Posts Tagged ‘ acidjack ’

LVL UP: October 17, 2015 Ad Hoc Car Wash

October 30, 2015
By

LVL-UP-1-edwinahay
[photos courtesy of Edwina Hay for Impose Magazine]

NY band LVL UP joined the merry mix of locals and out-of-towners for Ad Hoc’s post-CMJ car wash show, and delivered a tight eight-songs that included some of the ones that led Stereogum to call their 2014 album on Double Double Whammy/Exploding in Sound Records, HOODWINK’D, one of the best albums of the year. The band makes what I’d call straight-ahead alt-rock, with a dual vocal attack on top of minor-chord-driven guitars. This is a band that knows how to write a hook, with songs that are rainy-day intimate but fun to listen to. The band has cited Superchunk and Jawbreaker as influences, among others, and that feels right. Certainly, this show, inside of an abandoned car wash, had the feel of an independent rock show during those bands’ rise, with the amps cranked and the overwhelming feeling of the sound the most important thing. The band served up two of the three songs from their 2015 7″ EP, “Blur” and “The Closing Door,” and the two had a different but complimentary feel, with the former a short burst of pop energy, the latter a more considered coda. You can catch LVL UP at plenty of shows at all of Bushwick and Williamsburg’s better-known haunts, and we’d recommend you do that. In fact, they’ve got a show coming up on December 1 at Shea Stadium.

I recorded this set with Audio Technica 4051 microphones and a soundboard feed. The sound quality is reflective of the “DIY” nature of the space, but is still a good listen. Enjoy!

Download the complete set: [MP3/FLAC]

Stream the complete set: 

LVL UP
2015-10-17
Ad Hoc Car Wash
Hand & Detail Car Wash Center
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Audio Technica 4051 (LOC, FOB, PAS) + Soundboard>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, edit SBD)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Five Men On the Ridge
02 Pain
03 Soft Power
04 DBTS
05 Blur
06 Angel From Space
07 I Feel Extra Natural
08 The Closing Door

If you enjoyed this recording, please like LVL UP on Facebook, go see their shows, and buy their records on their bandcamp page.

Dirty Dishes: October 15, 2015 NYCTaper CMJ Party at Cake Shop

October 29, 2015
By

Dirty Dishes Cereal and Sounds
[photo courtesy of Cereal + Sounds]

The story of how the band Dirty Dishes came into being reads like something out of a Judd Apatow movie. The guy who vomits on the girl’s shoes at a party later calls to apologize and buy her new shoes, and eventually the two decide to start a band. The nagging question is why anyone would want to start a band with a shoe-puker — but after about thirty seconds of seeing Alex Molini play bass guitar the answer is obvious. The dude can flat out play. While Jenny Tuite’s lead vocals and melodic guitar lines are the centerpiece of the band, its the Molini bass presence that sets Dirty Dishes apart and are a large part of the reason why we invited them to our play our CMJ Day Party this year. The band had other gigs later in the evening so they needed to start early, which gave us the opportunity to see the band up close unfettered by the massive crowds that filled the Cake Shop basement later in the day. The Dirty Dishes set drew primarily from their 2015 release Guilty (Exploding in Sound Records) with two apparently new songs. It was the interplay between the band’s guitarists that impressed throughout and proves that no matter how you meet, its always a good thing to find your musical mate.

Dirty Dishes’ Fall Tour continues throughout November as the band travels through the East coast, Canada and the Midwest — all dates here. This tour includes a return to NYC for a show at Silent Barn on November 22.

