Posts Tagged ‘ Sennheiser MKH-8040 ’

Jeffrey Lewis: February 8, 2013 Music Hall of Williamsburg – Flac/MP3/Streaming

February 11, 2013
By

jeffrey lewis 2013-02-08
[photo by acidjack]

It is a pure coincidence that our next post after Diane Cluck is her sometime collaborator and fellow anti-folk alum Jeffrey Lewis. We spoke at length with Jeffrey after his entertaining performance at the first night of the Don Giovanni Records showcase at Music Hall of Williamsburg on Friday night. Speaking to Jeffrey is almost as entertaining as seeing him live, but we also learned that he was in fact at the Diane Cluck show on Tuesday. It is not a coincidence however that the two artists have chosen the same uncompromising career choices, Diane as a direct-to-fan artist and Jeffrey as a multi-talentend jack of all trades — songwriter, cartoonist, humorist and writer. The performance on Friday offered a forty-minute glimpse of these talents and was a thoroughly enjoyable set on many levels, offbeat (“Cult Boyfriend” streaming below), thoughtful (“Life”), educational (“Pocahontas”), and completely hilarious (“The Pigeon”, a yiddish LES spoof of Poe’s The Raven). We have had the luck to see Jeffrey several times, but inexplicably he’s never been on the site. We are happy to finally have him here, and hope there are more to come.

I recorded this set with acidjack from a prime location in this venue. I mixed the Sennheiser cards with a fine soundboard feed and the results are superb. Enjoy!

Stream “Cult Boyfriend”:

This Recording is now available to Download in FLAC and MP3 and to Stream at Archive.org [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Jeffrey Lewis
2013-02-08
Music Hall of Williamsburg
Brooklyn, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser 8040 Cardioids > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded by nyctaper and acidjack
Produced by nyctaper 2013-02-10

Setlist:
[Total Time 36:41]
01 When You’re By Yourself
02 [banter – thanks for coming]
03 Cult Boyfriend
04 Big A Little A [Crass]
05 [banter – low budget films]
06 Pocahontas
07 Life
08 Reaching
09 [banter – Raven]
10 The Pigeon
11 Time Trades
12 Into A Corner
13 The Dirty Bird

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Jeffrey Lewis, visit his website, and purchase his official merch at his website [HERE] and at Don Giovanni Records [HERE].

Cracker: January 19, 2013 Stage 48 – Flac/MP3/Streaming

February 8, 2013
By

cracker keim
[photo by Dean Keim]

On their annual co-tour with Camper Van Beethoven, Cracker usually gets the anchor spot. I guess this is because David Lowery, who gets double duty each night, sings louder and more vociferously for Cracker’s style of music than he does for CVB, and if the bands were reversed he’d have no voice at all for the Camper set. For the Stage 48 show a few weeks back, this was again the case. Lowery was his usual more animated Cracker self for a very energetic show. But on that night, we were doubly impressed with the work of Johnny Hickman whose energy, humor and guitar work always makes a Cracker show more entertaining. At the Stage 48 show however, Johnny seemed especially moved by the recent loss of a friend Mac Shingleton and the dedication to Mac of “Another Song About the Rain” ignited something special in that song and the moving version was the highlight of the evening. We’re streaming it below.

I recorded this set in the same manner as the CVB set and the sound is superb. Enjoy!

Stream “Another Song About the Rain”:

This Recording is now available to Download in FLAC and MP3 and to Stream at Archive.org [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Cracker
2013-01-19
Stage 48
New York, NY USA

Digital Master Recording
Recorded from Inside of Soundboard Booth

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, EQ, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2013-02-07

Setlist:
[Total Time 1:21:01]
01 Low
02 Teen Angst
03 The Good Life
04 Useless Stuff
05 I Could Be Wrong
06 Friends
07 Forever
08 [banter – tuning]
09 Turn on Tune in Drop Out with Me
10 Eurotrash Girl
11 Big Dipper
12 Guarded By Monkeys
13 Seven Days
14 Another Song About the Rain
15 [encore break]
16 Gimme One More Chance
17 I See The Light

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Cracker, visit their website, and purchase their official releases directly from the Store at their website [here] or from the 429 Records website [here].

