Posts Tagged ‘ nyctaper ’

Alabama Shakes: June 7, 2015 Mountain Jam (Hunter, NY) – FLAC/MP3/Streaming

June 8, 2015
By

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It made good sense for Alabama Shakes to end this year’s Mountain Jam, as they ended it on the highest of notes.

By the time you had sat through three or even four days of this year’s festival, you might be forgiven for wondering if anything happened musically in this country since 1972. With exceptions, there were far too many “me-too” bands so slavishly devoted to their heroes that they could only impress the crowd by covering well-known songs by bands superior to them. Consider some of the headliners: Friday, a washed-up warhorse from a legendary 70s act was followed by … a band covering Dark Side of the Moon and other Pink Floyd songs. Saturday, a knockoff of a band from the late 90s-2000s played its bloozy bar rock songs best known for their hard-hitting impact on TV commercials and the opening credits for an HBO sitcom. Just before that band came on, the act before them played a bunch of Beatles and John Lennon songs.

Alabama Shakes could have been nothing more than a “me too” band, and would have been a striking one. There’s no question that Brittany Howard’s vocal style owes a debt to Etta James, Janis Joplin and several others, but what Howard and her band have accomplished with their second album, Sound & Color, moves them firmly into a different class. The band has taken the pieces they already had — a love of classic rock and soul, a cohesive unit, and a frontwoman with an earth-shaking voice and the presence to match — and used them to create daring new songs that push the conversation forward. It’s not an accident that one of the best songs played at this show, “Future People,” uses the word future. Over and over again, Alabama Shakes’ latest work keeps proving that they want more — particularly the fellow new album tracks “Sound & Color” and “Don’t Wanna Fight.” Maybe some people were comfortable adding the Shakes to their Spotify playlists of retro sounds and leaving it at that. The Shakes were not. The Shakes — a working-class band from rural Alabama who only made it onto this stage by working like hell — took a risk.

It’s widely known that the Shakes began life as a cover band, covering 70s standards in local bars. Here, in front of tens of thousands splayed across a mountainside, Howard paused late in the set to thank the crowd for giving the band the opportunity to do what they loved doing. Their last album pulled down three (losing) Grammy nominations. If there’s any justice in the world, this album ought to win one. By the way, in a rare bit of commercial justice, Sound & Color debuted at #1 in the United States. Alabama Shakes are a cover band no more.

hi and lo and I recorded this set with Schoeps MK4V cardiod microphones into an EAA PSP-2 high-end analog preamp. The sound quality is excellent. Enjoy!

This recording is hosted on the Live Music Archive. Check out its page here.

Download the complete set: [MP3] | [FLAC]

Stream the complete set:

Alabama Shakes
2015-06-07
Mountain Jam, East Stage
Hunter, NY USA

Hosted at nyctaper.com
Recorded by hi and lo and acidjack
Produced by acidjack

Schoeps MK4V (PAS)>custom cables>EAA PSP-2>Roland R-26>24bit/44.1kHz WAV>Adobe Audition CS 5.5 (fades, limit peaks)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, balance, dither)>FLAC ( level 8 )

Tracks [Total Time: 1:38:00]
01 Rise To the Sun
02 Future People
03 Hang Loose
04 Always Alright
05 Shoegaze
06 I Ain’t the Same
07 I Found You
08 Guess Who
09 Heartbreaker
10 Miss You
11 The Greatest
12 Gimme All Your Love
13 Be Mine
14 Joe
15 On Your Way
16 Dunes
17 Gemini
18 [encore break]
19 Sound & Color
20 Don’t Wanna Fight
21 Over My Head
22 You Ain’t Alone

If you enjoyed this recording, please support Alabama Shakes, visit their website, and buy their records in their online store.

