Posts Tagged ‘ nyctaper ’

Mikal Cronin: May 5, 2015 Bowery Ballroom – FLAC/MP3/Streaming

May 13, 2015
By

mikal-cronin-26
[photos courtesy of P Squared Photography]

Mikal Cronin is a master of power pop, combining the Big Star sound with punk’s rawer side. His latest for Merge RecordsMCIII, finds the Ty Segall affiliate more in the “pop” camp than ever, with spit-shined production and chorus after chorus that you can’t forget. This show at Bowery Ballroom celebrated the release of MCIII, but found Cronin skipping around his catalog, everything from the MCII favorite “See It My Way” to “Apathy”, “Green and Blue” and others from his debut.

Since we last saw him at Hopscotch in 2013, Cronin has grown even more comfortable at center stage, commanding the sold-out house throughout the night. The new album is an evolution for Cronin, taking him further from the fertile San Francisco garage-rock camp from which he came and further into music’s most accessible realms, and it seems to be working for him. Perhaps the strongest performance came mid-set, when “Feel Like” caught everyone’s ear. It’s a straightforward song both musically and lyrically, and it’s also impossible not to hum for days after. This music practically screams to be heard at summer festivals, in car stereos, at lake- and beach-houses. And, I suspect it will be.

I recorded this set with Schoeps MK41V supercardiod micrphones and a soundboard feed from Bowery’s very own Kenny. The sound quality is excellent. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set:

Mikal Cronin
2015-05-05
Bowery Ballroom
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41V (LOC, PAS)>KCY>Z-PFA>Aerco MP-2 + Soundboard (engineer: Kenny)>>Edirol R-44 [oCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, fades)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time: 1:01:56]
01 Turn Around
02 Made My Mind Up
03 Apathy
04 Am I Wrong
05 Say
06 Feel Like
07 Weight
08 Get Along
09 Control
10 Shout It Out
11 See It My Way>
12 ii) Gold
13 Circle
14 [encore break]
15 Change

If you enjoyed this recording, PLEASE SUPPORT Mikal Cronin, like him on Facebook, and buy MCIII directly from Merge Records.

Acid Mothers Temple: May 7, 2015 Mercury Lounge – Flac/MP3/Streaming

May 11, 2015
By

AMT_Mercury Fix
[photo by nyctaper]

Of all the times that NYCTaper has captured Acid Mothers Temple and all of their many trips to NYC, I have personally never had the pleasure of recording the band live. Sure, there were tickets purchased and then eaten, missed connections and just plain bad timing, but it was all remedied on Thursday night when the band played one of their legendary space rock shows at Mercury Lounge. In my mind, I was prepared for the sonic onslaught and the noisy and trippy jams, but to see the band live is to be mesmerized by their proficiency and awed by their no-holds-barred approach to the material. There aren’t songs as much as themes that meld gradually into other themes and in some respects defy the archivist’s ability to track and provide a setlist. For me personally, there was a point during the trifeca of “Pink Lady Intro” (a fan-created title for an apparently untitled melodic jam segment) that segued neatly into the “OM Riff” and then crashed into “Pink Lady Lemonade” proper, when I truly appreciated the unique and powerful quality of AMT and their ability to play this style of music perhaps better than any other band, living or dead. Its really a treat that after twenty years and multiple groupings of personnel, that we are still able to experience AMT’s profound live shows. This may unbelievably be my first time, but it certainly won’t be the last. Acid Mothers Temple’s current US tour has another seven dates, all in the South and West, and ends on May 18th in San Diego.

I recorded this set with the Schoeps cards on a stand next to the soundboard and mixed with an excellent feed provided by the Merc’s FOH Val. The sound quality is quite outstanding. Enjoy!

This recording is available to download in FLAC or in MP3 at Archive.org [HERE], or to Stream below.

Stream the Complete Show:

Acid Mothers Temple
2015-05-07
Mercury Lounge
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer: Val] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:27:04]
01 Chinese Flying Saucer
02 Benzaiten
03 Pink Lady Intro > OM Riff > Pink Lady Lemonade
04 Cometary Orbital Drive > Speed Guru

If you download this recording from NYCTaper, PLEASE SUPPORT Acid Mothers Temple, visit their website, and buy their records here.

