Posts Tagged ‘ acidjack ’

nyctaper Top 10 Concerts of 2014

December 27, 2014
By

taper-larger

NYCTaper (the site) will have our “Top 25 Moments” post later this week, but in the meantime this is the nyctaper (the person) list of my Top 10 concerts of 2014. Since I recorded less than half of the recordings posted on the site this year, its by no means comprehensive but its a personal list I’ve done since the site began in 2007.

1. The War On Drugs: March 19 and 20 2014 Bowery Ballroom
2014 was pretty much the year of the The War On Drugs. Their album has been the consensus number one selection among a vast number of end-of-year lists — appearing at or near the top in every single list we’ve read recently. And we’re proud of the fact that we were there first. In my review of this show, I predicted that Lost In The Dream would be an album of the year candidate and would be in the decade discussion. The band played two flawless shows at Bowery Ballroom, bringing the new album’s material to life with passion and precision.

2. Wussy: October 10, 2014 Knitting Factory / October 11, 2014 Private House Larchmont NY
2014 was also the year of Wussy. As their album Attica continues to show up on virtually every knowledgeable year-end list, it appears that the world at large is finally catching on to a band we’ve been pushing for the last half-decade. In between these two shows — a full band set headlining the CBGB Fest at the Knit, and the following night playing acoustically at a private house show — Wussy filmed a segment with CBS national morning news that recently aired. It was their first national tv appearance, and I’m guessing it won’t be their last. Both of these shows were great for different reasons, but both indicated the strengths of this unconventional but extraordinary band.

3. Wilco: October 29, 2014 Capitol Theatre Port Chester NY
Of the three nights when Wilco celebrated their 20th anniversary and the tour came to the NYC area, this was my favorite night for variety of reasons. The performances on all three nights were top notch, but this night had the extra bonus of some older Wilco material that I had never heard live or hadn’t seen in years.

4. Ty Segall: September 17, 2014 Webster Hall
Ty Segall keeps churning out the records and they keep getting better. The shows are also genuinely the best show in town — crazy talented band, great songs and a crowd that matches the energy from stage top to bottom. This night at Webster was part of two consecutive sold-out shows for Ty and this set was easily one of my best of the year, notable for the force of the crowd causing the photo pit guardrails to be removed because of of the crush.

5. Marah: July 12, 2014 Bowery Electric
The story of Marah is one of redemption and ultimately an extraordinary reinvention. A fairly successful band from the aughts, Marah was dormant for a few years before rising up from the ashes into an eclectic Americana band whose project was to resurrect centuries-old Pennsylvania folk songs into a contemporary format. Add to the band a 10 year old child prodigy on fiddle and a PhD in rural cultures on banjo and you have one of the most unlikely success stories in recent memory. This show at Bowery Electric was a revelation in so many ways, it perhaps best to just listen to the show in its entirety.

6. Woods: November 4, 2014 Death By Audio
This night ended up being my last at Death By Audio. If recording your last show one of your favorite venues ever ends up being one of your favorite bands, then its all good. For this show, Woods reunited with former member Lucas for several songs including the transition jam from his set to the main Woods set that led into “Bend Beyond” — also one of the best single moments of the year.

7. King Gizzard and the Lizard Wizard: October 13, 2014 Baby’s All Right
Their new album came out too late in the year to end up on too many end-of-year lists, but if it had been released in February or March it would be right there. King Gizzard is a band clearly on the rise and their shows are all out ragers. We saw them four times this year but this was the one that really kicked it in and took this band to an entire other level. The opening segue was the one of the best extended pieces of music we heard all year.

8. PUP: February 21, 2014 Cameo Gallery
This is likely the show that I saw this year where the most unbridled energy emanated from the stage. PUP is part of the burgeoning punk scene in Toronto and they toured North America and Europe persistently throughout the year in support of their self-titled debut on Side One Dummy Records. This night at Cameo pre-dated the release of the album and the crowd was a fraction of the fans they’d see before the end of the year, but PUP was simply one full hour of energy, humor and fun and this was one of my favorite nights of the year.

9. The Kickback: October 23, 2014 NYCTaper Unofficial CMJ Day Party, Cake Shop
I invited The Kickback to play our CMJ show because of one song in particular — a version of “Rob Our House” at Pianos that we had seen in June. But when the band played their afternoon set in the basement of Cake Shop, I soon learned that this was far from a one-song band as every track was more compelling than the next. Of course, “House” was the number that blew mostly everyone away when it closed the set, but in reality this entire performance was killer.

