Posts Tagged ‘ brooklyn ’

Waxahatchee: February 8, 2013 Music Hall of Williamsburg – FLAC/MP3/Streaming

March 6, 2013
By

waxahatchee2013-02-08-1
[Photos by acidjack]

Waxahatchee, the one-woman project of Katie Crutchfield, hit the scene in low-key fashion in 2012 with a record of lo-fi bedroom gems entitled American Weekend that quietly made it onto several critics’ best-of lists.  The record’s raw production couldn’t mask the obvious talent Crutchfield has for writing accessible, confessional songs punctuated by her unique voice and phrasing.  “Catfish”, on both that record and streaming above, is one of many examples of that, an earworm that also has something to say. American Weekend represented a transitional period for Crutchfield, who had just left she and her sister Allison’s band P.S. EliotShe recorded the record in her parents’ bedroom in Birmingham, Alabama (her hometown).

Its newly-released follow-up, Cerulean Salt, was still recorded at home — this time in Crutchfield’s Philadelphia basement — but it is a well-produced, good-sounding record that flatters Crutchfield’s voice and her talents much more effectively than American Weekend could have hoped to.  Deservedly, Stereogum just named it their Album of the Week.

This set at Music Hall of Williamsburg as part of the Don Giovanni Records showcase was originally supposed to feature a band, but the night’s blizzard made that impossible. Instead, we got a nine-song solo set that proved that Crutchfield’s songs can stand on their own, even live in a fairly large room. The set previewed four songs from Cerulean Salt – “Hollow Bedroom”, “Blue Pt. II”, “Swan Dive” and “You’re Damaged”, and as such, in cooperation Don Giovanni, we are releasing this set to coincide with the release of Cerulean Salt, which hit stores this Tuesday.  It is an excellent record, and one that we think will introduce Waxahatchee to a much broader audience.

I recorded this set with an excellent soundboard feed from the house engineer, Jim plus MBHO KA200N cardiod microphones.  Due to a particularly noisy audience and a quiet set, this recording is mostly the soundboard feed.  Some DI noise and hiss were present, which were mostly eliminated with software editing.  The final product I think will be a favorite. Enjoy!


Direct download of the complete show: [MP3] | [FLAC]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Waxahatchee
2013-02-08
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by acidjack and nyctaper
Produced by acidjack

Soundboard (engineer: Jim) + MBHO KA200N>MBP603>>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (noise reduction on SBD, align, amplify, mix down)>Izotope Ozone 5 (tape effect on SBD)>Audacity 3.0 (set fades, tracking, parallel compression, amplify, balance)>FLAC ( level 8 )

Tracks [Please note: Some track titles will need to fixed in the actual file set, as the set was tagged and tracked before the new record came out.]
01 Hollow Bedroom
02 Catfish
03 Grass Stain
04 Blue Pt. 2
05 Michel
06 Swan Dive
07 Noccalula
08 I Think I Love You
09 You’re Damaged

If you enjoyed this recording, PLEASE SUPPORT Waxahatchee, like them on Facebook, and purchase Cerulean Salt from Don Giovanni Records [HERE]

Arbouretum: February 15, 2013 Cameo Gallery – FLAC/MP3/Streaming

February 21, 2013
By

DSC_0044
[Photos courtesy of P Squared Photography]

One of the first things you notice at an Arbouretum show is how clearly you can hear frontman and lyricist Dave Heumann’s vocals. He enunciates, he articulates each word carefully, in a way that suggests he wants you to actually hear what he’s singing. And if you don’t pay attention to that, you’re missing out. This is, after all, a band that wrote an entire album (The Gathering) inspired by Karl Jung’s The Red Book.  You could be forgiven, though, since along with those literary-inspired vocals, you’ll get a deep, Southern rock-inflected groove punctuated by Heumann’s own searing guitar solos. This show, which we helped to present, at Cameo Gallery proved a worthy sequel to their set at Glasslands back in 2011 when we last saw them. This set introduced us to new material from their excellent Thrill Jockey release, Coming Out of the Fog, plus some choice back catalog including one of my favorites, “St. Anthony’s Fire” from their split EP with Hush Arbors. Also not to be missed among the older material was the mighty set closer, “The Gathering”, while “World Split Open” was a highlight of the new material, which is some of the band’s most concise in years.  Helped by an outstanding mix from Josh of the Cameo Gallery, the band put out a flawless set before the packed house that surpassed the 2011 show in intensity, though not quite in length. The band is spending the rest of this month and March in the UK and Europe, so for our readers across the pond, now is your chance.