Joe Russo’s Almost Dead: June 5, 2015 Mountain Jam – Flac/MP3/Streaming

June 6, 2015
By

JRAD Mt Jam (2)
[photo by Erin]

At this point, it is apparent that Joe Russo’s Almost Dead has achieved its mission of providing a fresh approach to the task of covering Grateful Dead songs. And at a Festival that has thrived on ability to provide a reliable recreation of the classic rock genre, JRAD were an easy stand-in for the greatest improvisational rock band of its era. The Grateful Dead made a one stab at the massive task of performing the band’s ultimate rock opus “Terrapin Station” in its entirety, but the performance failed to capture the majesty of the suite that owns the entire second site of the Terrapin Station album. “Terrapin” is perhaps the Grateful Dead’s crowning achievement in musical composition, but the complexity of the last half of the suite was not a task that the band had the fortitude to undertake at a live show and so it was only the first two sections that were performed consistently since its 1977 debut.

JRAD opened their set at Mountain Jam in the pouring rain with a jam that seamlessly merged with “Lady With A Fan”, the opening section of the Terrapin suite. When the band concluded the first section of the main theme and proceeded to the “Terrapin Transit” portion, it was a moment to smile. JRAD consistently takes this music to places where the original band never trod, and this was just another example — and the fun had just begun. Lead by the stunning keyboard work of Marco Benevento, JRAD took each section of the suite and transformed them into complete songs of their own. It was a breathtaking thirty-two minutes and this is a recording I’ve already sampled thoroughly four times and undoubtedly will experience many more times. The balance of this set consisted of meaty and committed versions of three more songs but the take away from this short JRAD experience was undoubtedly the complete Terrapin suite.

I recorded this set with the Neumann large diaphragm cardioids in a very advantageous location up the hill in front of the soundboard area. Considering the elements at the time of this performance, overall this is an outstanding recording. Enjoy!

Our soundboard/audience matrix recording of JRAD at the Capitol Theatre is still available here.

Download or Stream the Complete Concert at Archive.org [HERE].

Stream the Complete Show:

Joe Russo Almost Dead
2015-06-05
Mountain Jam
Hunter NY

Digital Master Recording
FOB Audience

Neumann TLM 102s > Grace Designs Lunatec V3 > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:12:59]
01 Terrapin Station
02 The Wheel
03 Greatest Story Ever Told
04 Cumberland Blues

If you download this recording from NYCTaper, we expect that you’ll please support these artists, visit the JRAD website, visit the JRAD Facebook page, and visit their individual websites and purchase their official merchandise. Benevento-Russo Duo [HERE], Marco Benevento [HERE], Tom Hamilton [HERE], Scott Metzger [HERE], and Dave Dreiwitz [HERE].

Grace Potter & the Nocturnals: June 5, 2015 Mountain Jam (Hunter, NY) – FLAC/MP3/Streaming

June 5, 2015
By

mountain-jam-2
[photo by Jill Harrison]

Grace Potter & the Nocturnals rescued a soggy second day of Mountain Jam with a set of big-tent, unselfconscious seventies rock. Straight off the plane from a gig with The Rolling Stones, Potter hit the stage determined to lift the spirits of this crowd. We needed it — we’d had rain dumped on us for several hours. Comfortable with her sexuality and determined to ride the line between empowerment and objectification, Potter shook her ass, shod her boots, and eventually part of her top to get this crowd awake. But really, she could’ve succeeded anyway. Potter has the kind of huge, unapologetically rock voice that isn’t likely to be a hit with ironists but can command a stadium full of people. Her latest record, The Lion, the Beast, the Beat has continued to make waves live, as we saw at the Capitol Theatre back in 2013. Its title track was the show’s second-to-last closer, and it was a highlight, as was her cover of Neil Young’s “Cinnamon Girl” that featured the festival’s self-appointed resident shredder, Warren Haynes, on guitar.

Even more importantly, Potter has been airing new material. Along with new single “Alive Tonight,” Potter played a brand-new song for the first time, called “Empty Heart.” No matter how wet we once were, Potter managed to convince everyone to surround her, summoning the sense of community that had been missing as people ran for cover. It didn’t matter if “Paris (Ohh La La)” was ridiculously over the top as it closed the set — including its multi-member drum solo — by the time it came around, Grace Potter had earned it.