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Angel Olsen: December 9, 2014 Bowery Ballroom – FLAC/MP3/Full Set Streaming

December 23, 2014
By


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[photo by acidjack]

Angel Olsen ended up on a lot of year-end lists this year for several reasons, but the instrument you’ll notice most is her voice. Olsen has one of those aching, slightly sharp tones to her throat that doesn’t let your attention slip, refuses to fade into background music. This show at Bowery Ballroom was the second of a two-night stand for Olsen at the venue, and her final show of the year. In keeping with that, she let loose, drinking tequila onstage and playing both some cool covers (Waylon Jennings’ “Rainy Day Woman”) and some of her oldest songs (“Tiniest Lights”). She played that latter song, and several others, to a room rapt and whisper-quiet, alone on her guitar. The rock-ier songs, especially those from the lauded Burn Your Fire for No Witness, may have carried the day with the crowd, but it was these quiet numbers that gave the clearer window into who Olsen is and just how affecting her work can be. It wouldn’t be wrong to call Olsen one of the breakout acts of 2014, and she more than deserves the title. I hope she has a wonderful 2015.

I recorded this set with Schoeps MK5 cardiod microphones from our usual location in the venue. The sound quality is excellent. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set: 

Angel Olsen
2014-12-09
Bowery Ballroom
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5c (PAS, slightly LOC)>KC5>CMC6>Sound Devices USBPre2>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, adjust levels)>Izotope Ozone 5 (stereo image, exciter)>Audacity 2.0.5 (fades, tracking, amplify, balance, downsample, dither)>FLAC (level 8)

Tracks [Total Time 1:22:50]
01 Hi-Five
02 Free
03 Drunk and With Dreams
04 Stars
05 Lights Out
06 [banter1]
07 Acrobat
08 High & Wild
09 Tiniest Seed
10 When You Walk In the Room [The Searchers]
11 Sweet Dreams
12 [banter2]
13 Forgiven/Forgotten
14 [banter3]
15 Windows
16 Tiniest Lights
17 [banter4]
18 White Fire
19 [encore break]
20 Rainy Day Woman [Waylon Jennings]
21 May As Well

If you enjoyed this recording, PLEASE SUPPORT Angel Olsen, visit her website, and buy Burn Your Fire For No Witness there.

Yellow Ostrich: December 8, 2014 Glasslands – FLAC/MP3/Streaming FINAL SHOW!!

December 15, 2014
By


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[photos courtesy of David Andrako for BrooklynVegan]

“How do you start when you know it’s gonna end?” Alex Schaaf asks on Yellow Ostrich‘s “How Do You Do It?”. The same could be asked of anyone starting a rock band these days. Or for that matter, a music venue. Yellow Ostrich came onto the scene full of promise, and throughout their five years, they mostly lived up to it, as their popularity soared and the density and complexity of their songs followed. Like a lot of bands these days, this one began as Schaaf’s bedroom project, only growing into a formidable live act after the fact. The first time I saw Yellow Ostrich perform, at Mercury Lounge in 2011, Schaaf was fighting with his vocal loops on “Whale”, putting on a hell of a performance despite the glitch on his first song. Back then, the band had other dates happening at places like Shea Stadium and Piano’s. A year later, they were playing Bowery Ballroom, a confident full band at the top of their game.

But isn’t it painful, in the end, to put forth so much effort, to pour so much of your soul into something, when you know that in all likelihood, a half-decade worth of a run is all you’ll get if you’re lucky? Making music requires so much giving of yourself, it’s hard sometimes to imagine how it can be worth it. You give and give and give, and at best you get a few syncs, a few streams, and hopefully a full house some nights. When things end, chances are that memories will be short. If you matter, in the long run, to a handful of people, you’re lucky.