Mac DeMarco: February 1, 2013 Webster Hall – Flac/MP3/Streaming

February 7, 2013
By

Mac DeMarco - Hatfield
[photo by Amanda Hatfield – courtesy of brooklynvegan]

Mac DeMarco is pulling your leg. He acts the part of the hick from Canada just playing his guitar with his friends, joking about everything, drinking, burping into the microphone, and generally just goofing around. And then the music starts. The songs are typical for an early 20s performer, so yeah there’s also some goof in there, but the serious aspect is that Mac can write and perform top notch indie-pop. Captured Tracks is in on it too, as they’ve released the debut EP and Mac’s new album 2. At Webster Hall on Friday, all of the hijinx were present but the musicianship was there too. Mac worked through much of his still young catalog and threw in a few crazy covers — who goes from Brubeck to Limp Bizkit on a dime — but still managed to perform an extremely entertaining forty-five minute set. Mac DeMarco will continue to tour throughout the year and today it was announced that he’ll be the support on the new Phoenix tour.

I recorded this set in the same manner as the Ty Segall set and the sound is outstanding. Enjoy!

Stream “Ode to Viceroy”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Mac DeMarco
2013-02-01
Webster Hall
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, downsample set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2013-02-04

Setlist:
[Total Time 43:31]
01 [introduction]
02 The Stars Keep On Calling My Name
03 Cooking Up Something Good
04 Rock and Roll Nightclub
05 Ode To Viceroy
06 [banter – its only smells]
07 Annie
08 Freaking Out the Neighborhood
09 Baby’s Wearing Blue Jeans
10 My Kind Of Woman
11 She’s Really All I Need
12 Take Five [Dave Brubeck]
13 Just One of Those Days [Limp Bizkit]
14 Schism [Tool]
15 She’s Really All I Need (Reprise)
16 Still Together

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Mac DeMarco, visit his artist page at Captured Tracks, and purchase his debut album 2 from Captured Tracks [HERE].

Ty Segall: February 1, 2013 Webster Hall – Flac/MP3/Streaming

February 4, 2013
By


[photos by PSquared Photography]

Our last visit with Ty Segall was less than six months ago in the intimate DIY venue Death By Audio, when Ty played an unannounced “secret show” to a frenzied crowd of about 100 people. That show was one of our favorite ones of 2012 for a variety of reasons, not the least of which was that we were able to see this exciting and uber-talented performer from only a few feet away. Ty is perhaps the premiere current garage rock purveyor and his star continues to grow. On Friday, Ty Segall sold out Webster Hall. This was not a soft sell out — tickets prices were inflated five times over on various secondary markets for weeks before the show. After two outstanding opening sets by Ex-Cult and Mac DeMarco (coming soon), Ty took the stage in front of a completely manic crowd literally stuffed into every inch of the floor. It didn’t take long for space to clear however, as the moshing was frequent and intense and consisted of a majority of the floor dwellers. Our vantage point was quite different from DBA, as we occupied our usual Webster spot on the right side of the soundboard perch which gave us a full vantage point of the entire crazy floor. But while the crowd was certainly entertaining and a hoot to watch, the real action was on stage where Ty and his band ripped through an hour-long set. The setlist included five songs from his latest album the outstanding Twins and a good mix of old and new material going all the way back to his first official 7″ “Skin”. Ty Segall’s tour continues through the middle of February and moves through the midwest, dates here.

I recorded this show from the soundboard perch with the Sennheiser cards mixed with an excellent board feed and the sound quality is outstanding. Enjoy!