Acid Mothers Temple: May 6, 2015 Knitting Factory – FLAC/MP3/Streaming

May 11, 2015
By

IMG_1474

Acid Mothers Temple’s yearly trip to New York has become a similarly regular event for this site, as we’ve caught almost every New York tour since 2010. The Japanese psychedelic rock veterans continue to get better, combining their can’t-miss material with fresh, bizarre and different new explorations of sound. This night at the Knitting Factory (the first of two in NYC, both of which we covered) found the band ready to put on a high-octane show, crossing-guitars in the air, banging their heads, and making jokes.  The brand-new “Benzaiten”, from their 2015 CD, is an instant classic, starting with harder, almost-metal tones before veering into free-jazz-like Japanese folk. The band played a total of eight songs (counting one jam number and an as-yet-unnamed new song) that stretched the 90 minutes-plus to the limit. For the first time since I’ve seen them, the band closed out on “Cometary Orbital Drive”, which came on the heels of a spaced-out new jam number. “Cometary” is one of my favorite songs from the band’s catalog, and it made for a perfect way to end the night.

I recorded this set with a soundboard feed from the Knit engineer Mikey, together with Schoeps MK41V supercardiod microphones. The sound quality is outstanding. Enjoy!

This show is hosted on the Live Music Archive. Here’s its page there. The Thursday night show at Mercury Lounge will be up soon.

Download the complete set: [MP3] | [FLAC]

Stream the complete set:

Acid Mothers Temple
2015-05-06
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Mikey) + Schoeps MK41V (PAS)>KCY>Z-PFA>Sound Devices USBPre2>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.3 (fades, track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time: 1:34:34]
01 Dark Star Blues, aka Dark Star Blues In the Dazzling Sky
02 Benzaiten
03 Jam>
04 Pink Lady Lemonade>
05 Om Riff>
06 Pink Lady Lemonade
07 [new]>
08 Cometary Orbital Drive

If you enjoyed this recording, PLEASE SUPPORT Acid Mothers Temple, visit their website, and buy their records here.

Hurray For The Riff Raff: April 24, 2015 Bowery Ballroom – Flac/MP3/Streaming

May 4, 2015
By

HFTRR Bowery
[photo by Kelsey]

We have followed the career trajectory of Hurray For The Riff from their very beginnings playing small clubs, basements and rooftops in NYC. We were so pleased to still be invited to join the party when the band celebrated their “Bowery Moment” last Friday night — a healthy sell-out of the Bowery Ballroom with friends and family in attendance. Its definitely a “we made it” night for bands and particularly sweet for HFTRR who’ve been working hard at their craft for a decade. The recent years have been kind them as we outlined when we caught them at the XPonential Festival last Summer, but that first Bowery night is always a special one. For the show the band worked through a setlist that featured primarily tracks from the last two albums Look Out Mama and Small Town Heroes but also a nifty Lucinda Williams cover (from their covers album) and one brand new song “Living in the City”, that Bronx-born Alynda Lee Segarra dedicated to NYC. Hurray For The Riff Raff is currently on an extensive US tour that is going through the South and Midwest before we’ll catch up with them again at Mountain Jam in June.

I recorded this set with the Schoeps cardioids mounted in our usual Bowery spot and mixed with an excellent board feed. The sound quality is superb. Enjoy!

Download The Complete Show [MP3] / [FLAC]

Stream “The Body Electric”:

Hurray For The Riff Raff
2015-04-24
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:11:11]
01 The New SF Bay Blues
02 Blue Ridge Mountain
03 Instrumental
04 Look Out Mama
05 Slow Walk
06 I Know Its Wrong
07 Levon’s Dream
08 The Body Electric
09 Crash On The Highway
10 Lake of Fire
11 End of the Line
12 [banter – openers]
13 People Talkin [Lucinda Williams]
14 Ode to John and Yoko
15 What’s Wrong With Me
16 Living in the City
17 [encore break]
18 St Roch Blues
19 Little Black Star

If you Download this recording from nyctaper, we expect that you will PLEASE SUPPORT Hurray For The Riff Raff, visit their website, and purchase Small Town Heroes from the ATO Records website [HERE].