I recorded this set from a nice position toward the front of the soundboard cage with MBHO cardiod microphones. The sound quality is excellent. Enjoy!

This recording is hosted on the Live Music Archive.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

IMG_1924

Grace Potter & the Nocturnals
2015-06-05
Mountain Jam
East Stage
Hunter, NY USA

Exclusive download hosted by nyctaper.com
Recorded and produced by acidjack

MBHO KA200N>MBP603>Roland R-26>16bit/44.1kHz WAV>Adobe Audition CS 5.5 (fades, amplify)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.3 (track, amplify, balance)>FLAC ( level 8 )

Tracks [Total Time 1:27:06]
01 Never Go Back
02 Ah Mary
03 Hot Summer Night
04 Runaway
05 Alive Tonight
06 Empty Heart [new song debut]
07 Yes We Can [Pointer Sisters]
08 Low Road
09 God’s Gonna Cut You Down [Johnny Cash]
10 Delirious [?]
11 Turntable
12 Medicine
13 Cinnamon Girl [Neil Young]*
14 Nothing But the Water (I)
15 The Lion, the Beast, the Beat
16 Paris (Ohh La La)

* w/ Warren Haynes

If you enjoyed this recording, PLEASE SUPPORT Grace Potter & the Nocturnals, visit their website, and buy their  records, including The Lion The Beast the Beat from their online store [HERE]

Thee Oh Sees: March 20, 2015 Hotel Vegas – Panache SXSW – Flac/MP3/Streaming

June 4, 2015
By

Thee Oh Sees Hotel Vegas
[still from this video]

Thee Oh Sees released their new album Mutilator Defeated At Last a couple of weeks ago in mid-May. The reviews have been unanimously positive for this record, and we personally feel that this is perhaps the most fully realized album that the band has released to date. The most insightful review of the album is by our friend Adam Schatz (from Landlady) who, by simply describing in minute detail the album’s first song “Web”, says more about this excellent release on one page than we could in a week. The article is in the Talkhouse and it was published yesterday.

One aspect of the album not discussed by Adam but something that we’ve experienced personally has been the development of the songs in a live setting over the last few cycles of NYC performances. All the way back at the Summer of 2014 at McCarren Park, the band played three new songs that were unknown to us until I asked John Dwyer directly at Death By Audio the following night for the song titles. The three songs, “Web”, “Withered Hand” and “Lupine Ossuary” (originally called “Lupine Dominus II”) were featured at each of those Summer shows in their earliest form. By the time the band came to Bowery Ballroom in November (perhaps our best sounding TOS recording to date), four new songs were added to the rotation, so that the setlist was comprised of half new songs that would ultimately see release on Mutilator.

At South By Southwest, Thee Oh Sees played a ton of shows, but the one we caught was the longest and maybe the wildest set they played all week. The showcase at Hotel Vegas featured all bands under the superb umbrella of Panache Booking, and TOS closed the night well after midnight with an hour-long set in the pouring rain that featured a crazy amount of stage jumpers, people hanging from the trees, and ultimately the finale with the legendary diminutive rapper Bushwick Bill. The set was again heavy on new material (five Mutilator tracks) which were all fully developed and flowed naturally with the older songs. Of the new songs, we’re partial to the early-Floyd flavor of “Sticky Hulks” and we are streaming that selection below.

Thee Oh Sees are currently finishing up the final dates of a long European tour, and there are some announced US shows for the Summer, but we are waiting patiently for the announcement of new NYC dates.

I recorded this show in the same manner at the Wand set from this night. I mounted the Sennheiser Cards underneath the soundboard tent to avoid the rain and mixed with a board feed. There was a lot of chatter under the tent and the board is a bit drum heavy but the mix of the two (70% board) creates a better balance and the result is an excellent recording. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream “Sticky Hulks”:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Thee Oh Sees
2015-03-20
Hotel Vegas – Panache SXSW
Austin, TX USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040 Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 59:11]
01 I Come From the Mountain
02 Tunnel Time
03 Poor Queen
04 Toe Cutter – Thumb Buster
05 Withered Hand
06 Dead Energy
07 Sticky Hulks
08 The Dream
09 Turned Out Light
10 Tidal Wave
11 Encrypted Bounce
12 [thanks]
13 Lupine Ossuary
14 [Bushwick Bill intro]
15 Skitso (Medley)

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Thee Oh Sees, visit their website, and purchase Mutilator Defeated At Last from Castle Face Records [HERE].