I recorded this set with Schoeps MK5 microphones and a soundboard feed from house engineer Josh. The sound quality is outstanding. Enjoy!


Direct download of the complete show: [MP3] | [FLAC]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

DSC_0079

Arbouretum
2013-02-15
Cameo Gallery
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, DFC, DINa)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Josh)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (set fades, mix down)>Izotope Ozone 5 (light EQ, exciter)>Audacity 3.0 (tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 46:03]
01 All At Once, the Turning Weather
02 World Split Open
03 [banter]
04 The Promise
05 Oceans Don’t Sing
06 [banter2]
07 St. Anthony’s Fire
08 The Gathering Song

If you enjoyed this recording, PLEASE SUPPORT Arbouretum, visit their website, and buy Coming Out of the Fog and their other releases directly from Thrill Jockey [HERE]

Lemuria: February 8, 2013 Music Hall of Williamsburg – FLAC/MP3/Streaming

February 20, 2013
By





lemuria2013-02-08-2
[photos by acidjack]

Buffalo’s Lemuria aren’t actually on Don Giovanni Records, but as friends of the label they joined several of their like-minded acts for an epic night of music that also included Hilly Eye (that recording coming soon), Jeffrey Lewis (recording here), Waxahatchee (coming in early March) and Laura Stevenson (recording here). The band served up a healthy dose of their early-90s style sound which recalls the raw, direct style of acts like Superchunk and Sleater-Kinney. Highlights included the pop-punk confection “The One” from their Pebble LP and the more measured burner “Lipstick” from 2008’s Get Better.  The band’s tour calendar is empty save a Montreal date in May, but be on the lookout for them on their next NYC run.

I recorded this set from an optimal location in the venue with MBHO microphones and a soundboard feed provided by the house engineer, Jim.  The sound quality, like all of our recordings from this night, is excellent. Enjoy!

Direct download of the complete show: [MP3] | [FLAC]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

lemuria2013-02-08-1

Lemuria
2013-02-08
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Jim) + MBHO KA200N>MBP603>>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, limit peaks)>Izotope Ozone 5 (light EQ, exciter for “retro”)>Audacity 3.0 (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 34:16]
01 Cannonballs to Hurt
02 Dog>
03 Dogs
04 Wise People
05 Durian
06 Chautauqua County
07 Lipstick
08 Expert Herder
09 Ozzy
10 Pants
11 The One
12 Mechanical

If you enjoyed this recording, PLEASE SUPPORT Lemuria, visit their website, and buy their records directly from their online store [HERE]

Bleeding Rainbow: February 12, 2013 Glasslands – FLAC/MP3/Streaming

February 19, 2013
By

bleedingrainbow2013-02-12-3
[photos by acidjack]

Bleeding Rainbow just released their first album, Yeah Right, under that band name, but the husband-and-wife team of Rob Garcia and Sarah Everton have been making music together for several years. As the band Reading Rainbow, the pair put out a couple of lo-fi records that hinted at, but didn’t fully deliver on their potential. With Yeah Right, the band has a masterfully produced record that does. Now joined by Greg Frantz on drums and Al Creedon on guitar, the beefed-up lineup has developed a rich, shoegaze sound with a newly-minted pop sheen. This show at Glasslands was the first NYC gig for the Philadelphia band since the record’s release, and they came out blazing. After a brief false start, the band launched into an extended version of the record’s leadoff track, “Go Ahead”, followed by the record’s next to two tracks, “Pink Ruff” and “Drift Away”.  One thing that sets Bleeding Rainbow apart from many like-minded acts is that they aren’t afraid to actually sing rather than let their vocals be buried in the washes of MBV-style guitars. Though Everton provides the lead vocal on most tracks, Garcia’s harmonizing with her gives the songs added depth. The pair mesh well together live, feeding off of each other’s energy, and enjoying the added freedom lent by the new personnel.  Bleeding Rainbow have set themselves on a path that will give them even more room to grow, and we look forward to watching that happen.