Acidjack recorded this set in the same manner as the WOMPS set posted last week — Schoeps mounted on stage and mixed with a board feed. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

Dirty Dishes
2015-10-15
NYCTaper CMJ Day Party
Cake Shop
New York, NY

Digital Master Recording
Soundboard + On Stage Audience Matrix

Schoeps MK4V (onstage) > KC5 > CMC6 + Soundboard (engineer: Jeff) > Edirol R-44 [OCM] > 2x24bit/48kHz WAV > Adobe Audition (mix) > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Please support this excellent band:
http://dirtydishes.bandcamp.com/

Recorded by acidjack
Produced by nyctaper

Setlist:
[Total Time 23:28]
01 Red Roulette
02 Guilty
03 All Of Me
04 Sick Sentiment
05 Thank You Come Again
06 Dan Cortez

If you Download this recording from nyctaper, we expect that you will PLEASE SUPPORT Dirty Dishes, visit their Bandcamp, and purchase their new album Guilty from Exploding In Sound Records [HERE].

Jake Xerxes Fussell: September 10, 2015 Hopscotch Music Festival (Raleigh, NC)

October 28, 2015
By

hopscotch-festival-2015-15-kennethbachor
[photos courtesy of Kenneth Bachor for BrooklynVegan]

Jake Xerxes Fussell occupies a slightly different niche among his contemporary folk counterparts. Rather than reinterpreting old traditions into new sounds,  Fussell is more of an archivist and explorer, one who gives listeners a window into the original experience of the tunes being played. The Durham, NC-based singer appeared on the very Durham-friendly bill on the first night of Hopscotch Music Festival at the Fletcher Opera Theater, one slot before Phil Cook took the stage (that recording here). Fussell isn’t some latecomer or dilettante to the Southern material that’s on his mind; much like Alan Lomax followed in the footsteps of his father John, Fussell grew up with Fred C. Fussell, a folklorist whose work took him, and often young Jake, across the South, bringing them into contact with many traditional musicians in the process.

Paradise of Bachelors just releases Fussell’s debut record this year, produced by William Tyler, and as you’d expect, this set paid some attention to it. But there was more than that, too, owing to Fussell’s encyclopedic knowledge of the pool from which he draws, which one album can hardly contain. So we got versions of “Man At the Mill” and “Push Boat” from the album, we we also heard some classic Pete Seeger, in the form of “The Bells of Rhymney” and Virginian folk singer Helen Cockram’s “Pinnacle Mountain Silver Mine.” Fussell didn’t need much in the way of flash to get his point across, as he sat along on the broad semicircular stage in front of Cook’s ample stage set. It felt more like a fireside sing-a-long, as given by the kind of music professor you always wished you could’ve had.

Our friend Larry Tucker recorded this set with a soundboard feed together with Peluso subcardiod microphones. The sound quality is excellent. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set: 

Jake Xerxes Fussell
2015-09-10
Hopscotch Music Festival
Fletcher Opera Theater
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded by Larry Tucker
Produced by acidjack

Soundboard>PCM-M10 + Peluso CEMC6-CK21 (subcardiod) (Room center hung from balcony rail)>Fostex FR2-LE>24bit/48kHz WAV>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 If I Lose Let Me Loose [John Lee Ziegler] (cuts in)
02 The Bells of Rhymney [Pete Seeger]
03 Pinnacle Mountain Silver Mine [Helen Cockram]
04 Man At the Mill [traditional]
05 Push Boat [traditional]
06 Jump For Joy [Duke Ellington]
07 Raggy Levy [Georgia Sea Island Singers]
08 Copper Kettle [Albert Frank Beddoe]
09 Pork and Beans [Rosa Lee Hill]

If you enjoyed this recording, PLEASE SUPPORT Jake Xerxes Fussell, like him on Facebook, and buy his debut album from Paradise of Bachelors.

Mothers: October 15, 2015 NYCTaper Unofficial CMJ Show, Cake Shop

October 26, 2015
By

mothers2

The “taping” community is not a large one, and among people who have similar tastes to us that do it, the number is even smaller. We’ve long-respected the Athens/Atlanta site Southern Shelter for both its excellent taste in music and its high-quality recordings, and we look to each other for inspiration for the next bands to check out. The Athens band Mothers is one that Southern Shelter has talked up for a while, making us extra-stoked to be able to include them in our unofficial CMJ day show. Other sites caught on in the meantime, with Stereogum naming them a “band to watch” just a day before our show.