ST 37: May 6, 2015 Knitting Factory and May 7, 2015 Mercury Lounge – FLAC/MP3/Streaming

June 2, 2015
By

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ST 37 have been at the game longer than some percentage of their audience had probably been alive. These two NYC sets gave us a much-appreciated amount of exposure to the Austin band, as neither of us had seen them before. Their style, which I might call “psychedelic hardcore”, lends itself to the live setting, where they get the chance to experiment and let their songs grow. We were fortunate enough to catch both sets at Knitting Factory and Mercury Lounge that featured completely different setlists. In both cases, we got a nice taste of the band’s range, from more straight-up hardcore numbers like “White Comanche” to meditative jam numbers like “KBDP (Karen Black’s Demerol Patch),” which sounds a bit like the drug referenced in the title. Between these two killer sets, the default winner almost has to be the Mercury set, where tourmate Kawabata Makoto of Acid Mothers Temple joined the band for “Just You.” Make sure to make a date with ST 37 the next time they’re out your way.

Both of these sets were recorded with Schoeps microphones (mine being MK41V supercardiods, nyctaper’s being CCM4 cardiods) and soundboard feeds. The sound quality of both is excellent. Enjoy!

You can grab the Knitting Factory and Mercury Lounge recordings of Acid Mothers Temple from us, too, by the way.

Download Complete Set (Knitting Factory): [MP3] | [FLAC]

Download Complete Set (Mercury Lounge): [MP3] / [FLAC]

Stream the complete set (Knitting Factory):

Stream the Complete Set (Mercury):

ST 37
2015-05-06
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Mikey) + Schoeps MK41V (PAS)>KCY>Z-PFA>Sound Devices USBPre2>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.3 (fades, track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Down On Us
02 KBDP (Karen Black’s Demerol Patch)
03 The Pit Out Back
04 Magnetic Amphibian Hydrated Gills
05 Discorporate

————————–

ST 37
2015-05-07
Mercury Lounge
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer: Val] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 31:11]
01 Baxty
02 If You Feel You’re Healed (Cow Head in the River)
03 The White Comanche
04 Heather Catherine Tallchief
05 Just You*
*with Kawabata Makoto guitar

If you enjoyed this recording, PLEASE SUPPORT ST 37, visit their website, and buy their records at their bandcamp page.

moe.: May 31, 2015 Cutting Room – Flac/MP3/Streaming

June 1, 2015
By

moe cutting room
[still from this video]

Its a nice little bit of synchronicity that today June 2 marks the 20th anniversary since the first time I saw moe. live. I attended that show at the late lamented Brownies on Avenue A after reading about the band in the print edition of the Village Voice. At that point, moe. was a new-ish band from Upstate that had just started to get some attention outside of their home region. By the end of the 1995, the band would never look back and clubs the size of Brownies were soon a thing of the past. But every once in a while, moe. returns to their roots and on Sunday night they played a semi-surprise show at the 200-capacity venue The Cutting Room on East 32nd Street.

The size of the venue meant that we were happy to run into a lot of old friends and that gave this show a nice intimate feel. The band seemed to recognize that and opened with several of their older numbers, including a monster “Timmy Tucker” — a song also played at Brownies two decades ago. The second set stepped into the present day, as the band proved that the potential that they showed all those years ago has become fully realized. This is a performing unit that has such an intuitive ability to read and react to each other so well that the transitions in the improv sections are stunningly tight. This set contained mostly instrumental passages built around the song “Kids”, which began and ended the set. In between we got a nice oldie in “Brent Black”, a powerful drum interlude, and two late-era instrumental numbers. We’ll see moe. again on a big stage at Mountain Jam this coming weekend, but for this one night it was fun to take a trip back to the old intimate venue shows.