But if Schaaf and his band felt any melancholy about Yellow Ostrich’s passing, they didn’t show it. It felt right for the band to close things out on the stage at Glasslands, which itself will be no more as of the end of this year. The band will end on a high note, the more confident Cosmos, which pushed their limits while retaining the essential tunefulness of the melodies and intensely personal bent of Schaaf’s words. Tonight the band was on from start to finish, Schaaf bounding across the stage as songs took on added flourishes of guitar and a little something extra in the vocals. This isn’t the same band that started it all, when Jon Natchez joined up to make it a fully-realized creature, but it’s a very good one, equally loyal to Cosmos tunes like “Terrors” and “Things Are Fallin'” as to old greats from The Mistress like “Whale” and the set’s closer, a searing, extra-long “Mary”. While the whole set is streaming below, I wanted to emphasize “Whale”, which has grown so much from that first version I saw played at Mercury. To me this first song on The Mistress is the essential Yellow Ostrich song, and in the three evolving versions I’ve recorded, you capture the band’s story in miniature. The song has always been catchy, but only this time, the entire crowd sang along.

Those of us who spent much if any time in the music scene just across the East River have found much to mourn this season, saying goodbye not only to institutions like Glasslands and DBA but to longtime bands and friends as well. While a moment has ended, this can only be looked at as torch passed. New York has never been the place for those who don’t like change; change is the essential part of its character as a city in almost every way. For his part, Schaaf isn’t going anywhere — he’s already got a new project, Human Heat, with an EP to its credit. I grinned as the band played The Mistress’ “Hate Me Soon”. The truth is, Yellow Ostrich didn’t stick around long enough to give us a chance to. And most times, that’s just the right way to go.

I recorded this set with our installed Glasslands system, Naiant X-R cardiod microphones and a soundboard feed by the band’s FOH Keith Milgaten. The sound quality is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream “Whale”

Stream the complete show

Yellow Ostrich
2014-12-08
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Keith Milgaten) + Naiant X-R>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, alignment, mixdown, fades)>Izotope Ozone 5 (light EQ, effects)>Audacity 2.0.3 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:08:35]
01 Fog
02 Shades
03 Hold On
04 [banter1]
05 Neon Fists
06 How Do You Do It
07 Elephant King
08 My Moons
09 Whale
10 Ghost
11 Any Wonder
12 [banter2]
13 Things Are Fallin’
14 Marathon Runner
15 [banter3]
16 Hate Me Soon
17 Mary

If you enjoyed this recording, please support Yellow Ostrich, visit their website, and buy their records from their online store.

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Pink Avalanche: November 22, 2014 Brooklyn Night Bazaar – FLAC/MP3/Full Set Streaming

December 13, 2014
By

Pink Avalanche - Live at Brooklyn Night Bazaar 2014
[photo by acidjack]

Hailing from Chicago, post-punkers Pink Avalanche would not be out of place among that city’s finest independent bands. Their songs straddle the line between shoegaze and more economical punk rock. Begun as the studio project of guitarist-singer Che Arthur and drummer Adam Reach, the pair add Kortland Chase on guitar and Pete Croke on bass for their second album, The Luminous Heart of Nowhere, and live show. Arthur is a live sound engineer by day and is no doubt responsible for The Luminous Heart of Nowhere’s careful production, which manages to sound lush while retaining the harsher edges of the punk rock tunes.

We caught up with Pink Avalanche rounding out their tour with Survival Knife and Hungry Ghost at Brooklyn Night Bazaar. Their set features cuts from their recently released second album, from their first album Wraiths, and a cover of semi-obscure Austin band Starfish’s “Warp Factor.” For their live set, interstitial soundscapes link the songs together much like the two short instrumental tracks “:” and “::” that bookend “In Empty Spaces” on the album. Though drawing from two albums and a cover, they manage to musically link the separate selections into a narrative that flows through their entire set.

Like the night’s other bands, acidjack recorded this set from inside the soundboard cage at the Brooklyn Night Bazaar, with Schoeps MK41 microphones and a soundboard feed that included the engineer, Kenny’s, mics at either side of the stage. The sound is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Pink Avalanche
2014-11-22
Brooklyn Night Bazaar
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded by acidjack
Produced by Eric PH

Soundboard w/ onstage mics (engineer: Kenny) + Schoeps MK41 (LOC, PAS) > KCY > Z-PFA > Sound Devices USBPre2 >> Edirol R-44 [OCM] > 2x24bit/48kHz WAV > Audacity 2.0.5 (set fades, mixdown, EQ, downsample, dither, tracking, tagging) > FLAC (level 8)

01. Chalk and Crimson
02. Petals
03. Masks
04. Corpse
05. In Empty Spaces
06. Warp Factor [Starfish]
07. Silver Tongue
08. Breathe Deep
09. You Lost Me
10. Ten Kings

If you enjoyed this recording, PLEASE SUPPORT Pink Avalanche, visit their website, like them on Facebook and buy The Luminous Heart of Nowhere here.