The Cake Shop room was at capacity for this set, and it’s no wonder why: Mothers, whose debut LP is anticipated in 2016, truly are an up-and-comer you can’t miss. Frontwoman and songwriter Kristine Leschper’s songs have a depth, breadth and ingenuity that sets them apart. In addition to her powerful voice, the songs feature complex arrangements that at times recall math and noise rock — a part of Leschper’s evolution as a songwriter as the band’s debut has come closer to fruition. This band, like many these days, began as Leschper’s solo project, but its expansion makes it more than the sum of those parts. She’s got an excellent team around her, and during the four-song span of our show, they gave us a taste of their range. “It Hurts Until It Doesn’t” is emblematic of Mothers’ evolution as a full band, whereas “No Crying In Baseball,” one of few songs actually released and this set’s closer, is considered an outlier to the rest of the band’s style. We hear the influence of some classic Athens bands in their sound, including the New Wavers Pylon (who we’ve recorded twice) and Warehouse (who we caught this year). It’s easy to see why they’ve caught on, making several “best of CMJ” lists this year, as this is one of those lucky few acts that lives up to the hype.

I recorded this set with Schoeps MK4V microphones in front of the stage together with a soundboard feed from the Cake Shop engineer Jeff. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC]

Stream the complete set: 

Mothers
2015-10-15
NYCTaper Unofficial CMJ Show
Cake Shop
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (onstage)>KC5>CMC6 + Soundboard (engineer: Jeff)>>Edirol R-44>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, fades, compression)>Izotope Ozone 5 (effects, EQ, image)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Copper Mines
02 It Hurts Until It Doesn’t
03 Hold Your Own
04 No Crying In Baseball

If you enjoyed this recording, please like Mothers on facebook and check out their songs on Soundcloud.

Protomartyr: October 17, 2015 Ad Hoc Car Wash

October 23, 2015
By

Protomartyr-11-edwina-hay
[photos courtesy of Edwina Hay as featured in Impose Magazine]

This was the week of the overwhelming, PR-driven quasi-festival known as the CMJ Music Marathon, meaning there were hordes of tired concertgoers and touring bands around by the time the week wrapped. Taking advantage of that, and perhaps bringing the vibes of our own scene back to earth were the already-legendary concert promoters/magazine Ad Hoc, who rented out a vacant car wash (and its adjoining parking lot) to put on a sprawling ten-band bill that boasted the best of local and touring acts. This event felt like an appropriate evolution for the neighborhood that once housed the best-known DIY venues of the prior decade: Here you had an unused commercial space converted to creative purposes, albeit this time with plenty of bathrooms, quality (and cheap and cold) beer by the can, and even a couple of food trucks.

If you went to a CMJ event this year, chances are you might have caught Protomartyr, who were all over the place at this year’s fest making the case for their recently-released third record The Agent Intellect. The Detroit band saw some heat from their last album, Under Color of Official Right, but consensus seems to be that it’s this new offering that is going to break them into wider consciousness. That’d be a more than fair outcome, as this thirty-minute, ten-song set showed off the best of their material, including “Scum, Rise!” from their previous record and a decent chunk of the new album. Frontman Joe Casey doesn’t exactly match the band’s sound or words, performing as he does in a weirdly-dapper dark blazer and sunglasses, but beneath that veneer boil bleak, personal tales set against the backdrop of the band’s hometown, such as the signature track “Pontiac ’87”. Though you could see the daylight streaming through behind the band (filtered only by the yellow car wash sign), they held the atmosphere where it needed to be, trapping the nervous energy within the stripped brick walls. Compared to some of their harder-edged peers who would share the stage throughout the day, Protomartyr were a bit more “musical” band than some of the other fare, and that’s part of what makes them special. If this CMJ was “their year,” then I say they’ve earned it.

I recorded this set with Audio Technica 4051 microphones and a soundboard feed from Ad Hoc’s staff. The sound quality reflects the “DIY” nature of the venue, but is still quite good. Enjoy!