I recorded this show from our little makeshift taper’s section in the middle of the floor about 20 feet from the stage. I utilized the Grace V3 in front of the Schoeps cards to add a little warmth and presence to what was essentially an “upfront” recording. Other than some fairly persistent crowd chatter (louder in the first set), the overall quality of this recording is quite outstanding. Enjoy!

This Recording is Available for Download in FLAC and MP3 at Archive.org [HERE].

Stream the Complete Show:

moe.
2015-05-31
Cutting Room
New York NY

Digital Master Recording
FOB Center Audience

Schoeps CCM4u Cardioids > Grade Design Lunatec V3 > Sound Devices 744t > 24bit 48kHz wavs > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac

Recorded and Produced by nyctaper

Setlist:
Set 1
[Total Time 1:15:02]
01 St. Augustine
02 It
03 Up On Cripple Creek
04 Timmy Tucker
05 Tailspin
06 Hi and Lo
07 Little Miss Cup Half Empty
Set 2
[Total Time 1:37:57]
08 Kids
09 Skrunk
10 Zed Naught Z
11 Brent Black
12 McBain
13 Kids (reprise)
14 [encore break]
15 Akimbo

If you download this recording, we expect that you will PLEASE SUPPORT moe., visit their website and purchase their official releases from the moe. store here.

Joe Russo’s Almost Dead: May 9, 2015 Capitol Theatre – Flac/MP3/Streaming (Matrix)

May 27, 2015
By

JRAD Cap (2)

We’ve been with Joe Russo’s Almost Dead from their very first show at Brooklyn Bowl, so it was especially exciting to see the band in the big room at the Capitol Theatre in Port Chester. Given the special historical relationship between The Cap and the Grateful Dead, this gig was a kind of affirmation for JRAD. And the fans agreed — this date sold out quickly and well in advance. So there was a palpable sense of excitement when the band took the stage and immediately burst into a ’76-77 era version of “Dancing In the Streets” filled with neat funky guitar fills and tons of energy from the rhythm section. JRAD is always full of surprises, but what happened next was especially nice for us here at NYCTaper — the entrance onto the stage of friend of the site Nicole Atkins. Nicole ostensibly performed the “Donna parts” throughout the night, except that she’s a significantly better vocalist than Donna Godchaux ever showed during her time in the Grateful Dead (check out Nicole’s solo verses on “Music”). And as expected, Nicole provided a series of breathtaking moments throughout the night, highlighted by her solo rendition of Pigpen’s late era classic ballad “The Stranger (Two Souls in Communion)”, which like all JRAD performances balanced the tender line between tribute and respectful original take on the music. It was an interesting choice of material to feature Nicole on lead vocals and the selection proved brilliant.

This night was also featured an abundance what we have come to expect from JRAD shows — inspired and collaborative improvisational work which imparts new life into well-worn material. The version of “Dancing” definitely took its flavor from the late 70s GD, but JRAD took it out deep, and when the song reached to the final chorus after nearly twenty-minutes, it returned from places the Dead never imagined. “Cassidy” is a track that became fairly static in the later years of GD performances, which was a shame because the composition offers a jam-ready mid-song interlude. As expected, JRAD took that offer and upped the ante considerably. The mid-“Cassidy” jam contained a Playing-like deep space that gradually reached a manic Caution-like climax that we didn’t expect would ever return to the song proper. But return it did, ever so briefly, before exploding into a ’69-style “St. Stephen” that nearly took the roof off the old place. The first set continued with an extended “Eyes” that teased “Loose Lucy” before it flowed into a celebratory “Not Fade Away” that closed the meaty set. The second set’s opener “Music Never Stopped” followed the same path as “Cassidy”, taking a fairly static GD song that offered space for improvisation and taking full advantage. This “Music” extended past fifteen minutes before it returned to the final refrain. The remainer of the show was notable for its continued intensity, imaginative song selections and the true dedication to the music exhibited by all. By the time the band reached the set’s final song, a sweet “Ripple” encore, it was clear that Joe Russo’s Almost Dead had truly done the historic Cap proud.