Stream “I Bought My Eyes”:

Stream “Standing at the Station”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Ty Segall
2013-02-01
Webster Hall
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, downsample set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2013-02-02

Setlist:
[Total Time 56:06]
01 [introduction]
02 Thank God for Sinners
03 You’re the Doctor
04 I Bought My Eyes
05 Tell Me What’s Inside Your Heart
06 Finger
07 Standing at the Station
08 Girlfriend
09 The Tongue
10 Handglams
11 The Hill
12 Skin
13 [banter – Judith]
14 Wave Goodbye
15 [banter – crowd]
16 Oh Mary
17 [banter – Chris Shaw intro]
18 Imaginary Person [Chris Shaw vocals]
19 [banter – ZZ Top]
20 My Sunshine
21 I Am With You
22 Inside Your Heart

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Ty Segall, visit his website, and purchase his latest album Twins from Drag City Records [HERE].

Joe Russo’s Almost Dead: January 26, 2013 Brooklyn Bowl – Flac/MP3/Streaming

January 28, 2013
By

Almost Dead BK Bowl
[photo by nyctaper]

If you have any interest at all, even passing, in the music of the Grateful Dead, then what happened at Brooklyn Bowl on Saturday night was an important milestone in the post-Dead era. I do not exaggerate, this was a big deal. In the seventeen years since the death of Jerry Garcia and the dissolution of the Grateful Dead as an active band, there has been a steady and sometimes tiresome parade of bands attempting to “capture the magic”. In 2009, such a group even went as far as to tour as “The Dead”. One band plays complete setlists from historical Dead shows. Invariably those bands offer some connection to the band, often an original member or two, and some excellent musicianship — but there is always something lacking. Those bands can mimic the sound and usually feature a wiz guitarist with the ability to ape Garcia’s original sound. But the inherent problem is that it all seems so canned and knock-off-ish, lacking in originality and ultimately devoid of any magic at all. Sure, there are moments, or sets, or even complete shows that are rewarding in the short term. Phil Lesh and Friends has perhaps the best track record in terms of sustained performance quality. But as a whole the entire post-Dead era seems to be just a steady beat of disappointment.

On Saturday night, I saw the first post-Dead band that truly offered music that rivaled the original band at its peak. But what separated Joe Russo’s “Almost Dead” from the others was their approach to the music. This was not a mimic or an imitation, but a quintet of supremely talented musicians interpreting the music in their own unique manner. The two guitarists, Scott Metzger and Tom Hamilton, have carved out excellent careers on their own merit. And thankfully neither sounded really anything like Garcia. Marco Benevento used his many talents on an assortment of keyboards to play in his own style, not like Godchaux or Constanten or Mydland. Dave Dreiwitz played an Alembic bass, but his style is nothing like Phil Lesh. And Russo, sure he plays for “Furthur”, but with Almost Dead his drums were a lead instrument — he was able to stretch out and play in a way that the restrictions of a “tribute” band don’t allow. And play they did. Over three hours in two lengthy sets. The highlights were bountiful, but it was the little moments that captured the night for me — a space jam in the middle of Althea, a blazing Shakedown Street (streaming below) that literally began on the last note of Tennessee Jed and continued into a very original jam, the 1973-era “Stronger than Dirt” instrumental post-Eyes jam, multiple teases of Caution in and out of The Other One, and an incredibly huge and energetic Viola Lee Blues (streaming below) that pushed the show to over three hours.

Given the incredible results of this show from a musical unit that only plays occasionally, its hard to fathom that “Almost Dead” might be a one-off or a once a year event. Maybe in the post-Dead era, that’s also the right approach to this music. Get it right, and then let it go. We always have the tapes. If Joe and friends decide to do it again, however, I’ll be there. It may not be like the first time, but it won’t be a disappointment.

I recorded this set with the four mic rig from the right side of the venue, about 30 feet from the stage. The sound in the Bowl on this night was perhaps the best its ever been, and I’m really pleased with the outstanding results of this recording. Enjoy!