The Hum Residency: April 20, 2015 Manhattan Inn – Flac/MP3/Streaming

April 30, 2015
By

HumIII Andrako 6
[all photos courtesy of David Andrako]

The third week of the Hypnocraft-presented Hum Residency at Manhattan Inn was my own personal first experience with this extraordinary mesh of talents and it was a terrific night. The first set was scheduled to be a duo with our old friend Alyse Lamb from EULA with Alex Nelson of Oracle Room but the group became a trio with the addition of Pamela Martinez (of Teletextile), a veteran of the first week of Hum, on percussion, keys and effects. Their set was a shared group of songs that neither protagonist has ever performed live before, and for Alyse the material was more aligned to her solo project Parlor Walls (who we recorded last year) than to the hard-driving post-punk of EULA.

The second set was performed by another old friend, Jen Goma of A Sunny Day in Glasgow, who has previously appeared on NYCTaper a couple of times. She was joined by Teeny Lieberson (TEEN) and Zoe Brecher (Brainfreeze) for a set that primarily was fueled by dual keyboards and drums until Jen strapped on the strat for the final number. Overall, this trio’s collaborative effort was reminiscent of the synth-driven pop of the aughts but with stunningly precise harmonies.

The final set of the night was a full-on party, which is what we’d expect from a quartet that includes Rubblebucket‘s Kalmia Traver, but which was a true collaboration that also featured Sarah Pedinotti (LIP TALK), Kaila Mullady (champion beat boxer) and Jordyn Blakely (Invisible Familiars). This set included songs written and arranged by all four participants and was a mix of funk and electronica with some amazing harmonies, and also featuring nice bits of baritone sax, beats and some sweet guitar licks. The final song had the whole crowd standing and grooving and ended this fine night in very entertaining fashion.

I recorded this show with the Neumann large diaphragm cardioid microphones on the floor in the center of the performers and mixed with a soundboard feed which provided primarily vocals. The mix of the two sources provided an excellent balance and the sound quality is superb for all three sets. Enjoy!

Download Set 1 [MP3] / [FLAC]

Download Set 2 [MP3] / [FLAC]

Download Set 3 [MP3] / [FLAC]

The previous two weeks of the Hum Residency were previously posted [here] and [here]. The final week was also recorded and will be posted within the next week.

Stream “Set 1”:

Stream “Set 2”:

Stream “Set 3”:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Hum
2015-04-20
Set One
Manhattan Inn
Brooklyn NY

Digital Master Recording
Soundboard + On-Stage Audience Matrix

Soundboard + Neumann TLM-102s > Sound Devices 744t > 2 x 24bit 48kHz wavs >
Soundforge (mixing) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 27:07]
01 The Will
02 July
03 [banter – integrate]
04 A Flood
05 Something Better
06 Heavyweight

Personnel:
Alyse Lamb (EULA)
Alex Nelson (Oracle Room)
Pamela Martinez (Teletextile)

___________

Hum
2015-04-20
Set Two
Manhattan Inn
Brooklyn NY

Setlist:
[Total Time 25:50]
01 Get Along
02 Four Twenty Friendly
03 We Try, All of Us, We Try
04 Bake Me A Cake (Ten = Ten)
05 Killah
06 Manmade Lake

Personnel:
Teeny Lieberson (TEEN)
Zoe Brecher (Brainfreeze)
Jen Goma (A Sunny Day in Glasgow)

___________

Hum
2015-04-20
Set Three
Manhattan Inn
Brooklyn NY

Setlist:
[Total Time 20:55]
01 Artemis
02 Who Are You
03 Ad Junky
04 Fuk it up
05 Party Like Your Heart Hurts

Personnel:
Sarah Pedinotti (LIP TALK)
Kalmia Traver (Rubblebucket)
Kaila Mullady + Jordyn Blakely (Invisible Familiars)

HumIII Andrako 2

If you Download these Sets from NYCTaper, please support these artists and their bands: EULA, Parlor Walls, Oracle Room, Teletextile, A Sunny Day in Glasgow, TEEN, Brainfreeze, Rubblebucket, LIPTALK, and Invisible Familiars.