I recorded this set from our usual position in the venue with Schoeps MK5 cardiod microphones and a soundboard feed provided by longtime Glasslands engineer Josh.  The sound quality is excellent.  Enjoy!

Thanks to Kanine Records for obtaining permission for us to record this show.

Direct download of the complete show: [MP3] | [FLAC]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

bleedingrainbow2013-02-12-5

Bleeding Rainbow
2013-02-12
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (DINa, DFC)>KCY>Z-PFA + Soundboard (Engineer: Josh Thiel)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, adjust levels)>Izotope Ozone 5 (EQ, tube effect)>Audacity (set fades, tracking, amplify, limit peaks, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 50:32]
01 [intro]
02 Go Ahead
03 Pink Ruff
04 Drift Away
05 Inside My Head
06 You’re Not Alone
07 [unknown1]
08 Waking Dream
09 Losing Touch
10 Get Lost

If you enjoyed this recording, PLEASE SUPPORT Bleeding Rainbow, visit their website, and buy Yeah Right directly from Kanine Records [HERE]

NYCTaper Presents: Endless Boogie Record Release Party w/ Arbouretum and Hans Chew at Cameo Gallery this FRIDAY, Feb 15

February 13, 2013
By

Facebook Invite / Tickets [HERE]

Endless Boogie
Endless Boogie
Whether you’re sick of Valentine’s Day shenanigans or not, you owe it to yourself to join your fellow music fans at Cameo Gallery this Friday, February 15, as NYCTaper presents a triple bill from three excellent live bands that we dig. NYC’s Endless Boogie are fixtures of the local rock scene, and deservedly so. We first saw them opening for Pavement during their reunion tour a few years ago and have followed them with interest since, as they have cranked out some positively deadly LPs like the double Full House Head on local No Quarter Records.  As their name implies, EB play big songs with fat, chooglin’ riffs that you might remember from the 70s, if you’ve been alive that long. If not, this is what you missed. The show will be the release party for their new No Quarter release, Long Island, the first track of which recently debuted on NPR. If you want more Boogie than that NPR taste, there is also a three-hour (remember that word, “endless” in the name) live set from WFMU online.  Or, you know, just  come to the show and find out what they’re about in the raw.

Arbouretum
arbouretum
[Arbouretum. Photo courtesy of the band’s Facebook page]

This show’s out of town guests, also introducing material from a new record, are NYCTaper veterans Arbouretum.  This will be their first NYC show since their latest Thrill Jockey release, Coming Out of the Fog.  If you managed to catch their set at Glasslands back in 2011 like we did, you know to expect some tightly performed, heavy-rocking Southern-influenced psych rock with a strong literary streak.  Coming Out of the Fog is their most focused work yet and these guys’ live show is not to be missed. See what we mean by streaming our 2011 recording below:

Hans Chew

You may have first met the piano boogie wizard Hans Chew when he played the NYCTaper CMJ Day Party back in October. If you didn’t, you missed a barnburner.  Hans kicked off that show with almost all-new tracks, and a few months later, he’s got even more new material to share.  Hans will start this night off at 8:30p.m. sharp, and he should more than wet your whistle for the next acts to come with his high-energy and endlessly entertaining style that takes its honky-tonk roots into the 20th century.  His Three Lobed/Divide by Zero LP Tennessee & Other Stories is not to be missed, and we expect a new release from him this spring if things go according to plan.

We hope to see you at Friday’s show.  Once again, tickets are HERE and the Facebook invite is HERE.