Big Ups: November 2, 2014 Mercury Lounge – FLAC/MP3/Streaming

December 12, 2014
By

BigUps-Graffiti-DannyKrug
[photo by Danny Krug for Canvas Media PR]

For budding music nerds, discovering the Touch & Go catalog is an eye-opening experience. I have to imagine Big Ups enjoyed a similarly formative exploration of that catalog. They pair the post-hardcore sound of bands like The Jesus Lizard and Shellac with strikingly direct lyrics that narrate the indignities of everyday life. Joe Galarraga’s frenetic vocals are tempered by the tightly wound trio of Brendan Finn, Amar Lal, and Carlos Salguero. As a unit, the band mines the tenuous territory that lies between frenzy and control, managing to teeter on the edge of chaos without retreating to the comfort of complacency—no small feat when you take a look around.

And so despite the Sunday evening opening slot, Big Ups wasted no time in challenging the crowd to shake off any post-Daylight Saving grogginess with an intense thirty-minute set at Mercury Lounge comprised of selections off their debut album Eighteen Hours of Static, the two tracks from their upcoming Exploding in Sound split 7”, and a handful of new songs. Set-opener “Justice” is a wakeup call in which Galarraga wails with conviction, “Everybody says it’s getting better all the time, but it’s bad, still bad.” It’s a convincing argument with the songs that follow as its supporting evidence. Yet the songs refuse to give in or give up, convinced that it should and can get better. While not a dramatic stylistic departure from the earlier material, the duo “Rash” and “Not Today” (both out now on a split 7” with Washer) represents their most realized songs yet. If these two tracks are any indication of Big Ups’ future direction, there may be hope after all.

I recorded this set from our usual location in the venue, with a soundboard feed from the Mercury Lounge FOH, Dave Lefcort. The sound is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show: 

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Big Ups
November 2, 2014
Mercury Lounge
New York, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Audio Technica 3031 + Soundboard (engineer: Dave Lefcort) > Roland R-26 > 2x24bit/48kHz WAV > Audacity 2.0.5 (set fades, mixdown, EQ, tracking, tagging) > FLAC (level 8)

01. Justice
02. Hope For Someone
03. Meet Where We Are
04. T.M.I.
05. Rash
06. Not Today
07. Yawp
08. [Unknown]
09. Wool

If you enjoyed this recording, PLEASE SUPPORT Big Ups, visit their websitelike them on Facebook and buy Eighteen Hours of Static there.

Doug Tuttle: October 25, 2014 Trouble In Mind CMJ Showcase, Rough Trade – FLAC/MP3/Streaming

December 9, 2014
By


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The guitarist Doug Tuttle was one of the principal songwriters in a band we’ve spoken highly of on this site, MMOSS. In 2013, the New Hampshire band ceased to be, and Tuttle began writing on his own, wrestling not only with the band’s dissolution, but the loss of a relationship. Not shockingly, the song cycle he debuted on Trouble In Mind Records last year has a strong undercurrent of sadness running through its dreamy psychedelic melodies. This show, held at Trouble In Mind’s showcase at Rough Trade during CMJ, stuck with that material, and Tuttle’s assembled band proved as crack an outfit as his last group. All of those powers came to bear on the eight-minute “Turn This Love”, which exploded from a brooding first few verses into a spacey extended jam, anchored by the organ sounds that are essential to the band’s overall style and tone. While we’re sorry that MMOSS is no more, Tuttle has more than taken the reins with his new band, and we hope to see more of him in 2015.

I recorded this set in the same manner as the other recordings from the day, with Schoeps MK41 microphones and a soundboard feed from the Rough Trade engineer, Cam. The sound quality is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show: 

Doug Tuttle
2014-10-25
Trouble In Mind CMJ Showcase
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (DFC, PAS, at SBD)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard (engineer: Cam)>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 I Won’t Do
02 Lasting Away
03 With Us Soon
04 Forget the Days
05 Leave Your Body
06 Where You Plant Your Love.. Is Where It Grows
07 Turn This Love
08 I Will Leave

If you enjoyed this recording, PLEASE SUPPORT Doug Tuttle, like him on facebook, and buy his self-titled solo record directly from Trouble In Mind.