Blitzen Trapper: April 17, 2015 City Winery – Flac/MP3/Streaming (Neil Young Harvest show)

April 23, 2015
By

BT City Winery
[screen shot from this video]

Blitzen Trapper has always been a band who embraces their influences. Whether it be country-folk, 70s rock or even Zep, we’ve seen the band play some pointed covers over the years. I even had the pleasure of seeing lead singer Eric Early perform an outstanding mini-Dylan set at the Complete Last Waltz show in 2013.

For this year’s Record Store Day, Blitzen Trapper took it to the next level — releasing a limited edition vinyl of a complete performance of Neil Young’s Harvest recorded live in Portland last Fall. Accompanying the release, the band went on a small tour playing Harvest along with a selection of their own material. We caught the early show at City Winery on Friday, a venue that so impressed us during last weekend’s Mountain Goats shows. Despite the still-daylight starting time, the band came out ready to play with four of the own songs right out of the gate. The set’s centerpiece piece began with the familiar opening chords of the plaintive “Out on the Weekend” (streaming below), a performance so spot-on that we knew this would be a pleasure to behold. The remainder of Harvest was equally impressive — extraordinarily faithful to the original renditions while adding a very Trapper-like flavor to each number. The rest of the set was equally well played as the band worked through a fine selection of BT classics, highlighted by the well-jammed ten-minute “Thirsty Man” and a terrific version of “Furr” that we’re also streaming below.

I recorded this set with the Schoeps cards mounted on a pole about 10 feet in front of the soundboard and mixed with an excellent feed provided by the band’s touring FOH Engineer Nathan Vanderpool. The sound quality is superb. Enjoy!

Download the Complete show [MP3] / [FLAC]

Stream “Out on the Weekend” (Neil Young cover):

Stream “Furr”:

Blitzen Trapper
2015-04-17
(Early Show)
City Winery
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer Nathan Vanderpool] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:24:06]
01 Black River Killer
02 Not Your Lover
03 Love The Way You Walk Away
04 Lady on the Water
05 Out on the Weekend
06 Harvest
07 [banter – record store day]
08 A Man Needs a Maid
09 Heart of Gold
10 Are You Ready for the Country
11 Old Man
12 There’s a World
13 Alabama
14 The Needle and the Damage Done
15 Words (Between the Lines of Age)
16 Fletcher
17 Thirsty Man
18 [encore break]
19 The Man Who Would Speak True
20 Furr
21 [banter – NY]
22 Might Find It Cheap

If you download this recording from NYCTaper, PLEASE support Blitzen Trapper, visit their website, and purchase their official release from the Store at their website [HERE].

Ex Hex: April 18, 2015 Chaz’s Bull City Records (Durham, NC) – FLAC/MP3/Streaming

April 22, 2015
By

photo by PJ Sykes
[photos courtesy of PJ Sykes via Merge Records]

Yeah, I’ve heard the dings on Record Store Day. That it detracts from the record-buying impulse of the other 363 days of the year (since there are two RSDs). That it’s just record companies creating fake scarcity to move often second-tier product. That it’s overly dominated by corporate artists and Jack White hawking his latest gimmick releases, and that those big artists gum up the pressing plants for everyone else. That the no-returns system and opaque distribution system hurt the record stores more than they can help.

To which all I can say is, come out on RSD to a store like Chaz’s Bull City Records in Durham, NC, and leave your politics and preconceptions at home. Here’s what I saw: a line down the street to get into a small, independent record store on an unassuming block of Durham. Shelves stuffed to the max with RSD releases and other material half-empty by five hours in. Oh, and then there was the matter of the Merge Records show held in the parking lot, with Lagunitas providing beer-by-donation in the parking lot, NYCTaper recording the live sound, and our friends at WXDU streaming the site’s live mix. Maybe Record Store Day isn’t the only day of the year when a small independent record store ought to have a line out the door and three killer bands playing to hundreds of people in its parking lot. But it sure was a good excuse for it.