Brian Settles & Central Union: January 16, 2013 Barbès – FLAC/MP3/Streaming

February 1, 2013
By

briansettles2013-01-16-1
[Photo by acidjack]

Virtually all  of the music we cover on this website, partly by design, but partly by inertia, falls somewhere along the spectrum of “rock” music. Even if that’s the case, that represents only a fraction of the music we listen to, or are interested in. New York remains a hotbed of activity for the still-vital jazz scene, and one of the easiest and most low-key ways to get some exposure to the scene right now is through The Palimpsestic Series, curated by Oscar Noriega at the Park Slope bar Barbès every Wednesday night.  On the advice of a friend, I settled in on a recent night for an outstanding set by the Washington, D.C. virtuoso tenor saxophonist Brian Settles and most of his band Central Union (Jeremy Carlstedt, on drums and Jean Marie Collatin Faye, on percussion and bassist Corcoran Holt). Settles’ 2011 album, Secret Handshake, represents the first record for the accomplished Duke Ellington School of the Arts veteran as a bandleader, a role  into which he fits admirably. This set featured two of those compositions, “Zui Quan” and “Soulnimsky”, a cover of John Coltrane’s “Reverend King”, and three new numbers. Some rock shows make me flat-out bored these days; watching Settles and his band up close in this setting was riveting. In this postage-stamp-sized room, it’s not hard to arrive early enough to get a front-row seat to the action, and I would encourage live jazz newbies (like me) to take advantage of a chance to not only listen to the players, but watch how they interact with each other and the piece of music. Especially as live music is concerned, jazz (especially of the more avant-garde variety) is an undeservedly obscure art form. There is a whole world of exceptional performances out there – like this one – if you take the time to seek them out.

Settles will next appear in New York on this Saturday, Feb 2., when he and Carlstedt appear as a duo as part of the Evolving Music Series, located at 107 Suffolk Street in Manhattan.  Their set time is 10:30pm, and you can get tickets at the door.

I recorded this set directly in front of the band using the mid-side technique with a Schoeps MK5 cardiod microphone as the center channel and a Schoeps MK8 figure-8 microphone as the “side”, which allows the recordist to vary the width of the stereo image.  This recording provides exceptional width and clarity, though the instruments may be too localized for some people’s taste if they listen through headphones.  Enjoy!

Direct download of the complete show: [MP3] | [FLAC]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Brian Settles & Central Union
2013-01-16
Barbes
Brooklyn, NY USA

Recorded and produced by acidjack

Schoeps MK5+MK8 (M/S)>KCY>Z-PFA>Roland R-26>24bit/48kHz WAV>Voxengo MSED (decode M/S)>Adobe Audition CS 5.5 (adjust levels)>Izotope Ozone 5 (light EQ, warmth)>Audacity 3.0 (set fades, tracking, amplify, gentle parallel compression, downsample)>FLAC ( level 8 )

Tracks [Total Time: 1:15:24]
01 [intro]
02 Zui Quan
03 Reverend King [John Coltrane]
04 Orbit [omitted at artist request]
05 Brother Nimsky
06 Sipho
07 Soulnimsky

Players:
Brian Settles – Saxophone
Jeremy Carlstedt – Drums
Jean Marie Collatin Faye – Percussion
Corcoran Holt – Bass

If you enjoyed this recording, PLEASE SUPPORT Brian Settles, visit his website, and buy Secret Handshake from Amazon or your favorite retailer.

Math the Band: January 4, 2013 Glasslands – Flac/MP3/Streaming

January 8, 2013
By

Math The Band Glasslands
[photo by nyctaper]

When I first saw Math the Band, in an opening slot for Anamanaguchi at Music Hall a couple of years ago, I knew I would have to see them and record them again. That 2011 recording was just not high enough quality to post, and it frankly failed to capture the crazy energy of the performance. Friday night at Glasslands, that energy was on display again and thankfully the stars aligned to produce a faithful recording of their fun and crazy set. Math the Band has been around for a decade and they are part of the groundbreaking Providence RI art collective AS220, but the duo performs with a kind of unselfconscious elation that would be typical of a brand new band finding their footing. The Glasslands show was short and sweet, a less than 30 minute run through much of their new album Get Real and a few chosen older nuggets. While the band certainly makes abundant use of the chiptune style keyboard, the songwriting shows influences of oldies like Dead Milkmen. And like their predecessors, the live show is a hoot — a smile-inducing experience that ends too soon and leaves us wanting more. Math the Band will be touring throughout January on the East Coast, dates are here.

I recorded this set with the Sennheiser Cards mounted in the middle of Glasslands and mixed with an excellent board feed from house FOH Josh. The sound is excellent. Enjoy!