Whiskey Bitches: October 23, 2014 NYCTaper CMJ Cake Shop – Flac/MP3/Streaming

December 5, 2014
By

WB Cake CMJ Keim 1
[photos by Dean Keim]

Its been an eventful 2014 for Whiskey Bitches. Since our last visit for their impressive set at Death By Audio (RIP) in April, the band has played a ton of shows, released two videos, and self-released their second EP, the four-song Never Enough. During CMJ week, Whiskey Bitches played 6 shows, with ours falling in the middle. The band was on early, but even with some performance and party hangovers they managed to draw a crowd and play their typically energetic set. The setlist contained three of the four songs from the EP and two excellent new numbers. We’re streaming the lead track of the EP, “Disaster”.

Tonight (December 5) you can see Whiskey Bitches live at Cake Shop.

Acidjack recorded this show in the exact same manner as the previous sets from this show (Schoeps Onstage + SBD) and the sound quality is equally superb. Enjoy!

Stream “Disaster”:

Download Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

Whiskey Bitches
2014-10-23
NYCTaper CMJ Day Party
Cake Shop
New York, NY

Digital Master Recording
Soundboard + On Stage Audience Matrix

Schoeps MK4V (stage lip) > KC5 > CMC6 + Soundboard (engineer: Clint) > Edirol R-44 [OCM] > 2x24bit/48kHz WAV > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded by acidjack
Produced by nyctaper

Setlist:
[Total Time 21:59]
01 Funemployed
02 Disaster
03 [banter]
04 Blackout
05 White Knight
06 Time Wasted
07 Always
08 Cookies

If you download this recording from NYCTaper we expect that you’ll please support Whiskey Bitches, like them on Facebook  and purchase their Never Enough EP from their Bandcamp page [HERE].

Hungry Ghost: November 22, 2014 Brooklyn Night Bazaar – FLAC/MP3/Streaming

December 4, 2014
By

hungry1
[photos by acidjack]

Eric PH reports

What do the drummers of veteran indie rock acts do when that band breaks up? They start new bands of course. But there’s a steep challenge to success for drummers, who are usually buried behind large kits, heard more often than seen. Since breaking up in 2002, Unwound has splintered into Survival Knife (featuring guitarist-vocalist Justin Trosper and original Unwound drummer Brandt Sandeno) and Hungry Ghost, the guitar and drums duo of Andrew Price, formerly of Irving Klaw Trio, and ex-Unwound drummer, Sara Lund. While Survival Knife soldiers on with a sound that bears forward Unwound’s post-hardcore, Hungry Ghost breaks that mold and tends more towards blues-rock territory. You wouldn’t be too far off in comparing Hungry Ghost to Quasi—another duo that features a veteran indie rock drummer, Janet Weiss. (And indeed, the other half of Quasi, Sam Coomes, produced Hungry Ghost’s first album.) Still, Sara Lund’s unmistakable drumming combined with great songwriting ensures that Unwound devotees will find a lot to love about Hungry Ghost.

Price and Lund have been playing together as Hungry Ghost since at least 2009, so we were psyched to finally catch them in Brooklyn at the last stop on their tour with Survival Knife and Pink Avalanche. For this set, the band performs mostly new material, drawing on only a few songs from their 2012 self-titled, self-released debut record. Price and Lund share vocal duties throughout and you can’t help but note the equality of the collaboration, the guitar and drums in conversation with each other and the vocal harmonies as the meeting ground between the two performers. After a particularly rollicking performance of “Get Up,” Lund comments that audience air-drummers are the highest form of praise a drummer can receive. Their entire set from Brooklyn Night Bazaar is proof that praise is well-deserved.