Download the complete set: [MP3/FLAC]

Stream the complete set: 

Protomartyr
2015-10-17
Ad Hoc Car Wash
Hand & Detail Car Wash Center
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Audio Technica 4051 (LOC, FOB, PAS) + Soundboard>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, edit SBD)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 30:45]
01 Devil In His Youth
02 Cowards Starve
03 I Forgive You
04 Ain’t So Simple
05 Want Remover
06 Scum, Rise!
07 Pontiac 87
08 The Hermit>
09 Clandestine Time
10 Why Does It Shake?

If you enjoyed this recording, please like Protomartyr on facebook and buy their records from Hardly Art.

Jennifer Castle: October 4, 2015 Webster Hall

October 20, 2015
By

jennifer-castle-12
[photos courtesy of P Squared Photography]

It’s never an easy task to be a singer-songwriter opening for an eight-piece band in a 1500-capacity venue, but Jennifer Castle pulled off that feat, opening for Destroyer, in a way that let her material shine. I was surprised to discover that we hadn’t checked in with her since a Union Pool show in 2012, which came before the release of her widely-acclaimed 2014 album, Pink City. So, this was our first time getting to engage with much of that material, and I’m glad we had the chance. Accompanied by guitars and keys, but no percussion, Castle spared little time between songs, packing in as much as she could into the thirty-minute slot. What came across, in the big space of Webster Hall, was how strong her voice is, as able to fill this space as the coffee shops and smaller clubs where this music is typically more comfortable. She began with a newer song, “I Don’t Care About Money,” followed by “Powers” from her 2012 album Castlemusic, possibly the strongest track on that offering. From there, the Pink City material began in rapid-fire fashion, beginning with “Working For the Man.” The diaphanous-but-tensile quality of Castle’s voice is especially evident on this song, and the impressive vocal turns continued for many of the new songs. Not that Castle’s a stranger to challenging work — she’s played with everyone from fellow Canadian folkie Doug Paisley to the somewhat more aggro Toronto crews Fucked Up and The Constantines. Even if this setting might not have been the perfect way to be introduced to Jennifer Castle in terms of size, I suspect she earned a lot of new fans here. She continues with Destroyer on the West Coast before heading to Europe with them in November. Make sure to show up early to catch her set.

As with the Destroyer set, I recorded this set with a soundboard feed from the Webster Hall engineer Raphael, with a bit of Schoeps MK41V microphones to add ambiance. The sound quality is outstanding. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set: 

Jennifer Castle
2015-10-04
Webster Hall
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Thanks to Jennifer Castle for permission

Soundboard (engineers: Raphael) + Schoeps MK41V (at SBD, DFC)>KCY>Z-PFA>>Edirol R-44>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (fades, align, mix down)>Izotope Ozone 5 (EQ, effects, compression)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 29:34]
01 I Don’t Care About Money
02 Powers
03 Working For the Man
04 Truth Is the Freshest Fruit
05 How Or Why
06 Sailor’s Blessing
07 Sailing Away
08 Pink City

Band
Jennifer Castle – Vocals, guitar
Mike Smith – Bass
Ryan Driver – Keyboards

If you enjoyed this recording, PLEASE SUPPORT Jennifer Castle, like her on facebook, and buy Pink City from No Quarter Records.

WOMPS: October 15, 2015 NYCTaper Unofficial CMJ Show, Cake Shop

October 19, 2015
By

womps2

We couldn’t have been happier to kick off this year’s NYCTaper Unofficial CMJ Show at Cake Shop with the band WOMPS. As any CMJ veteran knows, this quasi-festival can be a bit of a slog — tons of shows played at venues all over town in a compressed amount of time, often for no pay. Add to that that you’ve come all the way from Scotland to do it, and well, that’s not a recipe for a good attitude or a good performance. What a delight, then, that straight off the bat these young guys brought great songcraft and the party spirit to launch this day show. You probably haven’t heard of this band, as they’ve just a seven-inch to their name currently, but big things are expected: Right now, they’re considering offers from several labels for their already-recorded debut, for which no less than Steve Albini was behind the boards. It’s not hard to see why, as they’ve got an approachable garage-rock sound that wears its angst well. The highlight of the set for me was “Dreams on Demand,” with its tuneful hook and classic 90s sound (you can easily imagine on the radio on KROQ or the like back in those days). In their short career, they’ve shared stages with the likes of METZ, Cloud Nothings and UK breakouts Royal Blood, and the good folks over at NME are already on the case. So, WOMPS may not be a household word in the U.S. just yet, but get a taste now before we say we told you so.