Stream “Why didn’t you get a haircut”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Math the Band
2013-01-04
Glasslands Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2013-01-05

Setlist:
[Total Time 27:57]
01 Mission Statement
02 Hang out Hang ten
03 Bad Jokes
04 [banter]
05 Hey Alright
06 Stay Real (Sock it to me Satan)
07 Sad Son
08 Wear Wolf Fever
09 Four to Six
10 Why didn’t you get a haircut
11 Down
12 Tour de Friends

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Math the Band, visit their website, and purchase Get Real from Anchor Brain Store [HERE] or from the Math the Band Bandcamp page [HERE].

Suzuki Junzo: November 27, 2012 Union Pool – FLAC/MP3/Streaming

December 29, 2012
By



The Japanese guitarist Suzuki Junzo‘s latest album is entitled Ode To A Blue Ghost, and that is an apt description for the spectral noise that Junzo wrings from his guitar. I was not familiar with Junzo before this show, but he has had a long career in the Japanese guitar underground, cranking out a host of self- and label-released records. This show at Union Pool with fellow avant-gardists Rhyton, Eidetic Seeing and the Gibby Haynes and Kohoutek-affiliated Ultimate Vag gave fans of far-out psych and noise a lot to love, but even the musicians in the other bands were somewhat unfamiliar with Junzo’s work. With an undercurrent of blues, Junzo’s guitar sounds can run a surprising emotional range, blending the familiar with the unfamiliar. This show represented a fairly rare chance to see Junzo outside his native Japan, and we are thrilled to have been there to capture it.

I recorded this set with Schoeps MK5 microphones and a soundboard feed by the house engineer, Doug.  This favors the soundboard mix as it is all guitar, and other than a few spots of DI distortion, it is excellent.  Enjoy!

Direct download of the complete shows: [MP3] | [FLAC]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Suzuki Junzo
2012-11-27
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Doug) + Schoeps MK5 (DFC, at SBD, DIN)>KCY>Z-PFA>>Edirol R-44 [Oade Concert Mod]>Adobe Audition CS5.5 (patch a few min of bad channel, mix down, adjust levels)>Izotope Ozone 5 (light EQ, exciter)>Audacity 3.0 (set fades, noise removal, light DR compression, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Guitar Blues
02 Anastasia
03 Moetsukita Chizu (Lament for The Man Without a Map)
04 Hour of Death (Kaneko Jutok)
05 Awake in the Union Pool

If you enjoyed this recording, PLEASE SUPPORT Suzuki Junzo, visit his website, and buy his records, including Ode To A Blue Ghost, in his online store.

Deer Tick: December 12, 2012 Brooklyn Bowl – Flac/MP3/Streaming

December 19, 2012
By

deertick-5
[photo by acidjack]

Tonight is the final show of Deer Tick‘s three-Wednesday residency at Brooklyn Bowl, and if last week is any sign this should be a barnburner. The first week’s show (recording here) was a tight and solid Deer Tick show where they played Born On Flag Day along with the first EP and about half of War Elephant as an encore. This past week it wasn’t just that the band played The Black Dirt Sessions straight through (plus the Christmas EP), but the encore segment was like an entire other Deer Tick show. The band played nine songs over two encore segments including covers, older material and guest appearances. Tonight’s show will feature the complete Divine Providence album along with the Tim EP, and I don’t think I’m going out on a limb when I predict another lengthy encore segment with a likely Replacements cover. We’ll be there again.

I recorded this set in the same manner as the first week, with the hyper card Neumanns accompanied by an excellent soundboard feed. Enjoy!

Stream “Choir of Angels”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Deer Tick
2012-12-12
Brooklyn Bowl
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2012-12-16

Setlist:
[Total Time 1:32:37]
01 [introduction]
02 Choir of Angels
03 Twenty Miles
04 Goodbye Dear Friend
05 Piece by Piece and Frame by Frame
06 Sad Sun
07 Mange
08 When She Comes Home
09 Hand In My Hand
10 I Will Not Be Myself
11 Blood Moon
12 Christ Jesus
13 Christmas All Summer Long
14 Holy Shit Its Christmas
15 [encore break]
16 Friday XIII
17 Unwed Fathers [John Prine]
18 Dirty Dishes
19 Cheap Sunglasses
20 [second encore break]
21 Baltimore Blues No 1
22 Nevada
23 Sink or Swim
24 Sleep Walk [Santo and Johnny]
25 La Bamba

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Deer Tick, visit their website, and purchase their official releases including The Black Dirt Sessions from the Partisan Records Store [HERE].