As with Acidjack’s recording of Survival Knife from the same night, I recorded this with the mics inside the soundboard cage and a feed of the soundboard, plus onstage mics, from the house engineer Kenny. Despite the non-traditional venue, the sound is excellent. Air-drum away!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Hungry Ghost
2014-11-22
Brooklyn Night Bazaar
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Audio Technica 3031 + Soundboard (engineer: Kenny) > 2x24bit/48kHz WAV > Audacity 2.0.5 (set fades, mixdown, EQ, tracking, downsample, tagging) > FLAC (level 8)

1. Brilliant One
2. Wicked Betsy
3. Get Up
4. Showed Up
5. Throw Out
6. River
7. Pretty Girls Make Intifada
8. Shame Thing [medley of Shame and Same Thing]

If you enjoyed this recording, PLEASE SUPPORT Hungry Ghost, visit their website, and buy their records here

The Kickback: October 23, 2014 NYCTaper Unofficial CMJ Day Party, Cake Shop – FLAC/MP3/Streaming

December 2, 2014
By


thekickback01_MVENTRICQRO
[photos by MaryAnne Ventrice for QRO Magazine]

Chicago’s The Kickback have been lucky enough to be pulled for early by some high-profile folks for the best of reasons — they’re a rock act with plenty of direct appeal, a great sense of humor, and strong songwriting. When we caught them at Piano’s earlier this year, they were still recording their debut with Jim Eno of Spoon, and that remains the case today. But since then, legend of the Kickback’s explosive live show has continued to spread, helping to bring out a crowd for our unofficial CMJ day party at Cake Shop this October. At Cake Shop, we got a high-octane show that closed on a special tune, “Rob Our House”, whose lyrics change with every performance. It’s the kind of move that not only reinforces Yost’s wit on the fly, but further endears you to a band that’s easy to like.

I recorded this set in the same manner as the other recordings from the day, with Schoeps MK4V microphones on stage and a soundboard feed from house engineer Clint. The sound quality is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

The Kickback
2014-10-23
NYCTaper CMJ Day Party
Cake Shop
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (stage lip)>KC5>CMC6 + Soundboard (engineer: Clint)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression, fades)>Izotope Ozone 5 (light EQ, exciter)>Audacity 2.0.5 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Fanger
02 Sting’s Teacher Wars
03 Head Hunter
04 White Lodge
05 Rob Our House

If you download this recording from NYCTaper, PLEASE SUPPORT The Kickback, visit their website, and purchase their official releases from the links at their website and the Bandcamp page [HERE].

Kevin Morby: October 24, 2014 Aquarium Drunkard CMJ Showcase, Rough Trade – FLAC/MP3/Streaming

December 1, 2014
By


IMG_0379

Expect to see Kevin Morby‘s outstanding 2014 release, Still Life, on many best-of lists here at year end. Since striking out on his own with Harlem River last year, the former Babies frontman and Woods member has firmly established himself as one of the most exciting songwriters of his generation. At Morby’s first solo show that we covered, Morby debuted several of the forthcoming Still Life tracks. Nine months later, Morby was at the Aquarium Drunkard showcase at Rough Trade ready to acquaint us with more of the new record. Though Morby arrived onstage last, after midnight, most of the crowd had stuck around to catch him, and he rewarded us with a poised set that showed his tour-worn comfort with the newer songs. He also played a classic number covered by one of our other favorite bands recently, Bill Fay’s “I Hear You Calling”. Morby’s sound congeals increasingly well with the West Coast move that in part prompted his solo breakout; his songs feel like a breeze blowing across your face as you lie on the hood of a car in a beach parking lot, staring at the coast. It was a fine way to end the night, not to mention this incredible showcase. Look for more material from it to come, joining this and the Ryley Walker set already posted.

I recorded this set with Schoeps MK41 supercardiod microphones set up in our usual position in the venue. As it was the end of the night, and the soundboard feed was inadvertently turned off during this set, there is a bit more crowd chatter on this one than the other sets from the night, but the sound quality is nonetheless excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show: 

Kevin Morby
2014-10-24
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (DFC, PAS, at SBD)>KCY>Z-PFA>Sound Devices USBPre2>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (exciter effects)>Audacity 2.0.3 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 44:56]
01 Reign
02 Sucker In the Void (the Lone Mile)
03 Harlem River
04 I Hear You Calling [Bill Fay]
05 All of My Life
06 Amen
07 Miles, Miles, Miles
08 If You Leave And You Marry

If you enjoyed this recording, PLEASE SUPPORT Kevin Morby, visit his website, and buy his releases from Woodsist.

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nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.