This recording is a special one for the site. We were granted access to a soundboard feed in order to mix a special “matrix” of this show. I set up the mics in the taper’s section at the front right corner of the soundboard cage. I utilized the Schoeps cards and added the Grace V3 as a pre-amp to sweeten the capture. The room sounded terrific and the crowd was fairly respectful. The board feed was impeccably mixed by JRAD FOH Pete Costello — a perfect stereo pan, complete separation and superb balance. The matrix mix is fairly even between board and audience. The result is one of the best recordings we’ve ever offered on this site. Enjoy!

This recording would not have been possible without the generosity and assistance of three separate entities — the outstanding staff at the Capitol Theatre, Pete Costello, and of course the members of JRAD.

Download the Complete Show [MP3] / [FLAC]

Stream “Dancing In The Streets”:

Stream “Cassidy”:

Stream “Music Never Stopped”:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

Joe Russo’s Almost Dead
2015-05-09
Capitol Theatre
Port Chester NY

Digital Master Recording
FOB Audience + SBD Matrix

Soundboard [Engineer: Pete Costello] Schoeps CCM4u Cardioids > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
Set One
[Total Time 1:31:44]
01 Dancing In The Streets
02 Dire Wolf
03 Cassidy
04 St. Stephen
05 The Stranger (Two Souls In Communion)
06 Eyes Of The World
07 Not Fade Away
Set Two
[Total Time 1:22:06]
08 Music Never Stopped
09 King Solomon’s Marbles
10 China Cat Sunflower
11 The Eleven
12 I Know You Rider
13 Morning Dew
14 One More Saturday Night
15 [encore break]
16 Ripple

If you download this recording from NYCTaper, we expect that you’ll please support these artists, visit the JRAD website, visit the JRAD Facebook page, and visit their individual websites and purchase their official merchandise. Benevento-Russo Duo [HERE], Marco Benevento [HERE], Tom Hamilton [HERE], Scott Metzger [HERE], and Dave Dreiwitz [HERE].

Condo Fucks: May 22, 2015 Cake Shop – Flac/MP3/Streaming

May 26, 2015
By

condo-fucks-26
[photos by PSquared Photography]

The Lower East Side venue Cake Shop has lived in many ways a parallel existence to we here at NYCTaper. We’ve recorded and posted shows from Cake Shop somewhere in the range of one hundred occasions. We’ve hosted our annual CMJ day parties at Cake Shop for seven consecutive years. This year the venue is celebrating its 10th year (we just had our 8th anniversary), and the next few months will see some very special events. On Friday night it was an event that was literally a perfect match for NYCTaper. The show featured Yo La Tengo — a band very familiar to our readers — in their alter-ego guise as garage-rock band Condo Fucks. We’ve also captured the most recent Condo Fucks shows in the area, including the band’s last-ever show in venue at Maxwell’s in 2013, which I believe is the last time Condo Fucks actually played a show.

I’ll admit that it was somewhat surreal to see the three members of Yo La Tengo enter tiny basement stage at Cake Shop. We’ve seen hundreds of bands on this stage, but perhaps never one of the kind of legendary status that YLT possesses. The set began as all of the Condo Fucks shows we’ve seen have begun, with the instrumental Booker T track “Outrage” before the band personalized the Harmonics song “On the Warpath”. The remaining set-proper was a high-energy run through the band’s usual garage covers — Rascals, Flamin Groovies, The Exciters and the like. At the mid-set mark, the Condo Fucks were joined by long-time friend Gaylord Fields (“The Great Gaylord”) on vocals for a four-pack of songs that we’ve never seen the band perform before. The clear highlight was the extended version of the Swamp Dogg cult classic “Total Destruction To Your Mind” which we’re streaming below. A Condo Fucks show is a rare event and it was a very classy move that Yo La Tengo celebrated Cake Shop’s 10th Anniversary by treating the venue to this special show.