Yo La Tengo: December 12, 2012 Maxwell’s (Hanukkah Night 5) – FLAC/MP3/Streaming

December 17, 2012
By

ylt2012-12-12-1
[Photos by acidjack]

Text “Brooklyn” to 25383 to donate $10 to the Brooklyn Recovery Fund

For the fifth night of Hanukkah, Yo La Tengo dedicated their show to Brooklyn and to benefit the Brooklyn Recovery Fund, and honored the borough’s rich hip-hop tradition with the somewhat off-the-wall guest opener of El-P. If special guest stars during the main set are your favorite thing about these Hanukkah shows, tonight was not your night, as we didn’t get to experience a rapping Ira, James or Georgia or find hip-hop beats blaring behind “Mr. Tough”. But if Ira’s patented guitar freakouts are more your bag, then this set that went more or less from quiet to loud gave you plenty to love. From the opening solo of “From A Motel 6” into “I Should Have Known Better” to the screaming three-song suite of “Deeper Into Movies” into “Some Kinda Fatigue” into “Sugarcube”, this was a night where the band could shine without any added players. And after that trio came the sprawling “The Story of Yo La Tengo”, a song that, if any in their catalog, is worthy of the name, evolving from a spare organ intro into a full-blown squall of guitar, Ira barely visible from the back of Maxwell’s as he hunched over to will the notes from his instrument. While by Hanukkah standards this set could be billed as a “conventional” one (albeit, one that also saw the debut of another new song, “Cornelia and Jane”), it was, in the story of this 2012 Hanukkah run, no less vital.

I recorded this set in the same manner as the other nights, this time with Schoeps MK5 microphones to produce a fuller, warmer sound.  Like all of the recordings released so far, this one benefited from a beautiful house mix by the band’s engineer Mark, and is another outstanding document of the band. Enjoy!

Tonight’s show was a benefit for The Brooklyn Recovery Fund. We ask that if you download this show, you contribute to the charity, which you can easily do by texting “Brooklyn” to the number at the top of this page. Although you are not required to donate to the charity in order to download this show, Yo La Tengo would greatly appreciate it if you would.

Stream “Deeper Into Movies”

Download the MP3 files [HERE] | Download the FLAC files [HERE]
Please note: Due to high download volume, we are hosting these files off-site. The off-site host has a maximum download limit of 500, which will periodically be reached. Please let us know if the download limit is reached and we will re-upload the files in a new location.  

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

ylt2012-12-12-2

Yo La Tengo
2012-12-12
Hanukkah Night 5
Maxwell’s
Hoboken, NJ USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Benefit for the Brooklyn Recovery Fund
Setlist courtesy of Jesse Jarnow (www.jessejarnow.com)

Soundboard (engineer: Mark) + Schoeps MK5>CMC6>Sound Devices USBPre2>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, adjust levels)>Izotope Ozone 5 (light EQ and exciter)>Audacity 3.0 (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time: 1:33:23]
01 [intro]
02 From A Motel 6>
03 I Should Have Known Better
04 Here To Fall
05 [banter1]
06 Can’t Forget
07 I Can Hear Music [Jeff Barry, Ellie Greenwich & Phil Spector]
08 [banter2]
09 If It’s True
10 Mr. Tough
11 Nowhere Near
12 [banter3]
13 Cornelia and Jane
14 Deeper Into Movies>
15 Some Kinda Fatigue>
16 Sugarcube
17 The Story of Yo La Tengo
18 [encore break]
19 Dog Meat [Flamin’ Groovies]
20 [banter4]
21 Hanky Panky Nohow [John Cale]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Yo La Tengo, visit their website, and pre-order the new album Fade from Matador Records [HERE].

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