I recorded this set with Schoeps MK4V microphones at the front of the stage, combined with a soundboard feed of mostly vocals from Cake Shop engineer Jeff. The sound quality is not quite what I’m sure Steve Albini has done on their debut, but it’s still great. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the show [Note: “Live A Little Less” is not included as the track was partially cut]

WOMPS
2015-10-15
NYCTaper Unofficial CMJ Show
Cake Shop
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (onstage)>KC5>CMC6 + Soundboard (engineer: Jeff)>>Edirol R-44>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, fades, compression)>Izotope Ozone 5 (effects, EQ, image)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 23:00]
01 Live A Little Less [fades in]
02 Ritalin
03 Cancer of the Bone
04 Another Cell
05 Plasticine
06 Dreams On Demand
07 Three Cheers

If you enjoyed this recording, PLEASE SUPPORT WOMPS, visit their website, and buy their 7″ here.

Yo La Tengo: October 10, 2015 Kings Theatre

October 18, 2015
By

yo-la-tengo-4
[Photos courtesy of P Squared Photography]

A Yo La Tengo show in New York always feels like a family affair, even if held in the sprawling, gorgeous new Kings Theatre in Flatbush, Brooklyn. (If you haven’t seen this space, it’s so spectacular that it might make the Beacon Theater blush). This tour’s format — an all-acoustic performance that highlights the band’s recent partial-covers album, Stuff Like That There — also lent it that air, as the band clustered together with ample space to spare, surrounded by artwork made by friends and family, plus the friends and family staring back at them from the audience. With this band, you can always count on the unexpected, so while of course they played their new “single,” a cover of The Cure’s “Friday, I’m In Love,” along with other highlights of the record like their covers of Darlene McCrea’s “My Heart’s Not In It” and Lovin’ Spoonful’s “Butchie’s Tune,” and the brand-new songs “Rickety” and “Awhileaway,” their set was more surprises than sure things.

I’d assume the band’s longtime friends in Antietam were floating around in the audience somewhere, so Yo La Tengo rewarded us with a cover of that band’s “Naples.” Okay, fine, maybe one would have anticipated that — but who would have thought the band would follow the ultra-quiet new number “Awhileaway” with a cover of the Minutemen’s “Corona”? And later, as if in a nod to us noiseniks who can’t live without the band’s extended improvisational songs, they gave us an acoustic version of “Pass the Hatchet, I Think I’m Goodkind.” Of course, Stuff Like That There isn’t the band’s first covers-based album, so they of course had to take us back to the Fakebook days, including an excellent rendition of “Yellow Sarong” by The Scene Is Now. “Our Way To Fall” was as lovely as always, ending the main set on a subtle note. Of course the band came back, and of course it was with another excellent cover, this time Devo’s “Bottled Up,” with James taking his first vocal turn of the night. But the show’s final two numbers that will probably go down as its key moments, as the night’s opener, the famed English musician and songwriter Nick Lowe, joined the band for “Walk Away Renee” and his own song, “Rollers Show.”

As Georgia Hubley handles the vocals on many of the band’s quiet numbers, this format gave her a more prominent role. Added to the band’s arsenal for this tour is longtime partner Dave Schramm on second guitar, while James McNew ably tackled the stand-up bass. The soft/loud dynamic has traditionally been as essential to this band’s sound as their encyclopedic music knowledge, so the choice of an all-acoustic show — following a 2014 tour that had one full acoustic set before the “loud” second set — is a bit of a detour, but I can’t say I’m surprised that it worked. We’ll call this journey to the mellower side of YLT an unqualified success.

