up in the dead-center spot on the balcony, the resultant recording is excellent and surprisingly clear considering the sheer volume in the venue; a testament to the engineer’s skills and how good the P.A. is in the Music Hall of Williamsburg.  That said, if you like heavy low-end, this recording is for you.  Enjoy and PLAY IT LOUD!!

Stream “It’s Shoved”:
[audio:https://www.nyctaper.com/M1806Melvins0210/Melvins_-_It’s_Shoved.mp3]
Stream “Queen”:
[audio:https://www.nyctaper.com/M1806Melvins0210/Melvins_-_Queen.mp3]

Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

If either of the links are no longer working, email nyctaper with a request for the download location of the files.

Melvins
Tuesday, June 7, 2011
Music Hall of Williamsburg
Brooklyn, NY, USA

Source: AUD > AKG C 414 B-XLS’s + Audio-Technica AT3031’s > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > USB > PC > Adobe Audition (mixdown, adjust levels, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBE’s, FLAC conversion) > FLAC ( level 8 )
Recorded and produced by: Johnny Fried Chicken Boy

1st SET: ‘Bullhead
[Total time: 37:11]
01. intro (Blazing Saddles theme)
02. Ligature
03. It’s Shoved
04. If I Had an Exorcism
05. Zodiac
06. Anaconda
07. Cow
08. Your Blessened
09. Boris

2nd SET: ‘Stoner Witch
[Total time: 58:16]
10. intro (The Great Escape theme)
11. Lividity
12. Skweetis
13. Sweet Willy Rollbar
14. Revolve
15. June Bug
16. Roadbull
17. Goose Freight Train
18. Queen
19. At the Stake
20. Magic Pig Detective
21. Shevil > drums

If you download this recording, we expect that you will PLEASE SUPPORT Melvins, visit their website, visit their MySpace and Facebook pages, and purchase their official releases and merchandise [HERE].

Melvins: June 6, 2011 Music Hall of Williamsburg – FLAC and MP3 Downloads + Streaming Songs

June 10, 2011
By


[Photos by Greg Cristman.  Used with permission.  All rights reserved]

My last Melvins show had nothing on the epic 25th anniversary show that we also recorded (both recordings available here), where the band did a full run-through of their most famous album, Houdini, and a gaggle of other songs in a two and a half hour set.  So naturally, I was anxious to see them again at these shows at Music Hall of Williamsburg, where the band promised run-throughs of multiple albums per night.  On this first of the two nights, the band played material from three of their records, the classic Lysol, the somewhat less-known Eggnog, and finally, Houdini.  The venue’s sound system – arguably the best in tri-state area – was a highlight in and of itself as it pumped out the bone-rattling levels of sound from the band.  Unlike the 25th anniversary show, this show was all business, with the band doing a first set consisting of a mix of Eggnog and Lysol tracks that closed with an epic “Sacrifice” without a single second of banter.  This set of longer, sludgier songs set a (relatively) mellow tone to preface the blistering second set, consisting entirely of tracks from Houdini.  By the end of the kickoff track of the second set, “Hag Me,” the floor was a sea of bodies, and it stayed that way through the very last song, “Spread Eagle Beagle,” which closed out, appropriately, with the band’s dual drummers pounding the skins alone onstage.  Once again, the Melvins brought the epic noise… leaving us hungry for night two.

I recorded this set with the Schoeps microphones on the center of the balcony, running into a custom analog preamp to provide more detail and warmth to the recording.  The results are outstanding and reflect the incredible sound in the room.

Night two was also recorded and will be posted soon.

Stream “Second Coming>The Ballad of Dwight Frye [Alice Cooper]”
[audio:https://www.nyctaper.com/M1806Melvins0210/09 Second Coming_The Ballad of Dwight Frye.mp3]

Stream “Going Blind”
[audio:https://www.nyctaper.com/M1806Melvins0210/18 Going Blind.mp3]

Direct download of the MP3 files: [MP3]

Direct download of the lossless FLAC files: [FLAC]
PLEASE DO NOT REPOST THE DIRECT LINKS TO EITHER FILESET – IT WILL CRASH OUR SERVER

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Melvins
2011-06-06
Music Hall of Williamsburg
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Schoeps Mk41>CMC6>Oade M248>Edirol R-44 [Oade Concert Mod] (24/48)
Position: Balcony, DFC, mics on extension arm aimed down PAS
Mastering: 24bit/48kHz WAV>Audacity (set fades, tracking, light EQ on set II only (-1dB below ~250Hz)

SET I: Eggnog and Lysol [57:44]
01 [Set I Intro]
02 Charmicarmicat: Bastards
03 Lysol (aka Hung Bunny)>
04 Roman Dog Bird
05 Hog Leg: Like Stee, Moanin Ludlow
06 Antioxidote: Pigs Don’t Let It
07 Wispy: I Don’t Know But I Don’t Feel So Good
08 With Teeth
09 Second Coming>The Ballad of Dwight Frye [Alice Cooper]
10 Sacrifice

SET II: Houdini [56:27]
11 [Set II Intro]
12 Hag Me
13 Pearl Bomb
14 Hooch
15 Honey Bucket
16 Night Goat
17 Lizzy
18 Goin’ Blind
19 Joan of Arc
20 Set Me Straight
21 Sky Pup
22 Teet
23 Copache
24 Spread Eagle Beagle

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Melvins, visit their website, and buy their records from Ipecac records here.

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