I recorded this set with the Sennheiser cards mounted in a thread above the stage and mixed with a board feed. The on-stage mics captured the instruments with great clarity and the board feed was used to fortify the vocals. The result of the mix is a very well-balanced recording with superb sound. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream “Dog Meat” (Flamin Groovies cover):

Stream “Total Destruction To Your Mind” (Swamp Dogg cover – featuring the Great Gaylord on vocals):

Condo Fucks
2015-05-22
Cake Shop
New York, NY

Digital Master Recording
Soundboard + On Stage Audience Matrix

Soundboard + Sennheiser MKH-8040s > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3
and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 57:31]
01 Outrage [Booker T and The MGs]
02 Condo Fucks on the Warpath [Harmonics]
03 So Easy Baby [The Zantees]
04 I Want You To Be My Boy [The Exciters]
05 Accident [Electric Eels]
06 Right Side of My Mind [Angry Samoans]
07 Tiger In Your Tank [Muddy Waters]
08 Get Down [Half Life]
09 Look Back In Anger [Television Personalities]
10 Dog Meat [Flamin Groovies]
11 Come On Up [Young Rascals]
12 Re-Make Re-Model [Roxy Music]
13 [Great Gaylord intro]
14 TV Eye [The Stooges]
15 Falling in Love Again
16 It Hurts To Be In Love [Toombs/Dixon]
17 Total Destruction To Your Mind [Swamp Dogg]
18 [encore break]
19 Whatcha Gonna Do [Small Faces]

Thanks to Jesse for setlist!

condo-fucks-6

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Yo La Tengo, visit their website, and purchase their official releases (including Condo Fucks) from Matador Records [HERE].

Worthless: May 6, 2015 Knitting Factory – FLAC/MP3/Streaming

May 21, 2015
By

IMG_1441

Don’t freak out if you slap the new Worthless LP, All My Friends Are Stone, on the turntable and think your deck has a speed problem. All those sonic contortions are just the band fuckin’ with yr head, man. The LP has already garnered a cult following (look at what the freaky version is going for on Discogs) and there’s a good reason why. This show at the Knitting Factory, a near-seamless presentation that began with the song “Rips”, wound its way back to it during the set, and then closed with it, was a fresh take on improvisational psychedelic rock with a distinct style. Though tonight’s show didn’t feature any visuals, Worthless is the project of Curtis Godino of the incredible Drippy Eye Projections, a crew whose all-analog liquid light shows make every show memorable. Although they are geographically spread out (Florida and Brooklyn) — and haven’t been a proper “band” for that long — Worthless feels every bit the veteran unit, a big, organ-driven sound poised to melt minds at places like “Levitation” (or as I still prefer to call it, Austin Psych Fest). All of these songs appeared to be new (or at least, don’t make an appearance on any of their bandcamp stuff), and I dug the lot of them, especially “Daydreaming Your Life Away”. Their name may be what it is, but there’s nothing worthless about this band. Keep paying attention.

I recorded this set with Schoeps MK41V microphones and a soundboard feed from the Knit engineer Mikey. There are a couple of brief moments where you can hear me adjusting the microphones in the first couple of minutes, but it’s smooth sailing after that. Enjoy!

Catch Worthless again on May 29 at King’s County Saloon.

Download the complete show: [MP3] | [FLAC]

Stream the complete show: 

Worthless
2015-05-06
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Mikey) + Schoeps MK41V (PAS)>KCY>Z-PFA>Sound Devices USBPre2>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.3 (fades, track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [forgive the tracking; the transitions aren’t always obvious]
01 Rips>
02 Daydreaming Your Life Away>
03 Rips interlude>
04 What’s the Ugliest Part of Your Body>
05 Something Something>
06 Fast Fed>
07 Rips

If you enjoyed this recording, please support Worthless, visit their bandcamp page, and buy All My Friends Are Stone.