Stream “Viola Lee Blues”:

Stream “Shakedown Street”:

This Recording is now Available for Download in FLAC and MP3 and for Streaming at Archive.org [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Joe Russo Almost Dead
2013-01-26
Brooklyn Bowl
New York, NY USA

FOB Four-Track Audience Recording

Sennheiser MKH-8040 Cardioids + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper
2013-01-27

Joe Russo – Drums and Vocals
Marco Benevento – Keyboards
Scott Metzger – Guitar and Vocals
Tom Hamilton – Guitar and Vocals
Dave Dreiwitz – Bass

Setlist:
Set 1
[Total Time 1:24:31]
01 Bertha
02 Althea
03 Jack Straw
04 Deal
05 Mr Charlie
06 [band introductions]
07 Brown-Eyed Women
08 Tennesee Jed
09 Shakedown Street
10 Jam
11 China Cat Sunflower
12 I Know You Rider

Set 2
[Total Time 1:42:58]
13 Estimated Prophet
14 Eyes Of The World
15 Help On The Way
16 Slipknot
17 Franklins Tower
18 St Stephen
19 The Eleven
20 Caution Jam
21 The Other One
22 Viola Lee Blues
23 [encore break]
24 US Blues

If you download this recording from NYCTaper, we expect that you’ll please support these artists, visit their websites and purchase their office merchancise. Benevento-Russo Duo [HERE], Marco Benevento [HERE], Tom Hamilton [HERE], Scott Metzger [HERE], and Dave Dreiwitz [HERE].

Camper Van Beethoven: January 19, 2013 Stage 48 – Flac/MP3/Streaming

January 23, 2013
By

CVB Keim
[photos by Dean Keim]

Yesterday, Camper Van Beethoven released their eighth album La Costa Perdida, and first since 2004. The album is a strong continuation of the band’s latter-era mature material. That is to say a melodic mix of CVB songwriting abilities and eclectic influences delivered with technical proficiency. The band’s traditional mini winter tour took them to NYC for the fifth consecutive January, but first at the new midtown venue Stage 48, a club similar in layout and vibe to the location of the three previous CVB NYC shows, Highline Ballroom, but with more “uptown” feel. While at last year’s show we got a sneak peek at 3 of the new songs, on Saturday night the band played five of the album’s ten tracks, including the single-quality number “Northern California Girls” that we are streaming below. While technically “opening” the show, these co-headline sets with Cracker (recording coming soon) are virtually full length, so the band played seventy minutes of material including quite a number of classics. Camper will continue to tour on the album with shows in the Southeast in January and the West coast in February.

This was our first trip to Stage 48. We were quite impressed with the sound quality of the room and the superb quality of this recording reflects the excellent system at Stage 48 and the talents of the venue’s FOH Will. I recorded this set with the Sennheiser cards from the soundboard booth, which is located above the floor but below the balcony and mixed it with a fine board feed. Enjoy!

Stream “Northern California Girls”:

This Recording is now available for Download in FLAC and MP3 and to Stream at Archive.org [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

CVB2 Keim

Camper Van Beethoven
2013-01-19
Stage 48
New York, NY USA

Digital Master Recording
Recorded from Inside of Soundboard Booth

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, EQ, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2013-01-22

Setlist:
[Total Time 1:09:34]
01 [introduction]
02 Waka
03 Pictures of Matchstick Men
04 Seven Languages
05 Summer Days
06 All Her Favorite Fruit
07 Northern California Girls
08 One Of These Days
09 Too High For the Love In
10 Sad Lovers Waltz
11 Take The Skinheads Bowling
12 You Got To Roll
13 Tania
14 Peaches in the Summertime
15 New Roman Times
16 L’Aguardiente
17 Eye of Fatima Part 1
18 Eye of Fatima Part 2

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Camper Van Beethoven, visit their website, and purchase La Costa Perdida directly from the Store at their website [HERE].