The day’s biggest draw, the Ex Hex, came out absolutely on fire. Out in front, Mary Timony and Betsy Wright fully committed to the band’s garage-rock aesthetic, making that modest parking lot stage feel like something much more. The 40-minute set covered most of the band’s very-well-regarded 2014 Merge release Rips, as well as a new song. Ex Hex made for the perfect draw for the day, with a sound that looks to vinyl’s 70s heyday without remaining mired in it. Almost every single one of the Rips songs is an upbeat earworm, from the bouncy leadoff to the set, “Don’t Wanna Lose” to the pop-rock of “Radio On”. But if the set showed off the band’s skill at the three-minute song, it also gave the ladies at least one opportunity to really shred, as “Beast” exploded the album version into a long-form rocker with a formidable guitar jam. Whether you were at Chaz’s for the records, or just for the live music, it was a hell of a day to celebrate music.

I recorded this set with a soundboard feed from engineer John Koelle combined with Schoeps MK4V cardiod microphones at the stage lip. The sound quality is outstanding. Enjoy!

Huge thanks to Ex Hex, Merge Records, Chaz’s Bull City Records, WXDU, Lagunitas, and everyone who came out for this event.

Download the complete show: [MP3] | [FLAC]

Stream the complete show: 

Ex Hex
2015-04-18
Chaz’s Bull City Records
Durham, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: John Koelle) + Schoeps MK4V (stage lip)>KC5>CMC6>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, fades)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 39:34]
01 Don’t Wanna Lose
02 Waterfall
03 [new song]
04 Waste Your Time
05 How You Got That Girl
06 New Kid
07 Hot and Cold
08 Beast
09 Radio On
10 You Fell Apart
11 Outro
12 Everywhere

If you enjoyed this recording, PLEASE SUPPORT Ex Hex, visit their website, and buy Rips directly from Merge.

photo by PJ Sykes

the Mountain Goats: April 12, 2015 City Winery – Flac/MP3/Streaming

April 16, 2015
By

Mountain Goats City Winery 2 (2)
[screen cap from capnkoons video here]

There are times when the people who book shows make the perfect pairing of a band and a venue and this weekend the Mountain Goats and City Winery were a marriage made in heaven. We caught both nights with two different NYCTaper contributors but we both were in complete agreement that these were outstanding shows in large part because of where they took place. City Winery prides itself on being a “listening room” — a place where people who come to see an artist perform respect the music. There is literally a pre-show message to refrain from talking during the music. For Mountain Goats fans however, the warning may not be actually necessary. They may sing along with the lyrics (all known by heart) and call out the most obscure requests in between songs, but when the band is playing, the listening is happening. And City Winery is both large enough to satisfy the two-night ticket demand for this band, and small enough to maintain a nice level of intimacy.

The Mountain Goats are currently on tour in support of Beat the Champ, which is ostensibly John Darnielle’s tribute to the early days of professional wrestling of the 1970s and early 80s. But as with the Mountain Goats music, there’s much going on beneath the surface of these songs. The basic routines that made wrestling attractive to suburban kids of the time — identifiable heroes and villains, fluid loyalties, physical comedy, and deception — are all themes that Darnielle is comfortable covering in Mountain Goats material as symbols of wider human truths. For example, the protagonist in “The Legend of Chavo Guerrero” (streaming below) becomes the “good guy” foil to Darnielle’s abusive stepfather and “Southwestern Territory” becomes a parable for the musician’s life on the road. In a lengthy show at City Winery, these and other Champ songs fit well within a career spanning setlist that offered a “gimmick” of its own. The band had played a pared-down “basement” set for the City Winery’s video series this week and enjoyed the experience so much that the actual stage plot on this night featured a small drum kit and Peter Hughes fretless bass — an “unplugged” set-up if you will. There were also some change-ups, as usual set-closer “This Year” appeared very early in the set, and “No Children” featured a complete-song vocal performance by the crowd while Darnielle led the chorus while standing on a table in the audience. Other highlights of this terrifically entertaining set included personal favorite “Up The Wolves” (also streaming below), “Foreign Object” with the outstanding horn work from new band member Matt Douglas, and a goofy acoustic cover of the Grateful Dead’s “St. Stephen” — and of course a significant amount of John’s usual humorous banter. While the Mountain Goats will not be back in NYC until next year — the current tour runs through June and then its off to Europe in the Fall — we expect that when they do the NYC shows will again be at City Winery. At least we hope they are, since this was one of my favorite tMG shows of the many I have seen.