I recorded this set with the invaluable assistance of the band’s engineer Mark Luecke and the Kings Theatre staff. The recording is Mark’s mix combined with Schoeps MK41V microphones, and the sound quality is outstanding. Enjoy!

Download the complete set: [MP3/FLAC/Apple Lossless]

Stream the complete set:

Yo La Tengo
2015-10-10
Kings Theatre
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Mark Luecke) + Schoeps MK41V>KCY>Z-PFA>>Edirol R-44>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (patch first song, align, mix down, amplify, balance)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Special thanks to Mark Luecke for his assistance and the patched audience portion of the first song.

Tracks
01 Tried So Hard [Gene Clark]*
02 Automatic Doom [Special Pillow]
03 Rickety
04 My Heart’s Not In It [Darlene McCrea]
05 Double Dare
06 Naples [Antietam]
07 Deeper Into Movies
08 Butchie’s Tune [Lovin’ Spoonful]
09 Awhileaway
10 Corona [Minutemen]
11 Today Is the Day
12 Pass The Hatchet, I Think I’m Goodkind
13 Can’t Forget
14 [banter]
15 Here Comes My Baby [Cat Stevens]
16 Friday I’m In Love [The Cure]
17 Yellow Sarong [The Scene Is Now]
18 Ohm
19 Our Way To Fall
20 [encore break/artwork intro]
21 Bottled Up [Devo]
22 [Nick Lowe intro]
23 Walk Away Renee [The Left Banke]&
24 Rollers Show [Nick Lowe]&

* no soundboard for first 1:20; audience mics are patched from the band’s source
& with Nick Lowe

If you enjoyed this recording, PLEASE SUPPORT Yo La Tengo, visit their website, and buy Stuff Like That There and their many other fine releases from Matador Records.

yo-la-tengo-26

Ryley Walker: October 9, 2015 Rough Trade NYC (Tompkins Square 10th Anniversary)

October 16, 2015
By

20151010-RyleyWalker-3
[photos by Jill Harrison]

For the past decade, Tompkins Square Records has pursued the dual missions of enlightening listeners about the current state of folk and guitar music, as well as unearthing underappreciated classics, such as John Hulburt’s Opus III, compilations of gospel songs, and Harry Taussig’s Fate Is Only Once. But on the first side of that slate — current artists — is where Tompkins Square has stood out the most, offering up records by Daniel Bachman, Shawn David McMillen, and last year’s Grammy-nominated set of music from respected folk singer Alice Gerrard. The biggest single breakout, though, might be Ryley Walker, of Chicago, whose debut album the label released back in 2014. From there, things moved fast, with Walker blowing our minds at a full-band appearance at Hopscotch, releasing his second album, Primrose Green, in 2015 (and a live album with Bill MacKay in August), and ending up on the roster of, among others, the Pitchfork Music Festival, Levitation, and Wilco’s Solid Sound Festival. As followers of this site know, we’ve seen him a slew of times since that Hopscotch show, each revealing new songs and new dimensions of his style.

Fitting, then, that Ryley and his band would headline Tompkins Square’s tenth-anniversary celebration, at the top of a bill that also featured living legend Michael Chapman and the rediscovered D.C. folk musician Bob Brown, playing his first show in 30 years. Ryley said at the outset that he and his band didn’t deserve to be headlining over such company, and even if that wasn’t necessarily true, they certainly were the young guns among their peers. What followed that introduction was a sprawling, hour-plus set consisting of just four songs, all of them non-album material, two of them brand new to us. The band began with “The Roundabout,” a fitting metaphor for a song about possibilities that can just as easily turn into inertia. After that came the night’s sprawling centerpiece, “Sullen Mind,” which we first heard at Le Poisson Rouge back in June. This time, the song became a 25-minute showcase for the band and Ryley’s talents, the natural interplay among them obvious they grinned visibly at the transitions. “Funny Thing She Said” continued in that vein, giving sax man Levon Henry a showcase for his talents before Ryley even got to the first verse. This and “Sullen Mind” underscore how far Walker has come since even that 2014 Hopscotch performance; if one were inclined to accuse him of being a “traditional” folk musician, or some kind of tribute act for Van Morrison and the classics, his recent performances throw those assumptions out the window. What Walker is attempting here is something entirely different, and something that’s a total stranger to the Civil War-wave garbage that passes for modern folk or “indie” music on most stages these days. That he has already attempted it on the biggest stages, such as at Pitchfork, further proves that Walker isn’t taking the easy, commercial way here. More power to him.