Mission of Burma: January 18, 2013 Bowery Ballroom – Flac/MP3/Streaming

January 20, 2013
By


[photos by PSquared Photography courtesy of brooklynvegan]

Mission of Burma has accomplished a singular feat among rock acts. They are both one of the seminal and most influential early post-punk bands and also one of the most compelling current purveyors of the genre. At Bowery Ballroom on Friday night, both aspects of the band’s catalog were on display. MOB is currently playing shows featuring their newest album Unsound (Fire Records), and the setlist included six of the album’s eleven tracks. The new material was seamlessly mixed in the set with older material, going all the way back to the earliest single “Nu Disco”, the band’s best known early song “Academy Fight Song”, and one of their best covers (from The Horrible Truth) the Stooges “1970” (streaming below). Throughout the night what was on display was the band’s singular proficiency at their instruments. Roger Miller’s genre-defining guitar work, Peter Prescott’s aggressive drumming and Clint Conley’s angular bass work define this band’s legendary sound. But also on this tour the band’s has been accompanied by a horn duo, and as is traditional, tape wizard Bob Weston joined on bass for the final encore “Good, Not Great” (also streaming below). Mission of Burma doesn’t really “tour” as much as they play a handful of shows in spurts throughout the year. NYC was the final show of January, but the band will return for three shows in the Southeast in March.

I recorded this set with the four microphone rig from the balcony rail and the sound is excellent. Enjoy!

Stream “1970 (Stooges cover)”:

Stream “Good, Not Great”:

This Recording is now available to Download in FLAC and MP3 and to Stream at Archive.org [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Mission Of Burma
2013-01-18
Bowery Ballroom
New York, NY USA

Digital Master
Four-Track Audience Recording
Recorded from Balcony Railing

Sennheiser MKH-8040 Cardioids + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper
2013-01-19

Setlist:
[Total Time 1:15:05]
01 Second Television
02 Fell – H20
03 7s
04 Donna Sumeria
05 Sectionals in Mourning
06 2wice
07 Nu Disco
08 This Is Hi-Fi
09 What They Tell Me
10 ADD in Unison
11 Dead Pool
12 This Is Not a Photograph
13 Absent Mind
14 Red
15 1 2 3 Partyy
16 1970 [Stooges]
17 [encore break and loops]
18 Academy Fight Song
19 Spiders Web
20 Good Not Great

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Mission of Burma, visit their website, and purchase Unsound from the Fire Records website [HERE] and purchase other Mission of Burma material from the Store at their website [HERE].

She Keeps Bees: December 15, 2012 Cameo Gallery – Flac/MP3/Streaming

January 17, 2013
By

SKB Hatfield BV
[photo courtesy of Amanda Hatfield and brooklynvegan]

Last month at Sharon Van Etten’s secret show at Cameo Gallery, we weren’t entirely certain until well into the evening as to whether Sharon would actually play. But we were ok with that, since the bill included our old friends She Keeps Bees. We hadn’t seen Jess and Andy in quite a while, likely in over a year. They spend a lot of time recording and playing in Europe, since, well, our brethren overseas have caught on to the magic of She Keeps Bees better than the audiences and industry folk over here. Their 2011 release Dig On was one of Rough Trade’s albums of the year, but it hardly made a blip in America. In the US, its not to say that when a crowd is at an SKB show, they don’t have a great time. Its just that the crowds aren’t big enough and the industry buzz isn’t loud enough given the immense talent and likeability of this duo. Eventually, it will happen. And perhaps the friendship of performers like Sharon Van Etten will help — it certainly can’t hurt. At Cameo last month, She Keeps Bees played a forty minute set in a style to which we’ve become accustomed — a nice mix of material old and new, plenty of hilarious banter, and some outstanding individual performances. We’re streaming the finale of “Ribbon” because it encapsulates much of what’s great about this band, talent, energy and lots of soul.

I recorded this set in the same manner as Sharon’s set, and the sound quality is outstanding. Enjoy!

Stream “Ribbon”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

She Keeps Bees
2012-12-15
Cameo Gallery
Brooklyn, NY USA

Digital Master Recording
Recorded from Front of Soundboard Booth

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, EQ, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2013-01-16

Setlist:
[Total Time 36:02]
01 Sister Beware
02 Breezy
03 Counter Charm
04 Pillz
05 All or None
06 See Me
07 [banter]
08 Vulture
09 Gimme
10 Howl
11 Ribbon

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT She Keeps Bees, visit their website, and purchase Dig On from their Bandcamp page [HERE].