I recorded this set with the Schoeps cards clamped to the same beam that acidjack used for the previous night’s show and mixed with a superb soundboard feed by longtime Mountain Goats FOH Brandon Eggleston. The sound quality is quite excellent. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream “Up The Wolves”:

Stream “The Legend of Chavo Guerrero”

Mountain Goats
2015-04-12
City Winery
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Brandon Eggleston] + Schoeps CCM4u Cardioids > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:45:07]
01 [wrestling intro]
02 Get Lonely
03 [banter – basement]
04 Werewolf Gimmick
05 This Year
06 Animal Mask
07 Slow West Vultures
08 [banter – weapon]
09 Foreign Object
10 Luna
11 Deuteronomy 2:10
12 Shot in the Dark [Ozzy Osbourne]
13 [banter – audible]
14 Steal Smoked Fish
15 St. Stephen [Grateful Dead cover]
16 Cotton
17 The Ballad of Bull Ramos
18 Cry for Judas
19 Pigs That Ran Straightaway Into the Water, Triumph Of
20 Love Love Love
21 Choked Out
22 Up the Wolves
23 The Legend of Chavo Guerrero
24 [encore break]
25 The Diaz Brothers
26 [banter – fiefdoms]
27 Southwestern Territory
28 No Children
29 [second encore break]
30 Amy aka Spent Gladiator 1

If you download this recording from NYCTaper, PLEASE SUPPORT The Mountain Goats, visit their website, and purchase Beat the Champ from the Merge Records website [HERE].

The Mountain Goats: April 11, 2015 City Winery – FLAC/MP3/Streaming

April 12, 2015
By

IMG_8411

John Darnielle possesses the writer’s gift of universality. From his very specific songs come truths that touch the hearts of listeners who have never lived his life. You may never have felt the humiliation of being a burned out tweaker, sweating it out in a dingy hotel room, but you understand what it means to feel you’re at rock bottom. You know what it is to be dumb and wild and free. You know what it is to desperately, desperately, survive a year that hasn’t gone the way you hoped. In John’s quirky  new songs about wrestling from Beat the Champ there are classic themes about underdogs and alienation, themes that you don’t need to wear a mask to understand. The Mountain Goats built their fervent fan base not on the strength of riffs but on words. Listening to Darnielle’s stories, feeling the emotions he projects, his heart becomes your heart; his trials, yours.

The Mountain Goats played NYC shows on this tour both at Webster Hall and two nights at City Winery, in lieu of a single large show at Terminal 5 or a similar venue. For that, we can be grateful, as City Winery — where as John said, he could actually see the back of the venue from the stage — vibed perfectly with what he wanted. For this tour, the regular trio of Darnielle, Jon Wurster and Peter Hughes is joined by the NC-based journeyman and Swiss army knife of a musician Matt Douglas, who has now appeared on this site with three different bands, if you count his solo show. The addition of Douglas on sax, guitar, horns and keys adds welcome texture and complexity to the full-band numbers, and takes some pressure off of Darnielle, whose massive catalog is always a challenge on tour. The intimate room amplified the songs’ emotional heft; it was a joy to see the rather well-heeled crowd of (probably) former nerds, geeks and rejects sing along to one of Darnielle’s most approachable verses:

people were mean to you
but i always thought you were cool
clicking down the concrete hallways
in your spiked heels
back in high school

That’s Darnielle’s magic, distilled: A song about a single person that many of us could see in ourselves, even if what made us different had nothing to do with spiked heels. If proof were ever needed of the value of being yourself, Darnielle and his slow-burning but runaway success would be the best of it. That he has created an entire community of people who feel the same way is his gift to all of us. Happiness isn’t conformity, or cowing to others’ idea of who you ought to be. It’s doing every stupid thing that makes you feel alive, and the joy you feel at coming out on the other side, still breathing. Long live The Mountain Goats.

I recorded this set with Schoeps MK41 supercardiod microphones in a position forward of the board, along with a stereo feed of The Mountain Goats’ engineer Brandon Eggleston’s excellent house mix. The sound quality is outstanding. Enjoy!