After begging from the audience, the band closed with an even-newer tune, “The Great and Undecided,” a slightly more traditional number (so far) that we’re excited to hear develop. As Ryley enlightened us at the outset of this show, Tompkins Square has been delivering “sick nugs” for ten years now. I feel confident saying Ryley Walker will keep doing the same. He represents the best of the future, as well as the past.

I recorded this set with a soundboard feed from engineer Dustin Meyers together with Schoeps MK4V microphones. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3] | [FLAC] | [Apple Lossless]

Stream the complete show (note: banter tracks removed. Enjoy them on the download versions):

Ryley Walker
2015-10-09
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Dustin Myers) + Schoeps MK4V (PAS, FOB)>KC5>CMC6>>Edirol R-44>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, fades, compression, limiter)>Izotope Ozone 5 (EQ, imaging, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:05:05]
01 [intro banter]
02 The Roundabout
03 Sullen Mind
04 [tuning]
05 Funny Thing She Said
06 [encore break]
07 The Great and Undecided

Band:
Ryley Walker
Ben Boye – Keys
Brian Sulpizio – Guitar
Anton Hatwich – Bass
Ryan Jewell – Drums
Levon Henry – Sax

If you enjoyed this recording, PLEASE SUPPORT Ryley Walker, like him on Facebook, and buy All Kinds of You and The West Wind EP on Tompkins Square and Primrose Green from Dead Oceans. Also, check out Ryley’s new acoustic live album with Bill MacKay, which you can stream and buy here.

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Heaters: September 26, 2015 Alphaville

October 15, 2015
By

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Considering that Heaters are from Grand Rapids, Michigan, it’s notable how well they conjure a California garage, a Pacific coast parking lot, the beach (and no, I don’t mean Saugatuck, Michigan folks). Schooled in the ways of garage-psych contemporaries like Ty Segall, Thee Oh Sees and others, the Midwesterners bring their own vibe to the genre, packing a lot into the time of their new record, Holy Water Pool, released by the Brooklyn label Beyond Beyond Is Beyond, a mark of quality among bands of their kind. This was that album’s record release show, at the not-DIY Bushwick venue Alphaville, and Heaters’ tight 39-minute set made as strong an argument for them as a live band as for their record. We heard several of the new songs, including the standout “Detonator Eyes.” You can catch Heaters tonight at their CMJ show at Berlin, on Avenue A. Trust us, you want to do that.

I recorded this set with Audio Technica 4051 cardiod microphones and a soundboard feed from house engineer Theo Klein. The sound quality is quite good for the relatively modest sound system being used. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream and download the complete show on our bandcamp page:

Heaters
2015-09-26
Alphaville
Brooklyn, NY USA

Exclusive download hosted at nyctaper
Recorded and produced by acidjack

Audio Technica 4051 (FOB, LOC, PAS) + Soundboard (engineer: Theo Klein)>Roland R-26>24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 39:02]
01 [intro]
02 Master Splinter
03 Levitate Thigh
04 Hawaiian Holiday
05 Propane
06 Detonator Eyes
07 Dune Ripper
08 Heaven Hill
09 Gum Drop
10 Bad Beat

If you enjoyed this recording, PLEASE SUPPORT Heaters, like them on Facebook, and buy their records from Beyond Beyond Is Beyond Records and at their bandcamp page.

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