Math the Band: January 4, 2013 Glasslands – Flac/MP3/Streaming

January 8, 2013
By

Math The Band Glasslands
[photo by nyctaper]

When I first saw Math the Band, in an opening slot for Anamanaguchi at Music Hall a couple of years ago, I knew I would have to see them and record them again. That 2011 recording was just not high enough quality to post, and it frankly failed to capture the crazy energy of the performance. Friday night at Glasslands, that energy was on display again and thankfully the stars aligned to produce a faithful recording of their fun and crazy set. Math the Band has been around for a decade and they are part of the groundbreaking Providence RI art collective AS220, but the duo performs with a kind of unselfconscious elation that would be typical of a brand new band finding their footing. The Glasslands show was short and sweet, a less than 30 minute run through much of their new album Get Real and a few chosen older nuggets. While the band certainly makes abundant use of the chiptune style keyboard, the songwriting shows influences of oldies like Dead Milkmen. And like their predecessors, the live show is a hoot — a smile-inducing experience that ends too soon and leaves us wanting more. Math the Band will be touring throughout January on the East Coast, dates are here.

I recorded this set with the Sennheiser Cards mounted in the middle of Glasslands and mixed with an excellent board feed from house FOH Josh. The sound is excellent. Enjoy!

Stream “Why didn’t you get a haircut”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Math the Band
2013-01-04
Glasslands Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2013-01-05

Setlist:
[Total Time 27:57]
01 Mission Statement
02 Hang out Hang ten
03 Bad Jokes
04 [banter]
05 Hey Alright
06 Stay Real (Sock it to me Satan)
07 Sad Son
08 Wear Wolf Fever
09 Four to Six
10 Why didn’t you get a haircut
11 Down
12 Tour de Friends

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Math the Band, visit their website, and purchase Get Real from Anchor Brain Store [HERE] or from the Math the Band Bandcamp page [HERE].

The Feelies: December 10, 2012 Maxwell’s – Flac/Mp3/Streaming

December 27, 2012
By

121012-feelies-1
[photo from Yo La Tengo Hanukkah Diary

At this point chronologically, the Feelies v.3 has lasted almost as long as versions 1 or 2. But what has been consistent is that sound — the methodical, trance-like rhythms providing a backdrop for the melodic and precise guitar work of Glenn Mercer. Another consistent aspect of the band is their commitment to Maxwell’s and Hoboken. When Yo La Tengo came calling offering an opening gig to benefit their shared storm-tattered town, the Feelies were there on Night 3 to play and provide support to that show’s charity — this time the NJ Community Food Bank. The band then proceeded to play a blistering set and perhaps the longest opening gig for a Hanukkah show we’ve ever seen. But the crowd has no complaints, as the Feelies performed songs old and new with a clarity and purpose to behold. We’re streaming the duo of “Raised Eyebrows” and “Crazy Rhythms”, a segue that we’ve left intact. It encapsulated all that is right with the Feelies, ferocious duo-drums and a head-long crash into one of their oldest songs played at breakneck speed until it collapsed into a noise drenched finale of pure bliss.

I recorded this set in the same exact manner as the Yo La Tengo set from this night and the sound is superb. Enjoy!

Stream “Raised Eyebrows – Crazy Rhythms”:

Download the Complete show [MP3] / [FLAC]

While not a strict requirement in order to access this recording, if you download this show we encourage you to support the Night 3 charity for whom both bands played this show. The NJ Community Food Bank is collecting specifically for Hurricane Sandy relief at this time, and there is a donate button on the top of their web site [HERE].

Feelies
2012-12-10
Hanukkah Night 3
Maxwell’s
Hoboken, NJ USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH 8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar

Recorded and Produced
by nyctaper
2012-12-22

Setlist:
[Total Time 1:02:28]
01 Deep Fascination
02 For Now
03 Invitation
04 For Awhile
05 On the Roof
06 Lets Go
07 Higher Ground
08 The Final Word
09 Slipping (Into Something)
10 Away
11 Way Down
12 When You Know
13 Doin It Again
14 Time Is Right
15 Raised Eyebrows – Crazy Rhythms

(Thanks Jesse for the setlist)

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