Download the complete show: [FLAC] | [MP3]

Stream the entire set:

The Mountain Goats
2015-04-11
City Winery
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (FOB, ROC, PAS)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Brandon Eggleston)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, adjust levels, fades, downsample)>Izotope Ozone 5 (EQ, exciter, imaging)>Audacity 2.0.3 (track, amplify, dither)>FLAC ( level 8 )

Tracks [Total Time 1:33:56]
01 [intro]
02 Get Lonely
03 The Ballad of Bull Ramos
04 Love Love Love
05 [banter1]
06 Palmcorder Yajna
07 Animal Mask
08 [banter2]
09 Luna
10 Deuteronomy 2:10
11 [banter3]
12 Beyond the Mysterious Beyond
13 Raja Vocative
14 Woke Up New
15 Steal Smoked Fish
16 Never Quite Free
17 Song for Dennis Brown
18 Stabbed to Death Outside of San Juan
19 Foreign Object
20 This Year
21 The Legend of Chavo Guerrero
22 [encore break]
23 You Were Cool
24 Southwestern Territory
25 Amy aka Spent Gladiator 1
26 [encore break 2]/piano jam
27 No Children

Band:
John Darnielle – Vocals, guitar, keys
Matt Douglas – saxophone, guitar, keys, horns
Peter Hughes – Bass
Jon Wurster – Drums

If you enjoyed this recording, PLEASE SUPPORT The Mountain Goats, visit their website, and buy their records from their online store.

Alejandro Escovedo: March 21, 2015 Maria’s SXSW Party – Flac/MP3/Streaming

April 8, 2015
By

Alejandro at Marias
[photo from @alescovedo twitter]

Last month we had the opportunity to see Alejandro Escovedo under two very different but equally compelling circumstances. His acoustic duet show at the Capitol Theatre was a treasure in large part because the live arrangements allowed the songwriting to shine. As we discussed in that review, Escovedo is a legend and one of the few artists who has universal admiration from his peers. For this SXSW show, he played with a full band in his hometown in front of many friends (and celebrities) and the atmosphere was a true party vibe. Escovedo has been hosting these Saturday SXSW shows at Maria’s Taco XPress on South Lamar for almost two decades but sadly this year’s event is going to be the last one ever.

After curating a day’s worth of artists, Alejandro and his band closed the night. The set began straight enough with four Escovedo classics before he slowed it down and discussed the history of this show in a moving spoken word intro for “San Antonio Rain”. As the show progressed, the packed crowd became more engaged and this was quite evident during “Sally Was a Cop” when the fans carried the song to its completion with a sing-along chorus that can be heard clearly on the recording. We’re streaming that track below. The balance of the set was anchored by two classic rock covers, a scorching version of Neil Young’s “Like a Hurricane” that featured some outstanding guitar work and the night’s last song, an extended and loose version of the Stones’ “Beast of Burden” that once again featured much crowd participation and completed this extraordinary set with smiles all around.

Alejandro Escovedo will be touring and playing quite a few shows in April and May, dates here. He returns to NYC for a special show at the Rubin Museum of Art on West 17th Street on May 29.

I recorded this set with the Sennheisers mounted from the low ceiling next to the soundboard and mixed with a board feed. There was a lot of crowd chatter that necessitated reducing the levels of the audience source at certain points, but over the sound quality is quite excellent. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream “Sally Was a Cop”:

Alejandro Escovedo
2015-03-21
Maria’s Taco Xpress – SXSW Party
Austin, TX

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer Ben Richardson] + Sennheiser MKH-8040 Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:18:18]
01 [introduction]
02 Castanets
03 I Was Drunk
04 Tender Heart
05 Anchor
06 San Antonio Rain
07 Sensitive Boys
08 Sally Was a Cop
09 [banter – Maria]
10 Arizona
11 Like a Hurricane [Neil Young]
12 [encore break]
13 Always a Friend
14 [band introductions]
15 Beast of Burden [Rolling Stones]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Alejandro Escovedo, visit his website, and purchase his official releases from the Store at his website [HERE].

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