The Hum Residency: April 27, 2015 Manhattan Inn – Flac/MP3/Streaming

May 18, 2015
By

Hum 4-27 Set 3 Andrako
[all photos courtesy of David Andrako]

The fourth and final week of the Hum Residency at Manhattan Inn was in many respects a fitting close to this excellent and unique concert series. The crowd for this night was the largest of the entire series and the music was as superb as expected. Jen Goma (A Sunny Day in Glasgow) returned from last week, but this time in a trio with Cassandra Jenkins and Caroline Davis from Maitri. The trio began the night with a cold start of an acapella number that quickly quieted the crowd before Rachael from Hypnocraft introduced the artists. The first set was truly a remarkable display of three-part harmonies and collaborative songcraft from three outstanding artists. For the second set, we were again treated to music from Cat Martino, who has appeared many times on the pages of this website, this time with the multi-talented Erin Fein from Psychic Twin. This set was a five song affair that consisted of alternate numbers from the two protagonists that featured ethereal vocals and keys and effects that worked well in unison. The final song was a moving and poignant solo number on the house piano by Cat Martino that was striking not only for the beauty of her voice but the raw emotion it conveyed. The final set paired the indescribable artistry of Xenia Rubinos with the guitar masterwork of Indigo Street. The trio was joined by multi-instrumentalist and avant jazz performer Shahzad Ismaily on drums. This grouping was perhaps the most inspired mix of talents of the entire four-week series. Xenia’s ability to create compositions from whole cloth was on display as the set consisted primarily of improvised material. This format also suited the talents of Indigo Street as her guitar work, even in the improvised segments, was precise and entirely on point. The evening and the series were served well by this incredibly strong closing set and we could not be more pleased to have captured it, and every note of the month-long event.

I recorded this night in the same manner as the previous week’s sets — with microphones set up within the area of the music and mixed with a board feed consisting primarily of vocals. This week I used the Sennheiser cards on the floor. The sound quality is superb. Enjoy!

The first three installments of this excellent series were recording and posted on nyctaper here, here and here.

Download the Complete Sets:
Set 1: [MP3] / [FLAC]
Set 2: [MP3] / [FLAC]
Set 3: [MP3] / [FLAC]

Stream Set 1:

Stream Set 2:

Stream Set 3:

Hum
2015-04-27
Set One
Manhattan Inn
Brooklyn NY

Digital Master Recording
Soundboard + On-Stage Audience Matrix

Soundboard + Sennheiser MKH-8040s > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (mixing) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 30:56]
01 Go to Sleep Little Baby
02 [introduction]
03 Lost Paraguayos
04 Telephone
05 Don’t See Her
06 Girl on a Swing
07 Lindsay

Personnel:
Jen Goma (A Sunny Day in Glasgow)
Cassandra Jenkins
Caroline Davis (Maitri)

——————————————–

Hum
2015-04-27
Set Two
Manhattan Inn
Brooklyn NY

Digital Master Recording
Soundboard + On-Stage Audience Matrix

Soundboard + Sennheiser MKH-8040s > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (mixing) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 28:02]
01 Scream
02 Mid-Air
03 I Wanna Forget
04 Need Me
05 Stay the Night

Personnel:
Cat Martino (Stranger Cat)
Erin Fein (Psychic Twin)

———————————————

Hum
2015-04-27
Set Three
Manhattan Inn
Brooklyn NY

Digital Master Recording
Soundboard + On-Stage Audience Matrix

Soundboard + Sennheiser MKH-8040s > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (mixing) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 25:56]
01 Improvisation 1
02 Improvisation 2
03 Improvisation 3
04 You Don’t Know What Love Is
05 Improvisation 5

Personnel:
Xenia Rubinos
Indigo Street
Shahzad Ismaily

If you Download these Sets from NYCTaper, please support these artists and their bands: A Sunny Day in Glasgow, Cassandra Jenkins, Maitri, Stranger Cat, Psychic Twin, Xenia Rubinos and Indigo Street.

SUPPORT NYCTaper




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